Author: Ad Petersen
Publisher: 010 Publishers
ISBN: 9789064504815
Category : Art
Languages : en
Pages : 212
Book Description
This concentrates on Sandberg's design work as Director of the Stedelijk Museum in Amsterdam, from 1938 to 1962. This includes his work on the Museum's posters, catalogues, exhibition designs and modernizing of the museum building.
Sandberg, Designer and Director of the Stedelijk
Author: Ad Petersen
Publisher: 010 Publishers
ISBN: 9789064504815
Category : Art
Languages : en
Pages : 212
Book Description
This concentrates on Sandberg's design work as Director of the Stedelijk Museum in Amsterdam, from 1938 to 1962. This includes his work on the Museum's posters, catalogues, exhibition designs and modernizing of the museum building.
Publisher: 010 Publishers
ISBN: 9789064504815
Category : Art
Languages : en
Pages : 212
Book Description
This concentrates on Sandberg's design work as Director of the Stedelijk Museum in Amsterdam, from 1938 to 1962. This includes his work on the Museum's posters, catalogues, exhibition designs and modernizing of the museum building.
Willem Sandberg
Author: Ank Leeuw-Marcar
Publisher:
ISBN: 9789078088738
Category : Art
Languages : en
Pages : 0
Book Description
"In this book, which is compiled from interviews taken more than 30 years ago, Sandberg looks back on his life, particularly on the period from around 1945 until 1970, during which he was active as a typographic designer and as director of the Stedelijt Museum in Amsterdam ... The basic material for the book is the interviews that art critic Paul Aletrino held in the years 1970-1971 with Sandberg for the VARA radio "Staalkaart" [augmented by other sources including] the documentary biography that Ad Petersen and Pieter Brattinga made in 1975 on the occasion of the Erasmus prize, which was awarded to Sandberg ... In 1981 I was given the task to compile this book from the material that been collected. I arranged from the chapters according to the most important themes which were raised in the interviews. In addition, I turned the spoken language of Sandberg into reading language and reflected as faithfully as possible his own word usage. The text was authorised by Sandberg for the first edition ..."-- Excerpted from the author's introduction.
Publisher:
ISBN: 9789078088738
Category : Art
Languages : en
Pages : 0
Book Description
"In this book, which is compiled from interviews taken more than 30 years ago, Sandberg looks back on his life, particularly on the period from around 1945 until 1970, during which he was active as a typographic designer and as director of the Stedelijt Museum in Amsterdam ... The basic material for the book is the interviews that art critic Paul Aletrino held in the years 1970-1971 with Sandberg for the VARA radio "Staalkaart" [augmented by other sources including] the documentary biography that Ad Petersen and Pieter Brattinga made in 1975 on the occasion of the Erasmus prize, which was awarded to Sandberg ... In 1981 I was given the task to compile this book from the material that been collected. I arranged from the chapters according to the most important themes which were raised in the interviews. In addition, I turned the spoken language of Sandberg into reading language and reflected as faithfully as possible his own word usage. The text was authorised by Sandberg for the first edition ..."-- Excerpted from the author's introduction.
Sandberg, Designer and Director of the Stedelijk
Author: Ad Petersen
Publisher:
ISBN: 9789064504631
Category :
Languages : en
Pages : 0
Book Description
This concentrates on Sandberg's design work as Director of the Stedelijk Museum in Amsterdam, from 1938 to 1962. This includes his work on the Museum's posters, catalogues, exhibition designs and modernizing of the museum building.
Publisher:
ISBN: 9789064504631
Category :
Languages : en
Pages : 0
Book Description
This concentrates on Sandberg's design work as Director of the Stedelijk Museum in Amsterdam, from 1938 to 1962. This includes his work on the Museum's posters, catalogues, exhibition designs and modernizing of the museum building.
Recollected Work
Author: Armand Mevis
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 220
Book Description
Nothing about Dutch graphic design duo Mevis & van Deursen conforms to type. Praised for their innovative but clear presentation, they have designed everything from artist's books for Gabriel Orozco and Rineke Dijkstra to an official government stamp commemorating the marriage of Dutch Crown Prince Willem-Alexander, based on the number two, since the wedding date was 02-02-02. This book represents a range of work from the past 15 years, mostly books but also posters and smaller pieces. However, the artists have chosen not simply to present the work again but to make it new through collage and reinterpretative interplay, thus "recycling" their innovative design.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 220
Book Description
Nothing about Dutch graphic design duo Mevis & van Deursen conforms to type. Praised for their innovative but clear presentation, they have designed everything from artist's books for Gabriel Orozco and Rineke Dijkstra to an official government stamp commemorating the marriage of Dutch Crown Prince Willem-Alexander, based on the number two, since the wedding date was 02-02-02. This book represents a range of work from the past 15 years, mostly books but also posters and smaller pieces. However, the artists have chosen not simply to present the work again but to make it new through collage and reinterpretative interplay, thus "recycling" their innovative design.
Design after Capitalism
Author: Matthew Wizinsky
Publisher: MIT Press
ISBN: 0262543567
Category : Design
Languages : en
Pages : 347
Book Description
How design can transcend the logics, structures, and subjectivities of capitalism: a framework, theoretical grounding, and practical principles. The designed things, experiences, and symbols that we use to perceive, understand, and perform our everyday lives are much more than just props. They directly shape how we live. In Design after Capitalism, Matthew Wizinsky argues that the world of industrial capitalism that gave birth to modern design has been dramatically transformed. Design today needs to reorient itself toward deliberate transitions of everyday politics, social relations, and economies. Looking at design through the lens of political economy, Wizinsky calls for the field to transcend the logics, structures, and subjectivities of capitalism—to combine design entrepreneurship with social empowerment in order to facilitate new ways of producing those things, symbols, and experiences that make up everyday life. After analyzing the parallel histories of capitalism and design, Wizinsky offers some historical examples of anticapitalist, noncapitalist, and postcapitalist models of design practice. These range from the British Arts and Crafts movement of the nineteenth century to contemporary practices of growing furniture or biotextiles and automated forms of production. Drawing on insights from sociology, philosophy, economics, political science, history, environmental and sustainability studies, and critical theory—fields not usually seen as central to design—he lays out core principles for postcapitalist design; offers strategies for applying these principles to the three layers of project, practice, and discipline; and provides a set of practical guidelines for designers to use as a starting point. The work of postcapitalist design can start today, Wizinsky says—with the next project.
Publisher: MIT Press
ISBN: 0262543567
Category : Design
Languages : en
Pages : 347
Book Description
How design can transcend the logics, structures, and subjectivities of capitalism: a framework, theoretical grounding, and practical principles. The designed things, experiences, and symbols that we use to perceive, understand, and perform our everyday lives are much more than just props. They directly shape how we live. In Design after Capitalism, Matthew Wizinsky argues that the world of industrial capitalism that gave birth to modern design has been dramatically transformed. Design today needs to reorient itself toward deliberate transitions of everyday politics, social relations, and economies. Looking at design through the lens of political economy, Wizinsky calls for the field to transcend the logics, structures, and subjectivities of capitalism—to combine design entrepreneurship with social empowerment in order to facilitate new ways of producing those things, symbols, and experiences that make up everyday life. After analyzing the parallel histories of capitalism and design, Wizinsky offers some historical examples of anticapitalist, noncapitalist, and postcapitalist models of design practice. These range from the British Arts and Crafts movement of the nineteenth century to contemporary practices of growing furniture or biotextiles and automated forms of production. Drawing on insights from sociology, philosophy, economics, political science, history, environmental and sustainability studies, and critical theory—fields not usually seen as central to design—he lays out core principles for postcapitalist design; offers strategies for applying these principles to the three layers of project, practice, and discipline; and provides a set of practical guidelines for designers to use as a starting point. The work of postcapitalist design can start today, Wizinsky says—with the next project.
Otto Treumann
Author: Otto Treumann
Publisher: 010 Publishers
ISBN: 9789064503122
Category : Art
Languages : en
Pages : 156
Book Description
Otto Treumann (1919-2001) is a major pioneer in the modernization of graphic design in the Netherlands. Inspired by Swiss typography and Bauhaus aesthetics, Treumann's oeuvre combines easy-to-read visual elements with iconoclastic color treatment, enhanced by his wide knowledge of printing techniques acquired during the Second World War when he forged documents for the resistance. Treumann enjoyed a special relationship with industrial clients, devising house styles and logos for the publishing house Wolters Noordhoff, the Kröller-Müller Museum, the Royal Institute of Dutch Architects and El Al Airlines; he also designed posters for the Industries Fair in Utrecht, the Rotterdam Ahoy and Tattoo in Delft. Based on materials from the Otto Treumann Archive at the Stedelijk Museum, and designed by Irma Boom, this volume surveys Treumann's career.
Publisher: 010 Publishers
ISBN: 9789064503122
Category : Art
Languages : en
Pages : 156
Book Description
Otto Treumann (1919-2001) is a major pioneer in the modernization of graphic design in the Netherlands. Inspired by Swiss typography and Bauhaus aesthetics, Treumann's oeuvre combines easy-to-read visual elements with iconoclastic color treatment, enhanced by his wide knowledge of printing techniques acquired during the Second World War when he forged documents for the resistance. Treumann enjoyed a special relationship with industrial clients, devising house styles and logos for the publishing house Wolters Noordhoff, the Kröller-Müller Museum, the Royal Institute of Dutch Architects and El Al Airlines; he also designed posters for the Industries Fair in Utrecht, the Rotterdam Ahoy and Tattoo in Delft. Based on materials from the Otto Treumann Archive at the Stedelijk Museum, and designed by Irma Boom, this volume surveys Treumann's career.
Jan Van Toorn
Author: Rick Poynor
Publisher: 010 Publishers
ISBN: 9064505659
Category : Commercial art
Languages : en
Pages : 240
Book Description
Jan van Toorn is one of the most significant and influential Dutch graphic designers to have emerged since the early 1960s. His designs persistently call attention to their status as visual contrivances, obliging the viewer to make an effort to process their complexities. Van Toorn wants the public to measure the motives of both the client and the designer who mediates the client's message against their own experiences of the world. He hoped in this way to stimulate a more active and skeptical view of art, communication, media ownership and society. Projects such as Van Toorn's posters and catalogues for the Van Abbemuseum in Eindhoven and his long-running series of calendars for the printing firm Mart.Spruijt are powerful demonstrations of graphic design used as a means of commentary and as a tool of critique. Later, as director of the Jan van Eyck Academy, Van Toorn drew together all the strands of his critical practice into a multi-levelled educational initiative that urged designers to think harder about design's role in shaping contemporary reality.
Publisher: 010 Publishers
ISBN: 9064505659
Category : Commercial art
Languages : en
Pages : 240
Book Description
Jan van Toorn is one of the most significant and influential Dutch graphic designers to have emerged since the early 1960s. His designs persistently call attention to their status as visual contrivances, obliging the viewer to make an effort to process their complexities. Van Toorn wants the public to measure the motives of both the client and the designer who mediates the client's message against their own experiences of the world. He hoped in this way to stimulate a more active and skeptical view of art, communication, media ownership and society. Projects such as Van Toorn's posters and catalogues for the Van Abbemuseum in Eindhoven and his long-running series of calendars for the printing firm Mart.Spruijt are powerful demonstrations of graphic design used as a means of commentary and as a tool of critique. Later, as director of the Jan van Eyck Academy, Van Toorn drew together all the strands of his critical practice into a multi-levelled educational initiative that urged designers to think harder about design's role in shaping contemporary reality.
The Book of Numbers
Author: Herbert Spencer
Publisher:
ISBN: 9780901539656
Category : Numeration
Languages : en
Pages : 96
Book Description
Publisher:
ISBN: 9780901539656
Category : Numeration
Languages : en
Pages : 96
Book Description
Wim Crouwel
Author: Frederique Huygen
Publisher:
ISBN: 9789462261471
Category : Graphic artists
Languages : en
Pages : 0
Book Description
"A new, detailed monograph about Wim Crouwel, graphic designer and exhibition designer who defined the look of post war Holland with his studio Total Design. His modernism was reflected in countless posters and catalogues for the Stedelijk Museum, in stamps and experimental work like a sensational computer alphabet. In the seventies Crouwel evoked a lot of criticism but nowadays he is seen as a cult figure and an inspiration for many. The book is richly illustrated and shows us very much of his fine works. The text focuses on his career and views, gives informative backgrounds on his work, and places it in the right context"--Publisher's website.
Publisher:
ISBN: 9789462261471
Category : Graphic artists
Languages : en
Pages : 0
Book Description
"A new, detailed monograph about Wim Crouwel, graphic designer and exhibition designer who defined the look of post war Holland with his studio Total Design. His modernism was reflected in countless posters and catalogues for the Stedelijk Museum, in stamps and experimental work like a sensational computer alphabet. In the seventies Crouwel evoked a lot of criticism but nowadays he is seen as a cult figure and an inspiration for many. The book is richly illustrated and shows us very much of his fine works. The text focuses on his career and views, gives informative backgrounds on his work, and places it in the right context"--Publisher's website.
Gogh Modern
Author: Andreas Blühm
Publisher: Nai010 Publishers
ISBN:
Category : Art
Languages : en
Pages : 146
Book Description
The paintings of Vincent van Gogh remain as relevant as ever, exerting an ever-profound influence on generations of artists. Gogh Modern attempts to explain this influence through example, presenting an overview of major postwar artists whose work displays a strong relationship with van Gogh or whose work it would be hard to imagine without the existence of van Gogh. Thus in the paintings of Georg Baselitz, Willem de Kooning and Anselm Kiefer we can clearly recognize the methodologies and expressiveness of van Gogh. Uncompromising artists such as Arnulf Rainer and Bruce Nauman have, like van Gogh, steered art in a new direction. Arranged thematically, Gogh Modern offers plenty of opportunity to compare and contrast van Gogh and his modern-day colleagues, putting notions of tradition versus innovation, influence and inspiration in an entirely new perspective.
Publisher: Nai010 Publishers
ISBN:
Category : Art
Languages : en
Pages : 146
Book Description
The paintings of Vincent van Gogh remain as relevant as ever, exerting an ever-profound influence on generations of artists. Gogh Modern attempts to explain this influence through example, presenting an overview of major postwar artists whose work displays a strong relationship with van Gogh or whose work it would be hard to imagine without the existence of van Gogh. Thus in the paintings of Georg Baselitz, Willem de Kooning and Anselm Kiefer we can clearly recognize the methodologies and expressiveness of van Gogh. Uncompromising artists such as Arnulf Rainer and Bruce Nauman have, like van Gogh, steered art in a new direction. Arranged thematically, Gogh Modern offers plenty of opportunity to compare and contrast van Gogh and his modern-day colleagues, putting notions of tradition versus innovation, influence and inspiration in an entirely new perspective.