Author: William H. Davenport
Publisher: University of Pennsylvania Press
ISBN: 1934536423
Category : Social Science
Languages : en
Pages : 249
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Book Description
In this ethnographic study of traditional sculpture from Santa Cruz Island, near the Solomon Islands in the southwest Pacific the late anthropologist William H. Davenport presents a distinctive genre of figure sculpture produced for and used in traditional religious rituals and ceremonies. The body of the book discusses the history of Santa Cruz Island society since the first Europeans came to the area in 1595, the cultural meanings of its most conspicuous features, and descriptions of the main components of worship, the rituals. The book includes discoveries about the making and use of the figurines, as well as the iconography of the pieces. The latter information is derived from general ethnographic data collected in the course of field research between 1958 and 1976 on Santa Cruz Island and the adjacent islands of the Santa Cruz Group, where Davenport's many close friends included both his informants in the villages and officers of the British Colonial Service. A dual study of a tradition of so-called tribal art in its context and a study of Santa Cruz Island society, the book includes meticulous descriptions of the sacred objects, currency, dances, and social interactions. Davenport's records of 55 specimens of Santa Cruz sculpture from both private collections and museums—initial acquisition, subsequent ownership, and other detailed physical information—constitute the catalogue section of the book. An engaging and previously unrecorded transcription of information distilled from local informants of the oral myths, rituals, and ceremonies reveals how Santa Cruz believers distinguished, celebrated, and communicated with their deities. Davenport's own unique photographs—both black and white and color—illustrate rituals on the island and life as it was lived before independence in 1978. His work here is a record of a culture which is barely now either lived or remembered by the descendants of those who created it, and all figural sculpture discovered in the future must be judged against this corpus of authenticated originals. Audiences will include anthropologists interested in the tribal arts of Pacific peoples, libraries with Melanesian collections, art historians, contemporary historians interested in the difference between description and comparison, and the special political and economic situation of colonialism.
Author: Richard Fulton
Publisher: Routledge
ISBN: 0429885016
Category : Literary Criticism
Languages : en
Pages : 269
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Book Description
South Seas Encounters examines several key types of encounters between the many-faceted worlds of Oceania, Britain and the United States in the formative nineteenth century. The eleven essays collected in this volume focus not only on the effect of the two powerful, industrialized colonial powers on the cultures of the Pacific, but the effect of those cultures on the Western cultural perceptions of themselves and the wider world, including understanding encounters and exchanges in ways which do not underemphasize the agency and consequences for all participating parties. The essays also provide insights into the causes, unfolding, and consequences for both sides of a series of significant ethnographic, political, cultural, scientific, educational, and social encounters. This volume makes a significant contribution to increasing scholarly interest in Oceania’s place in British and American nineteenth-century cultural experiences. South Seas Encounters investigates these significant interactions and how they changed the ways that Oceanic, British, and American cultures reflected on themselves and their place in the wider world.
Author:
Publisher:
ISBN:
Category : Art, Primitive
Languages : en
Pages : 340
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Book Description
Author: Nancy Dustin Wall Moure
Publisher:
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 772
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Book Description
"Continues those Newsletters printed in Publications in Southern California Art No. 5."
Author:
Publisher:
ISBN:
Category : Ethnology
Languages : en
Pages : 358
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Book Description
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 760
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Book Description
Author: George R. Ellis
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 132
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Book Description
Publication accompanying an exhibition held at the San Diego Museum of Art, San Diego, Jan. 31, 2009-Jan. 3, 2010.
Author:
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 1426
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Book Description
Every 3rd issue is a quarterly cumulation.
Author: Jane Turner
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 920
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Book Description
Author: Deborah Waite
Publisher: 5Continents
ISBN:
Category : Art
Languages : en
Pages : 210
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Book Description
The Conru Collection encompasses a broad range of artworks made between the eighteenth and early twentieth centuries. Most of the objects were collected in the early period of Pacific exploration. The collection is representative of the artistic output of the region and includes masks from Nissan and Bougainville, war canoe ornaments from New Georgia and Choisel, and numerous figural sculptures from throughout the island chain, as well as weaponry, jewellery and articles for daily life.