Author: Franchinus Gaffurius
Publisher: A-R Editions, Inc.
ISBN: 1987208692
Category : Music
Languages : en
Pages : 69
Book Description
The motet cycles known as motetti missales are among the most intriguing repertoires of late-fifteenth-century polyphony. This series features a new critical edition of the six cycles by Loyset Compère, Gaspar van Weerbeke, and Franchinus Gaffurius included in the Milanese Libroni and of the two anonymous cycles transmitted in the Leopold Codex (Munich MS 3154). For the first time this corpus is presented with uniform editorial criteria, facilitating the comparison of mensural choices and other compositional strategies. Furthermore, the introduction of each volume thematizes the peculiar characteristics of each cycle, in terms of textual choices, use of preexisting material, and musical design, allowing for a new assessment of the motetti missales that goes beyond the homogenizing stereotypes of earlier literature and accounts for the individual contributions of the various composers. The editors’ insight in this repertoire is the result of two interdisciplinary research projects financed by the Swiss National Fund and carried out at the Schola Cantorum Basiliensis in 2014–21. Of the six motetti missales cycles in the Milanese Libroni, which were copied under the supervision of Franchinus Gaffurius (1451–1522), only the cycle Salve, mater Salvatoris was composed by Gaffurius himself. Unlike the other five motetti missales cycles in the Libroni, Salve, mater Salvatoris consists not of eight motets but only four, each with two to three internal subsections. Also distinct among the motetti missales cycles is Gaffurius’s choice of texts, which, though still on Marian themes, are not centones but adaptations of two twelfth-century sequences with interpolations from the Litany of Loreto.
Salve, mater Salvatoris
Author: Franchinus Gaffurius
Publisher: A-R Editions, Inc.
ISBN: 1987208692
Category : Music
Languages : en
Pages : 69
Book Description
The motet cycles known as motetti missales are among the most intriguing repertoires of late-fifteenth-century polyphony. This series features a new critical edition of the six cycles by Loyset Compère, Gaspar van Weerbeke, and Franchinus Gaffurius included in the Milanese Libroni and of the two anonymous cycles transmitted in the Leopold Codex (Munich MS 3154). For the first time this corpus is presented with uniform editorial criteria, facilitating the comparison of mensural choices and other compositional strategies. Furthermore, the introduction of each volume thematizes the peculiar characteristics of each cycle, in terms of textual choices, use of preexisting material, and musical design, allowing for a new assessment of the motetti missales that goes beyond the homogenizing stereotypes of earlier literature and accounts for the individual contributions of the various composers. The editors’ insight in this repertoire is the result of two interdisciplinary research projects financed by the Swiss National Fund and carried out at the Schola Cantorum Basiliensis in 2014–21. Of the six motetti missales cycles in the Milanese Libroni, which were copied under the supervision of Franchinus Gaffurius (1451–1522), only the cycle Salve, mater Salvatoris was composed by Gaffurius himself. Unlike the other five motetti missales cycles in the Libroni, Salve, mater Salvatoris consists not of eight motets but only four, each with two to three internal subsections. Also distinct among the motetti missales cycles is Gaffurius’s choice of texts, which, though still on Marian themes, are not centones but adaptations of two twelfth-century sequences with interpolations from the Litany of Loreto.
Publisher: A-R Editions, Inc.
ISBN: 1987208692
Category : Music
Languages : en
Pages : 69
Book Description
The motet cycles known as motetti missales are among the most intriguing repertoires of late-fifteenth-century polyphony. This series features a new critical edition of the six cycles by Loyset Compère, Gaspar van Weerbeke, and Franchinus Gaffurius included in the Milanese Libroni and of the two anonymous cycles transmitted in the Leopold Codex (Munich MS 3154). For the first time this corpus is presented with uniform editorial criteria, facilitating the comparison of mensural choices and other compositional strategies. Furthermore, the introduction of each volume thematizes the peculiar characteristics of each cycle, in terms of textual choices, use of preexisting material, and musical design, allowing for a new assessment of the motetti missales that goes beyond the homogenizing stereotypes of earlier literature and accounts for the individual contributions of the various composers. The editors’ insight in this repertoire is the result of two interdisciplinary research projects financed by the Swiss National Fund and carried out at the Schola Cantorum Basiliensis in 2014–21. Of the six motetti missales cycles in the Milanese Libroni, which were copied under the supervision of Franchinus Gaffurius (1451–1522), only the cycle Salve, mater Salvatoris was composed by Gaffurius himself. Unlike the other five motetti missales cycles in the Libroni, Salve, mater Salvatoris consists not of eight motets but only four, each with two to three internal subsections. Also distinct among the motetti missales cycles is Gaffurius’s choice of texts, which, though still on Marian themes, are not centones but adaptations of two twelfth-century sequences with interpolations from the Litany of Loreto.
Imagining Mary
Author: Daniel Rancour-Laferriere
Publisher: Routledge
ISBN: 1351349678
Category : Psychology
Languages : en
Pages : 406
Book Description
Imagining Mary breaks new ground in the long tradition of Christian mariology. The book is an interdisciplinary investigation of some of the many Marys, East and West, from the New Testament Mary of Nazareth down to Our Lady of the Good Death in the twentieth century. In Imagining Mary, Professor Rancour-Laferriere examines the mother of God in her multireligious and pan-historical context. The book is a scholarly study, but it is written in a clear, straightforward style and will be comprehensible to an educated – and, above all, intellectually curious – general audience. It will appeal to anyone who has ever wondered, for example, about the flimsy scriptural basis of many beliefs about Mary; or the tendency of many mariologists to depict Mary as an incestuous "bride of Christ"; or the theological notion of Mary’s "loving consent" to her son’s crucifixion; or the idea that Mary was a "priest" officiating at the sacrifice of her son; or the unfortunate association of Mary with Christian anti-semitism; or the curious appeal of Mary to the terminally ill; and so on. Special attention is given to the psychology of representations of Mary, such as: the psychological basis for promoting Mary to the status of a "goddess"; the psychology of Mary’s compassion for her son at the foot of the cross; and the psychological conflict in Mary’s personal relationship with her son Jesus. These topics are admittedly diverse, but they all have long been on the minds of mariologists. The author takes a questioning approach to received wisdom about marian themes – including the assumption that one has to be a theist in order to understand the great appeal of Mary down the centuries. Indeed, Imagining Mary may be regarded as a first step in the direction of an atheist mariology.
Publisher: Routledge
ISBN: 1351349678
Category : Psychology
Languages : en
Pages : 406
Book Description
Imagining Mary breaks new ground in the long tradition of Christian mariology. The book is an interdisciplinary investigation of some of the many Marys, East and West, from the New Testament Mary of Nazareth down to Our Lady of the Good Death in the twentieth century. In Imagining Mary, Professor Rancour-Laferriere examines the mother of God in her multireligious and pan-historical context. The book is a scholarly study, but it is written in a clear, straightforward style and will be comprehensible to an educated – and, above all, intellectually curious – general audience. It will appeal to anyone who has ever wondered, for example, about the flimsy scriptural basis of many beliefs about Mary; or the tendency of many mariologists to depict Mary as an incestuous "bride of Christ"; or the theological notion of Mary’s "loving consent" to her son’s crucifixion; or the idea that Mary was a "priest" officiating at the sacrifice of her son; or the unfortunate association of Mary with Christian anti-semitism; or the curious appeal of Mary to the terminally ill; and so on. Special attention is given to the psychology of representations of Mary, such as: the psychological basis for promoting Mary to the status of a "goddess"; the psychology of Mary’s compassion for her son at the foot of the cross; and the psychological conflict in Mary’s personal relationship with her son Jesus. These topics are admittedly diverse, but they all have long been on the minds of mariologists. The author takes a questioning approach to received wisdom about marian themes – including the assumption that one has to be a theist in order to understand the great appeal of Mary down the centuries. Indeed, Imagining Mary may be regarded as a first step in the direction of an atheist mariology.
Mont-Saint-Michel and Chartres
Author: Henry Adams
Publisher:
ISBN:
Category : Le Mont-Saint-Michel (France)
Languages : en
Pages : 456
Book Description
Publisher:
ISBN:
Category : Le Mont-Saint-Michel (France)
Languages : en
Pages : 456
Book Description
Iconoclasm and Iconoclash
Author: Willem J. van Asselt
Publisher: BRILL
ISBN: 9004161953
Category : Religion
Languages : en
Pages : 547
Book Description
In the history of Jewish, Christian and Muslim culture, religious identity was not only formed by historical claims, but also by the usage of certain images: "images of God," "images of the others," "images of the self."This book includes a discussion of the role of these images in society and politics, in theology and liturgy, yesterday and today.
Publisher: BRILL
ISBN: 9004161953
Category : Religion
Languages : en
Pages : 547
Book Description
In the history of Jewish, Christian and Muslim culture, religious identity was not only formed by historical claims, but also by the usage of certain images: "images of God," "images of the others," "images of the self."This book includes a discussion of the role of these images in society and politics, in theology and liturgy, yesterday and today.
Mont-Saint-Michel and Chartres
Author: Henry Adams
Publisher: BoD – Books on Demand
ISBN: 3387032935
Category : Fiction
Languages : en
Pages : 610
Book Description
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
Publisher: BoD – Books on Demand
ISBN: 3387032935
Category : Fiction
Languages : en
Pages : 610
Book Description
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
Science, Technology, and Society
Author: John Dewey
Publisher: University Press of America
ISBN: 9780761808350
Category : Science
Languages : en
Pages : 424
Book Description
To learn more about Rowman & Littlefield titles please visit us at www.rowmanlittlefield.com.
Publisher: University Press of America
ISBN: 9780761808350
Category : Science
Languages : en
Pages : 424
Book Description
To learn more about Rowman & Littlefield titles please visit us at www.rowmanlittlefield.com.
Early Musical Borrowing
Author: Honey Meconi
Publisher: Routledge
ISBN: 1135577943
Category : Art
Languages : en
Pages : 200
Book Description
First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.
Publisher: Routledge
ISBN: 1135577943
Category : Art
Languages : en
Pages : 200
Book Description
First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.
Music and Ceremony at the Court of Charles V
Author: Mary Tiffany Ferer
Publisher: Boydell Press
ISBN: 1843836998
Category : Art
Languages : en
Pages : 322
Book Description
'Music and Ceremony' reconstructs musical life at the court of Charles V, examining the compositions which emanated from the court, the ordinances which prescribed ritual and ceremony, and the Emperor's prestigious chapel which reflected his power and influence.
Publisher: Boydell Press
ISBN: 1843836998
Category : Art
Languages : en
Pages : 322
Book Description
'Music and Ceremony' reconstructs musical life at the court of Charles V, examining the compositions which emanated from the court, the ordinances which prescribed ritual and ceremony, and the Emperor's prestigious chapel which reflected his power and influence.
Studies in Music History
Author: Harold Powers
Publisher: Princeton University Press
ISBN: 1400879183
Category : Music
Languages : en
Pages : 548
Book Description
A wide variety of essays by colleagues and former students reflect Professor Strunk's particular role as music historian, teacher, and a pre-eminent musicologist. Donald Grout provides the introduction and outlines the problems confronting musicology today. Other essays are devoted to early Christian music, Renaissance music, early Italian opera; Arthur Mendel writes on ambiguities of the munsural system, Edward Lowinsky on Willaert’s "Chromatic Duo," Joseph Kerman on Verdi, and Elliot Forbes on Beethoven. Originally published in 1958. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Publisher: Princeton University Press
ISBN: 1400879183
Category : Music
Languages : en
Pages : 548
Book Description
A wide variety of essays by colleagues and former students reflect Professor Strunk's particular role as music historian, teacher, and a pre-eminent musicologist. Donald Grout provides the introduction and outlines the problems confronting musicology today. Other essays are devoted to early Christian music, Renaissance music, early Italian opera; Arthur Mendel writes on ambiguities of the munsural system, Edward Lowinsky on Willaert’s "Chromatic Duo," Joseph Kerman on Verdi, and Elliot Forbes on Beethoven. Originally published in 1958. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Pierre de la Rue and Musical Life at the Habsburg-Burgundian Court
Author: Honey Meconi
Publisher: Oxford University Press, USA
ISBN: 9780198165545
Category : History
Languages : en
Pages : 424
Book Description
For twenty-four or more years composer Pierre de la Rue (d. 1518) provided music for one of the leading musical institutions of his day, the grande chapelle of the Habsburg-Burgundian court. Serving successive rulers Maximilian I, Philip the Fair, Juana of Castile, Marguerite of Austria, and the future Charles V, La Rue surpassed a dozen composer colleagues in his creation of polyphony to meet the needs of the court and its extravagant liturgy. This study, the first ever in English, traces La Rue's life and career, explores aspects of his compositional output, and recounts the reawakening of modern scholarship to his unique contributions.
Publisher: Oxford University Press, USA
ISBN: 9780198165545
Category : History
Languages : en
Pages : 424
Book Description
For twenty-four or more years composer Pierre de la Rue (d. 1518) provided music for one of the leading musical institutions of his day, the grande chapelle of the Habsburg-Burgundian court. Serving successive rulers Maximilian I, Philip the Fair, Juana of Castile, Marguerite of Austria, and the future Charles V, La Rue surpassed a dozen composer colleagues in his creation of polyphony to meet the needs of the court and its extravagant liturgy. This study, the first ever in English, traces La Rue's life and career, explores aspects of his compositional output, and recounts the reawakening of modern scholarship to his unique contributions.