Author: Krishna Dalal
Publisher:
ISBN: 9780983324508
Category : Juvenile Fiction
Languages : en
Pages : 32
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On the stage of an elementary school auditorium, Chloe, Ryan, Juan and Hannah are participating in their school spelling bee. During the event, they discuss their strategies and fears via humorous word play (including homophones, oxymorons, rhyme, and knock-knock jokes).
Author: Christopher Innes
Publisher: Cambridge University Press
ISBN: 9780521016759
Category : Drama
Languages : en
Pages : 604
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Publisher Description
Author: Carolyn Davidson
Publisher: Infinity Publishing
ISBN: 0741425696
Category : Games & Activities
Languages : en
Pages : 154
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Author: A M Gibbs
Publisher: Springer
ISBN: 134905402X
Category : Literary Criticism
Languages : en
Pages : 574
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Author: Fred D. Crawford
Publisher: Penn State Press
ISBN: 9780271017792
Category : Literary Criticism
Languages : en
Pages : 264
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Book Description
SHAW 18 offers fourteen articles that illuminate aspects of Shaw's family history, relations with contemporaries, evolving reputation, and dramatic works. Dan H. Laurence presents an authoritative genealogy of the Shaw and Gurly sides of Shaw's family. Among discoveries that have long eluded Shaw's biographers is the birthdate of Elinor Agnes "Yuppy" Shaw, Shaw's sister. Michael W. Pharand assesses Shaw's intense dislike of Sarah Bernhardt. Stanley Weintraub analyzes Shaw's presence in the plays of Eugene O'Neill. Shaw's Advice to Irishmen, a newspaper account of Shaw's 1918 Dublin lecture "Literature in Ireland," records Shaw's comments on George Moore, J. M. Synge, and James Joyce. Robert G. Everding surveys Shaw festivals from 1916 in Ireland to the present-day Shaw festivals in Ontario and Milwaukee. In a review of Frank Harris on Bernard Shaw (1931), Richard Aldington dismisses Shaw as human being, thinker, and dramatist: "You must be a Shavian to admire and love Shaw the artist." In an interview with Leon Hugo, biographer Michael Holroyd discusses his biography of G.B.S., responses to his biography, and future work involving G.B.S. Jeffrey M. Wallmann argues that alienation in Shaw's plays enhances their contemporary value. Bernard F. Dukore investigates Shaw's reasons for discarding the original final act of The Philanderer. Rodelle Weintraub argues persuasively that You Never Can Tell requires the audience to choose between "Crampton's reality" and "Crampton's dream." Mark H. Sterner, weighing the various charges against Ann Whitefield's character in Man and Superman, concludes that Shaw's treatment of her and Tanner "as significantly different, but nevertheless equal . . . in itself was a revolutionary change in the status of sexual power relationships." Julie A. Sparks identifies W. W. Henley's sonnet "'Liza" as a likely source not only for some of Eliza's traits in Pygmalion but also for images in Man and Superman and Major Barbara. Charles A. Carpenter considers Buoyant Billions and Farfetched Fables in the context of Shaw's response to the birth of the atomic age. Paul Bauschatz, evaluating the differences between My Fair Lady and Pygmalion, illustrates why the film can reflect Shaw's play "only uneasily." SHAW 18 includes five reviews of recent additions to Shavian scholarship as well as John R. Pfeiffer's "Continuing Checklist of Shaviana."
Author: Louise McReynolds
Publisher: Cornell University Press
ISBN: 1501728776
Category : History
Languages : en
Pages : 320
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An athlete becomes a movie star; a waiter rises to manage a chain of nightclubs; a movie scenarist takes to writing restaurant reviews. Intrepid women hunt bears, drive in automobile races, and fly, first in balloons and then in airplanes. Sensational crimes jump from city streets onto the screen almost before the pistols have had a chance to cool. Paris in the Twenties? Fitzgerald's New York? Early Hollywood? No, tsarist Russia in the last decades before the Revolution. In Russia at Play, Louise McReynolds recreates a vibrant, rapidly changing culture in rich detail. Her account encompasses the "legitimate" stage, vaudeville, nightclubs, restaurants, sports, tourism, and the silent movie industry. McReynolds reveals a pluralist and dynamic society, and shows how the new icons of mass culture affected the subsequent gendering of identities. The rapid industrialization and urbanization of the late tsarist period spawned dramatic social changes—an urban middle class and a voracious consumer culture demanded new forms of entertainment. The result was the rapid incursion of commercial values into the arts and the athletic field and unprecedented degrees of social interaction in the new nightclubs, vaudeville houses, and cheap movie houses. Traditional rules of social conduct shifted to greater self-fulfillment and self-expression, values associated with the individualism and consumerism of liberal capitalism. Leisure-time activities, McReynolds finds, allowed Russians who partook of them to recreate themselves, to develop a modern identity that allowed for different senses of the self depending on the circumstances. The society that spawned these impulses would disappear in Russia for decades under the combined blows of revolution, civil war, and collectivization, but questions of personal identity are again high on the agenda as Russia makes the transition from a collectivist society to one in which the dominant ethos remains undefined.
Author: Eric Bentley
Publisher: U of Minnesota Press
ISBN: 145291561X
Category : Drama
Languages : en
Pages : 417
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Author: Bernard Shaw
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 476
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Author: Paul Anthony Jones
Publisher: University of Chicago Press
ISBN: 022664670X
Category : Reference
Languages : en
Pages : 385
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Book Description
Open The Cabinet of Linguistic Curiosities and you’ll find both a word and a day to remember, every day of the year. Each day has its own dedicated entry, on which a curious or notable event—and an equally curious or notable word—are explored. On the day on which flirting was banned in New York City, for instance, you’ll discover why to “sheep’s-eye” someone once meant to look at them amorously. On the day on which a disillusioned San Franciscan declared himself Emperor of the United States, you’ll find the word “mamamouchi,” a term for people who consider themselves more important than they truly are. And on the day on which George Frideric Handel completed his 259-page Messiah after twenty-four days of frenzied work, you’ll see why a French loanword, literally meaning “a small wooden barrow,” is used to refer to an intense period of work undertaken to meet a deadline. The English language is vast enough to supply us with a word for every occasion—and this linguistic “wunderkammer” is here to prove precisely that. So whatever date this book has found its way into your hands, there’s an entire year’s worth of linguistic curiosities waiting to be found.
Author: Bernard Shaw
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 504
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