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Author:
Publisher:
ISBN:
Category : Art, Mexican
Languages : en
Pages : 76
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Book Description
Author:
Publisher:
ISBN:
Category : Art, Mexican
Languages : en
Pages : 76
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Book Description
Author: Julie Rodrigues Widholm
Publisher: Yale University Press
ISBN: 9780300134278
Category : Art
Languages : en
Pages : 228
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Book Description
"Featuring the work of twenty artists, this bilingual volume includes several artists' writings ... about artist-run exhibition spaces"--P. [4] of cover.
Author:
Publisher:
ISBN:
Category : Interactive art
Languages : es
Pages : 28
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Book Description
Author: Sala de Arte Público Siqueiros (Mexico City, Mexico)
Publisher:
ISBN: 9789709703740
Category : Art, Modern
Languages : en
Pages : 119
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Book Description
Author:
Publisher: Penn State Press
ISBN: 9780271047164
Category : Art
Languages : en
Pages : 394
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Book Description
Author: Antonio Sgamellotti
Publisher: Royal Society of Chemistry
ISBN: 1788019768
Category : Antiques & Collectibles
Languages : en
Pages : 545
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Book Description
Science and art are increasingly interconnected in the activities of the study and conservation of works of art. Science plays a key role in cultural heritage, from developing new analytical techniques for studying the art, to investigating new ways of preserving the materials for the future. Following on from the 2014 title Science and Art: The Painted Surface, this book consists of a series of chapters written together by scientists, art historians, conservators, curators and artists dedicated to conservation, execution techniques, languages and conceptual topics. Science and Art: The Contemporary Painted Surface largely covers execution techniques, material’s conservation and languages of artists, representative of twelve different countries, all protagonists of the development of innovative significant techniques and methodologies. The book opens with a focus on widely historicized artists, such as Jackson Pollock, Lucio Fontana, Enrico Baj, Piero Manzoni and Joseph Albers. Its core is dedicated to the work of major worldwide renowned living artists, in a perspective that, while considering the Sixties as the historical starting point of contemporaneity, does not neglect to offer a view on the work done in the immediately preceding years. Several interviews with artists are included. Final chapters are dedicated to contemporary design, net art, and painted surfaces in contemporary architecture. Presented in an easily readable form for a large audience, the book guides readers into new areas uncovered by the link between science and art, and will be of interest to artists, art historians and curators, as well as those who appreciate art. Reviews of Science and Art: The Painted Surface 'Science and Art provides an excellent read for art historians, who will instantly recognise the famous pieces that have been studied, while giving them insight into how a painting was constructed, what it is made from, or how the colours would have looked when they were freshly painted.' Chemistry World, 6 November 2014 'Science and Art is recommended for students, teachers, and the general public who are interested in chemistry or other sciences and art, as well as applications of the former to the latter.' J. Chem. Educ., 2016, 93(5), 810–810
Author:
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Category : Mural painting and decoration, Mexican
Languages : es
Pages :
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Book Description
Provides images and a history of the work that Mexican muralist David Alfaro Siqueiros produced in several countries. Includes a biography, a bibliography on Siqueiros, and a chronology of his murals.
Author: Sergio Delgado Moya
Publisher: University of Texas Press
ISBN: 1477314377
Category : Social Science
Languages : en
Pages : 300
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Book Description
In the decades following World War II, the creation and expansion of massive domestic markets and relatively stable economies allowed for mass consumption on an unprecedented scale, giving rise to the consumer society that exists today. Many avant-garde artists explored the nexus between consumption and aesthetics, questioning how consumerism affects how we perceive the world, place ourselves in it, and make sense of it via perception and emotion. Delirious Consumption focuses on the two largest cultural economies in Latin America, Mexico and Brazil, and analyzes how their artists and writers both embraced and resisted the spirit of development and progress that defines the consumer moment in late capitalism. Sergio Delgado Moya looks specifically at the work of David Alfaro Siqueiros, the Brazilian concrete poets, Octavio Paz, and Lygia Clark to determine how each of them arrived at forms of aesthetic production balanced between high modernism and consumer culture. He finds in their works a provocative positioning vis-à-vis urban commodity capitalism, an ambivalent position that takes an assured but flexible stance against commodification, alienation, and the politics of domination and inequality that defines market economies. In Delgado Moya’s view, these poets and artists appeal to uselessness, nonutility, and noncommunication—all markers of the aesthetic—while drawing on the terms proper to a world of consumption and consumer culture.
Author: Mara Polgovsky Ezcurra
Publisher: University of Texas Press
ISBN: 1477328858
Category : Art
Languages : en
Pages : 337
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Book Description
Essays on the rise of community-focused art projects and anti-monuments in Mexico since the 1980s. Mexico has long been lauded and studied for its post-revolutionary public art, but recent artistic practices have raised questions about how public art is created and for whom it is intended. In The New Public Art, Mara Polgovsky Ezcurra, together with a number of scholars, artists, and activists, looks at the rise of community-focused art projects, from collective cinema to off-stage dance and theatre, and the creation of anti-monuments that have redefined what public art is and how people have engaged with it across the country since the 1980s. The New Public Art investigates the reemergence of collective practices in response to privatization, individualism, and alienating violence. Focusing on the intersection of art, politics, and notions of public participation and belonging, contributors argue that a new, non-state-led understanding of "the public" came into being in Mexico between the mid-1980s and the late 2010s. During this period, community-based public art bore witness to the human costs of abuses of state and economic power while proposing alternative forms of artistic creation, activism, and cultural organization.
Author:
Publisher:
ISBN:
Category : Art, Mexican
Languages : es
Pages : 140
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Book Description
