Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 66
Book Description
Samuel P. Harn Eminent Scholar Lecture Series in the Visual Arts
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 66
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 66
Book Description
Visual Culture in Twentieth-century Germany
Author: Gail Finney
Publisher: Indiana University Press
ISBN: 9780253347183
Category : Art
Languages : en
Pages : 326
Book Description
'Visual Culture in Twentieth-Century Germany' explores a wide spectrum of visual media in 20th century Germany in their critical and social contexts. Contributors examine film, photography, cabaret performances, advertising, architecture, painting, dance, television, and cartography.
Publisher: Indiana University Press
ISBN: 9780253347183
Category : Art
Languages : en
Pages : 326
Book Description
'Visual Culture in Twentieth-Century Germany' explores a wide spectrum of visual media in 20th century Germany in their critical and social contexts. Contributors examine film, photography, cabaret performances, advertising, architecture, painting, dance, television, and cartography.
Decoys and Disruptions
Author: Martha Rosler
Publisher: MIT Press
ISBN: 0262681587
Category : Art
Languages : en
Pages : 403
Book Description
The first comprehensive collection of writings by Martha Rosler considers the intersection of art and politics, the operation of art systems, feminist art practices, and the media. Decoys and Disruptions is the first comprehensive collection of writings by American artist and critic Martha Rosler. Best known for her videos and photography, Rosler has also been an original and influential cultural critic and theorist for over twenty-five years. The writings collected here address such key topics as documentary photography, feminist art, video, government patronage of the arts, censorship, and the future of digitally based photographic media. Taken together, these thirteen essays not only show Rosler's importance as a critic but also offer an essential resource for readers interested in the issues confronting contemporary art. The essays in this collection illustrate Rosler's ongoing investigation into means of exposing truth and provoking change, providing a retrospective of characteristic issues in her work. Mixing analysis and wit, Rosler challenges many of the fundamental precepts of contemporary art practice. Her influential essay, "In, around, and afterthoughts: on documentary photography," almost single-handedly dismantled the myth of liberal documentary photography when it appeared. Many of the essays in this volume have had a similarly wide-ranging influence; others are published here for the first time. Illustrating the essays are 81 images by Rosler and other artists and photographers.
Publisher: MIT Press
ISBN: 0262681587
Category : Art
Languages : en
Pages : 403
Book Description
The first comprehensive collection of writings by Martha Rosler considers the intersection of art and politics, the operation of art systems, feminist art practices, and the media. Decoys and Disruptions is the first comprehensive collection of writings by American artist and critic Martha Rosler. Best known for her videos and photography, Rosler has also been an original and influential cultural critic and theorist for over twenty-five years. The writings collected here address such key topics as documentary photography, feminist art, video, government patronage of the arts, censorship, and the future of digitally based photographic media. Taken together, these thirteen essays not only show Rosler's importance as a critic but also offer an essential resource for readers interested in the issues confronting contemporary art. The essays in this collection illustrate Rosler's ongoing investigation into means of exposing truth and provoking change, providing a retrospective of characteristic issues in her work. Mixing analysis and wit, Rosler challenges many of the fundamental precepts of contemporary art practice. Her influential essay, "In, around, and afterthoughts: on documentary photography," almost single-handedly dismantled the myth of liberal documentary photography when it appeared. Many of the essays in this volume have had a similarly wide-ranging influence; others are published here for the first time. Illustrating the essays are 81 images by Rosler and other artists and photographers.
Fifty Key Writers on Photography
Author: Mark Durden
Publisher: Routledge
ISBN: 0415549442
Category : Art
Languages : en
Pages : 298
Book Description
A clear and concise survey of some of the most significant writers on photography who have played a major part in defining and influencing our understanding of the medium. It provides a succinct overview of writing on photography from a diverse range of disciplines and perspectives and examines the shifting perception of the medium over the course of its 170 year history. Key writers discussed include: Roland Barthes Susan Sontag Jacques Derrida Henri Cartier-Bresson Geoffrey Batchen Fully cross-referenced and in an A-Z format, this is an accessible and engaging introductory guide.
Publisher: Routledge
ISBN: 0415549442
Category : Art
Languages : en
Pages : 298
Book Description
A clear and concise survey of some of the most significant writers on photography who have played a major part in defining and influencing our understanding of the medium. It provides a succinct overview of writing on photography from a diverse range of disciplines and perspectives and examines the shifting perception of the medium over the course of its 170 year history. Key writers discussed include: Roland Barthes Susan Sontag Jacques Derrida Henri Cartier-Bresson Geoffrey Batchen Fully cross-referenced and in an A-Z format, this is an accessible and engaging introductory guide.
African Art
Author: Samuel P. Harn Museum of Art
Publisher:
ISBN:
Category : Art, African
Languages : en
Pages : 48
Book Description
Publisher:
ISBN:
Category : Art, African
Languages : en
Pages : 48
Book Description
Seeing Double
Author: Samuel P. Harn Museum of Art
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 72
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 72
Book Description
3 Works
Author: Martha Rosler
Publisher: Halifax, N.S. : Press of the Nova Scotia College of Art and Design
ISBN:
Category : Bowery (New York, N.Y. : Street)
Languages : en
Pages : 116
Book Description
In 3 Works, photographer and critic Martha Rosler braids together three classic, newly relevant pieces tracing the ways in which photography's aesthetic conventions and social practices fail or succeed in generating socially meaningful work--work that not only takes into account the political conditions within which it was produced and assumes social and political responsibility but also activates the viewer. The title three works are The Restoration of High Culture in Chile, a 1972 short fiction piece-cum-essay that examines the degrees of political anaesthesia and corruption a successful adaptation to high culture implies, The Bowery in two inadequate descriptive systems, a 1974 photo work in which contemporary urban photography's capacity to continue documentary photography's historical work is questioned, and in, around, and afterthoughts, a 1981 critical essay exploring these questions more systematically and attempting to develop criteria to define contemporary photographic activities as meaningful social practice.
Publisher: Halifax, N.S. : Press of the Nova Scotia College of Art and Design
ISBN:
Category : Bowery (New York, N.Y. : Street)
Languages : en
Pages : 116
Book Description
In 3 Works, photographer and critic Martha Rosler braids together three classic, newly relevant pieces tracing the ways in which photography's aesthetic conventions and social practices fail or succeed in generating socially meaningful work--work that not only takes into account the political conditions within which it was produced and assumes social and political responsibility but also activates the viewer. The title three works are The Restoration of High Culture in Chile, a 1972 short fiction piece-cum-essay that examines the degrees of political anaesthesia and corruption a successful adaptation to high culture implies, The Bowery in two inadequate descriptive systems, a 1974 photo work in which contemporary urban photography's capacity to continue documentary photography's historical work is questioned, and in, around, and afterthoughts, a 1981 critical essay exploring these questions more systematically and attempting to develop criteria to define contemporary photographic activities as meaningful social practice.
Genesis and Development of a Scientific Fact
Author: Ludwik Fleck
Publisher: University of Chicago Press
ISBN: 022619034X
Category : Science
Languages : en
Pages : 232
Book Description
Originally published in German in 1935, this monograph anticipated solutions to problems of scientific progress, the truth of scientific fact and the role of error in science now associated with the work of Thomas Kuhn and others. Arguing that every scientific concept and theory—including his own—is culturally conditioned, Fleck was appreciably ahead of his time. And as Kuhn observes in his foreword, "Though much has occurred since its publication, it remains a brilliant and largely unexploited resource." "To many scientists just as to many historians and philosophers of science facts are things that simply are the case: they are discovered through properly passive observation of natural reality. To such views Fleck replies that facts are invented, not discovered. Moreover, the appearance of scientific facts as discovered things is itself a social construction, a made thing. A work of transparent brilliance, one of the most significant contributions toward a thoroughly sociological account of scientific knowledge."—Steven Shapin, Science
Publisher: University of Chicago Press
ISBN: 022619034X
Category : Science
Languages : en
Pages : 232
Book Description
Originally published in German in 1935, this monograph anticipated solutions to problems of scientific progress, the truth of scientific fact and the role of error in science now associated with the work of Thomas Kuhn and others. Arguing that every scientific concept and theory—including his own—is culturally conditioned, Fleck was appreciably ahead of his time. And as Kuhn observes in his foreword, "Though much has occurred since its publication, it remains a brilliant and largely unexploited resource." "To many scientists just as to many historians and philosophers of science facts are things that simply are the case: they are discovered through properly passive observation of natural reality. To such views Fleck replies that facts are invented, not discovered. Moreover, the appearance of scientific facts as discovered things is itself a social construction, a made thing. A work of transparent brilliance, one of the most significant contributions toward a thoroughly sociological account of scientific knowledge."—Steven Shapin, Science
Post-Photography
Author: Robert Shore
Publisher: Laurence King Publishing
ISBN: 9781780672281
Category : Photography
Languages : en
Pages : 0
Book Description
The real world is full of cameras; the virtual world is full of images. Where does all this photographic activity leave the artist-photographer? Post-Photography tries to answer that question by investigating the exciting new language of photographic image-making that is emerging in the digital age of anything-is-possible and everything-has-been-done-before. Found imagery has become increasingly important in post-photographic practice, with the internet serving as a laboratory for a major kind of image-making experimentation. But artists also continue to create entirely original works using avant-garde techniques drawn from both the digital and analogue eras. This book is split into six sections – Something Borrowed, Something New, Layers of Reality, Eye-Spy, Material Visions, Post-Photojournalism and All the World Is Staged – which cover the key strategies adopted by 53 of the most exciting and innovative artist-photographers of the 21st century, drawn from all over the world.
Publisher: Laurence King Publishing
ISBN: 9781780672281
Category : Photography
Languages : en
Pages : 0
Book Description
The real world is full of cameras; the virtual world is full of images. Where does all this photographic activity leave the artist-photographer? Post-Photography tries to answer that question by investigating the exciting new language of photographic image-making that is emerging in the digital age of anything-is-possible and everything-has-been-done-before. Found imagery has become increasingly important in post-photographic practice, with the internet serving as a laboratory for a major kind of image-making experimentation. But artists also continue to create entirely original works using avant-garde techniques drawn from both the digital and analogue eras. This book is split into six sections – Something Borrowed, Something New, Layers of Reality, Eye-Spy, Material Visions, Post-Photojournalism and All the World Is Staged – which cover the key strategies adopted by 53 of the most exciting and innovative artist-photographers of the 21st century, drawn from all over the world.
Pelete Bite
Author: Joanne Bubolz Eicher
Publisher:
ISBN:
Category : Cotton fabrics
Languages : en
Pages : 44
Book Description
Publisher:
ISBN:
Category : Cotton fabrics
Languages : en
Pages : 44
Book Description