Samson Agonistes and the Search for Christian Tragedy PDF Download
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Author: Peter John Thornton
Publisher:
ISBN:
Category :
Languages : en
Pages : 526
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Author: Peter John Thornton
Publisher:
ISBN:
Category :
Languages : en
Pages : 526
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Book Description
Author: Kevin Taylor
Publisher: Routledge
ISBN: 1317166604
Category : Religion
Languages : en
Pages : 270
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Book Description
Drawing together leading scholars from both theological and literary backgrounds, Christian Theology and Tragedy explores the rich variety of conversations between theology and tragedy. Three main areas are examined: theological readings of a range of tragic literature, from plays to novels and the Bible itself; how theologians have explored tragedy theologically; and how theology can interact with various tragic theories. Encompassing a range of perspectives and topics, this book demonstrates how theologians can make productive use of the work of tragedians, tragic theorists and tragic philosophers. Common misconceptions - that tragedy is monolithic, easily definable, or gives straightforward answers to theodicy - are also addressed. Interdisciplinary in nature, this book will appeal to both the theological and literary fields.
Author: Derek N. C. Wood
Publisher: University of Toronto Press
ISBN: 9780802048486
Category : Literary Criticism
Languages : en
Pages : 286
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Book Description
Wood proposes that Milton's Samson is an emblematic embodiment of Old Testament consciousness as rigorous, incomplete, literalistic, and uncomprehending, fashioned by the old Mosaic Law, without the amelioration of Christ's charity and forgiveness.
Author: John Milton
Publisher:
ISBN:
Category :
Languages : en
Pages : 276
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Book Description
Author: John Milton
Publisher: Modern Library
ISBN: 0679645586
Category : Poetry
Languages : en
Pages : 450
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Book Description
Edited by William Kerrigan, John Rumrich, and Stephen M. Fallon Derived from the Modern Library’s esteemed The Complete Poetry and Essential Prose of John Milton, this new volume, extensively revised and updated by its editors, contains Milton’s two late masterpieces, the brief epic Paradise Regained and the tragic drama Samson Agonistes. Age after age, these works have inspired new controversy and exciting interpretive debates. With expert commentary to guide the reader through historical contexts and verbal details, as well as the larger political and philosophical implications, the concerns of these canonical pieces live once again for today’s audiences. The volume also contains Milton’s complete shorter poems, which include such major achievements as “Lycidas,” “A Masque Presented at Ludlow Castle, 1634,” “L’Allegro,” and “Il Penseroso,” and the author’s twenty-four influential sonnets. Thoughtfully edited and carefully designed, this is an essential publication of Milton’s classic poetry. Praise for The Complete Poetry and Essential Prose of John Milton “For generations of readers Milton has been the measure of both eloquence and nobility of mind. For the next generation, this new Modern Library volume will be the standard. It brings Milton, as a poet and a thinker, vividly alive before us.”—Robert Hass, former Poet Laureate of the United States “A superb edition of the great poet, with modernized spelling, lucid introductions to each work, illuminating footnotes, and fresh prose translations in Latin, Greek, and Italian. This will surely be the edition of choice for teachers, students, and general readers too.”—Leo Damrosch, Harvard University
Author: Joseph Anthony Wittreich
Publisher: Princeton University Press
ISBN: 1400854172
Category : Drama
Languages : en
Pages : 429
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Book Description
Joseph Wittreich reveals Samson to be an intensely political work that reflects the heroic ambitions and failings of the Puritan Revolution and the tragic ambiguities of the era. He sees in the work not the purveyance of Medieval and early Renaissance typological associations but an interrogation of them and a consequent movement away from them. Originally published in 1986. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Joan S. Bennett
Publisher: Harvard University Press
ISBN: 9780674766976
Category : Language Arts & Disciplines
Languages : en
Pages : 260
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Book Description
Milton's Great Poems--Paradise Lost, Paradise Regained, and Samson Agonistes--are here examined in the light of his lifelong commitment to the English revolutionary cause. The poems, Joan Bennett shows, reflect the issues Milton had dealt with in theological and public policy debate, foreign diplomacy, and propaganda; moreover, they work innovatively with these issues, reaching in epic and tragedy answers that his pamphlets and tracts of the past twenty years had only partially achieved. The central issue is the nature and possibility of human freedom, or "Christian liberty." Related questions are the nature of human rationality, the meaning of law, of history, of individuality, of society, and--everywhere--the problem of evil. The book offers a revisionist position in the history of ideas, arguing that Renaissance Christian humanism in England descended not from Tudor to Stuart Anglicanism but from Tudor Anglicanism to revolutionary Puritanism. Close readings are offered of texts by Richard Hooker, Milton, and a range of writers before and during the revolutionary period. Not only theological and political positions but also political actions taken by the authors are compared. Milton's poems are studied in the light of these analyses. The concept of "radical Christian humanism" moves current Milton criticism beyond the competing conceptions of Milton as the poet of democratic liberalism and the prophet of revolutionary absolutism. Milton's radical Christian humanism was built upon pre-modern conceptions and experiences of reason that are not alien to our time. It stemmed from, and resulted in, a religious commitment to political process which his poems embody and illuminate.
Author: Balachandra Rajan
Publisher: Toronto: University of Toronto Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 184
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Book Description
Author: Georgia B. Christopher
Publisher: Princeton University Press
ISBN: 1400853516
Category : Poetry
Languages : en
Pages : 278
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Book Description
In the most sweeping claim yet made for Milton's puritanism, Georgia B. Christopher holds that the great poet assimilated classical literature through Reformation categories, not humanist ones. Examining Milton's major works against the beliefs of Luther and Calvin, she shows how his poetry reflects their view of Scripture, the extra-literary properties they accorded God's speech, and the responses they expected of readers. Originally published in 1982. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Blair Hoxby
Publisher: Oxford University Press
ISBN: 0191065994
Category : Literary Criticism
Languages : en
Pages : 377
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Book Description
Twentieth century critics have definite ideas about tragedy. They maintain that in a true tragedy, fate must feel the resistance of the tragic hero's moral freedom before finally crushing him, thus generating our ambivalent sense of terrible waste coupled with spiritual consolation. Yet far from being a timeless truth, this account of tragedy only emerged in the wake of the French Revolution. What Was Tragedy? demonstrates that this account of the tragic, which has been hegemonic from the early nineteenth century to the present despite all the twists and turns of critical fashion in the twentieth century, obscured an earlier poetics of tragedy that evolved from 1515 to 1795. By reconstructing that poetics, Blair Hoxby makes sense of plays that are "merely pathetic, not truly tragic," of operas with happy endings, of Christian tragedies, and of other plays that advertised themselves as tragedies to early modern audiences and yet have subsequently been denied the palm of tragedy by critics. In doing so, Hoxby not only illuminates masterpieces by Shakespeare, Calderón, Corneille, Racine, Milton, and Mozart, he also revivifies a vast repertoire of tragic drama and opera that has been relegated to obscurity by critical developments since 1800. He suggests how many of these plays might be reclaimed as living works of theater. And by reconstructing a lost conception of tragedy both ancient and modern, he illuminates the hidden assumptions and peculiar blind-spots of the idealist critical tradition that runs from Schelling, Schlegel, and Hegel, through Wagner, Nietzsche, and Freud, up to modern post-structuralism.
