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Author: Donald L. Ball
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111342476
Category : Language Arts & Disciplines
Languages : en
Pages : 324
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Book Description
No detailed description available for "Samuel Richardson's theory of fiction".
Author: Donald L. Ball
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111342476
Category : Language Arts & Disciplines
Languages : en
Pages : 324
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Book Description
No detailed description available for "Samuel Richardson's theory of fiction".
Author: Tassie Gwilliam
Publisher: Stanford University Press
ISBN: 0804725225
Category : Literary Criticism
Languages : en
Pages : 218
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Book Description
In developing a new gender theory for analyzing Samuel Richardson's three major novels - Pamela, Clarissa, and Sir Charles Grandison - the author argues that these novels of sexual threat expose, sometimes unwillingly, the extraordinary labor required to construct and maintain the eighteenth-century ideology of gender, that apparently natural dream of perfect symmetry between the sexes. The instability of that model is revealed notably in Richardson's fascination with cross-gender identification and other instances of transgressive desires. The author demonstrates that these violations of the supposedly unbreachable barriers between masculinity and femininity produce what is most moving and imaginative in Richardson's fiction and create an equally powerful repression in the form of punishment of transgressive characters and desires. She also illustrates, through a reading of recurrent fantasies about the composition of bodies - especially women's bodies - the complex interaction between those fantasies and the construction of masculinity and femininity. The genesis of Richardson's own writing is located in a dynamic, reciprocal idea of gender that allows him to see femininity from the inside while retaining the privileges of the masculine viewpoint; the relation between this origin and the novels themselves forms the basis for the discussions of the novels. Each of the three chapters in the book seeks to investigate particular turn of gender construction and a particular mode of the reiterative story of sexual differences. The first chapter, on Pamela, calls on eighteenth-century discourse about opposing ideologies of gender and sexuality to elucidate Richardson's project. The next chapter, on Clarissa, shifts to a more intricate analysis of fantasies about sex and gender, in particular the double reading of masculinity and femininity in the form of of masculinity reading itself through the feminine. The final chapter, on The History of Sir Charles Grandison, examines Richardson's attempt to solidify masculinity in the person of the "good man."
Author: Stephanie Fysh
Publisher: University of Delaware Press
ISBN: 9780874136265
Category : Design
Languages : en
Pages : 172
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Book Description
Samuel Richardson emerges in Fysh's analysis as a man on the cusp of change - in the organization of the printing industry and of labor generally, and in the nature of the literary text - and his work as a printer as well as his literary works (the two being fundamentally inseparable) come to be seen as instrumental in and representative of these changes.
Author: Sarah W. R. Smith
Publisher: Hall Reference Books
ISBN:
Category : Literary Criticism
Languages : en
Pages : 476
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Book Description
Author: Rita Goldberg
Publisher: Cambridge University Press
ISBN: 0521260698
Category : Literary Criticism
Languages : en
Pages : 254
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Book Description
Dr Goldberg argues that Samuel Richardson had expressed a powerful and hitherto unperceived sexual mythology in Clarissa, making it the popular masterpiece it quickly became. There had never before been a work of literature in which the rape of a woman became the moral indictment of an age. Clarissa was a book which changed minds. It is not surprising that Diderot, the French philosophe, drew on Richardson as the inspiration for his own novel, La Religieuse. Richardson's novels had achieved Diderot's declared aim as editor of the great Encyclopédie: to change the way people think. For both writers it had become clear that the boudoir had replaced the Puritan closet and the Catholic confessional as the location for tests of virtue. Dr Goldberg offers an original, comparative reading of the works of these French and English innovators. She leaves us in little doubt that our understanding of what it means to be a woman in our culture owes much to the turbulent world of Richardson and Diderot.
![Pamela, Or Virtue Rewarded. [The Editor's Preface Signed: Thomas Archer.] PDF](https://books.google.com/books/content/images/frontcover/1z8ky-_-VBQC?fife=w80-h100)
Author: Samuel Richardson
Publisher:
ISBN:
Category :
Languages : en
Pages : 552
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Book Description
Author: Horst S. Daemmrich
Publisher: Peter Lang Incorporated, International Academic Publishers
ISBN:
Category : Literary Criticism
Languages : en
Pages : 472
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Book Description
The study of themes and motifs in Western Literature has occupied the authors over two decades. They have previously presented their findings in Wiederholte Spiegelungen: Themen und Motive in der Literatur (1978), Themes and Motifs in Western Literature (1987), and Themen und Motive in der Literatur: Ein Handbuch (1987)
Author:
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 328
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Book Description
Author: Vikram Seth
Publisher: Penguin Books India
ISBN: 9780140230338
Category : India
Languages : en
Pages : 1372
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Book Description
Author: Leah Price
Publisher: Cambridge University Press
ISBN: 9780521539395
Category : Literary Criticism
Languages : en
Pages : 236
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Book Description
The Anthology and the Rise of the Novel, first published in 2000, brings together two traditionally antagonistic fields, book history and narrative theory, to challenge established theories of 'the rise of the novel'. Leah Price shows that far from leveling class or gender distinctions, as has long been claimed, the novel has consistently located them within its own audience. Shedding new light on Richardson and Radcliffe, Scott and George Eliot, this book asks why the epistolary novel disappeared, how the book review emerged, why eighteenth-century abridgers designed their books for women while Victorian publishers marketed them to men, and how editors' reproduction of old texts has shaped authors' production of new ones. This innovative study will change the way we think not just about the history of reading, but about the genealogy of the canon wars, the future of intellectual property, and the role that anthologies play in our own classrooms.
