Author: David B. Allison
Publisher: Cambridge University Press
ISBN: 9780521444156
Category : Literary Criticism
Languages : en
Pages : 288
Book Description
This major collection of essays on the Marquis de Sade encompasses a wide range of critical approaches to his oeuvre, now made available to English-language readers for the first time. It focuses on several contemporary areas of interest: the explicitly libidinal components of Sade's work and the effects they engender, the textual and narrative apparatus that supports these operations, the ethical and political concerns that arise from them, and the problematic issues surrounding the conceptual closure of representation. Sade is placed at the center of current debates in literary and philosophical criticism, feminist and gender theory, aesthetics, rhetoric, and eighteenth-century French cultural history.
Sade and the Narrative of Transgression
Sade's Sensibilities
Author: Kate Parker
Publisher: Bucknell University Press
ISBN: 1611486475
Category : Literary Criticism
Languages : en
Pages : 223
Book Description
Sade’s Sensibilities tells a new story of one of the most enduring and controversial figures in European literature. Blending ideas about subjectivity, identity and natural philosophy with politics and pornography, D.A.F. de Sade has fascinated writers and readers for two hundred years, and his materialist account of the human condition has been widely influential in post-structuralism, nihilism, and feminism. This new collection of essays considers Sade’s Enlightenment legacy, both within and beyond the narratives of radicalism and aberration that have historically marked the study of his oeuvre. From different points of view, these essays argue that Sade engaged with and influenced traditional Enlightenment paradigms—particularly those related to sensibility, subjectivity, and philosophy—as much as he resisted them. They thus recover a Sade more relevant, even foundational to our twenty-first century understanding of modernity, selfhood, and community. In Sade’s Sensibilities Sade is no longer a solitary, peripheral radical, but an Enlightenment philosopher in his own right.
Publisher: Bucknell University Press
ISBN: 1611486475
Category : Literary Criticism
Languages : en
Pages : 223
Book Description
Sade’s Sensibilities tells a new story of one of the most enduring and controversial figures in European literature. Blending ideas about subjectivity, identity and natural philosophy with politics and pornography, D.A.F. de Sade has fascinated writers and readers for two hundred years, and his materialist account of the human condition has been widely influential in post-structuralism, nihilism, and feminism. This new collection of essays considers Sade’s Enlightenment legacy, both within and beyond the narratives of radicalism and aberration that have historically marked the study of his oeuvre. From different points of view, these essays argue that Sade engaged with and influenced traditional Enlightenment paradigms—particularly those related to sensibility, subjectivity, and philosophy—as much as he resisted them. They thus recover a Sade more relevant, even foundational to our twenty-first century understanding of modernity, selfhood, and community. In Sade’s Sensibilities Sade is no longer a solitary, peripheral radical, but an Enlightenment philosopher in his own right.
The Erotics of Grief
Author: Megan Moore
Publisher: Cornell University Press
ISBN: 1501758411
Category : Literary Criticism
Languages : en
Pages : 202
Book Description
The Erotics of Grief considers how emotions propagate power by exploring whose lives are grieved and what kinds of grief are valuable within and eroticized by medieval narratives. Megan Moore argues that grief is not only routinely eroticized in medieval literature but that it is a foundational emotion of medieval elite culture. Focusing on the concept of grief as desire, Moore builds on the history of the emotions and Georges Bataille's theory of the erotic as the conflict between desire and death, one that perversely builds a sense of community organized around a desire for death. The link between desire and death serves as an affirmation of living communities. Moore incorporates literary, visual, and codicological evidence in sources from across the Mediterranean—from Old French chansons de geste, such as the Song of Roland and La mort le roi Artu and romances such as Erec et Enide, Philomena, and Floire et Blancheflor; to Byzantine and ancient Greek novels; to Middle English travel narratives such as Mandeville's Travels. In her reading of the performance of grief as one of community and remembrance, Moore assesses why some lives are imagined as mattering more than others and explores how a language of grief becomes a common language of status among the medieval Mediterranean elite.
Publisher: Cornell University Press
ISBN: 1501758411
Category : Literary Criticism
Languages : en
Pages : 202
Book Description
The Erotics of Grief considers how emotions propagate power by exploring whose lives are grieved and what kinds of grief are valuable within and eroticized by medieval narratives. Megan Moore argues that grief is not only routinely eroticized in medieval literature but that it is a foundational emotion of medieval elite culture. Focusing on the concept of grief as desire, Moore builds on the history of the emotions and Georges Bataille's theory of the erotic as the conflict between desire and death, one that perversely builds a sense of community organized around a desire for death. The link between desire and death serves as an affirmation of living communities. Moore incorporates literary, visual, and codicological evidence in sources from across the Mediterranean—from Old French chansons de geste, such as the Song of Roland and La mort le roi Artu and romances such as Erec et Enide, Philomena, and Floire et Blancheflor; to Byzantine and ancient Greek novels; to Middle English travel narratives such as Mandeville's Travels. In her reading of the performance of grief as one of community and remembrance, Moore assesses why some lives are imagined as mattering more than others and explores how a language of grief becomes a common language of status among the medieval Mediterranean elite.
Seducing the Eighteenth-century French Reader
Author: Paul J. Young
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754664178
Category : Literary Criticism
Languages : en
Pages : 178
Book Description
Considering canonical and lesser-known works by authors that include Rousseau, Sade, Bastide, Laclos, Crébillon fils, and the writers of two widely read libertine novels, Paul Young suggests that narratives of seduction function as a master plot for eighteenth-century French literature. How authors reacted to a cultural discourse that coded literature and solitary reading as dangerous, seductive practices sheds light on the history of authorship, especially the development of the novel.
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754664178
Category : Literary Criticism
Languages : en
Pages : 178
Book Description
Considering canonical and lesser-known works by authors that include Rousseau, Sade, Bastide, Laclos, Crébillon fils, and the writers of two widely read libertine novels, Paul Young suggests that narratives of seduction function as a master plot for eighteenth-century French literature. How authors reacted to a cultural discourse that coded literature and solitary reading as dangerous, seductive practices sheds light on the history of authorship, especially the development of the novel.
Sadian Reflections
Author: Yoav Rinon
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838640678
Category : Literary Criticism
Languages : en
Pages : 218
Book Description
"This study encompasses many aspects of Sade's work: the role of the gaze and its importance, food in Sade's world, connections between literary genres and the Sadian worldview, interrelations of writing and masturbation, the link between sexuality and philosophy (especially in homosexual and lesbian contexts), the Sadian chain of violence, liberty, and happiness, and finally a discussion of love and its place in the savage and free world that Sade tried to create. In addition, the book bridges the gap between Sade's world and ours in a discussion of works by Lacan and Derrida, thus expressing hidden strata of Sadian notions and their critical role in shaping and constructing contemporary thought."--BOOK JACKET.
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838640678
Category : Literary Criticism
Languages : en
Pages : 218
Book Description
"This study encompasses many aspects of Sade's work: the role of the gaze and its importance, food in Sade's world, connections between literary genres and the Sadian worldview, interrelations of writing and masturbation, the link between sexuality and philosophy (especially in homosexual and lesbian contexts), the Sadian chain of violence, liberty, and happiness, and finally a discussion of love and its place in the savage and free world that Sade tried to create. In addition, the book bridges the gap between Sade's world and ours in a discussion of works by Lacan and Derrida, thus expressing hidden strata of Sadian notions and their critical role in shaping and constructing contemporary thought."--BOOK JACKET.
The Horrid Looking Glass: Reflections on Monstrosity
Author:
Publisher: BRILL
ISBN: 1904710158
Category : Social Science
Languages : en
Pages : 244
Book Description
From the fictional world of vampires, zombies, and invaders from other worlds, to the very real world of revolutionary France and in between, the nature of the monster encompasses the very quality that makes them so believable - that which we perceive as 'other'. While there is a commonality in this otherness, the monster lurking in the shadows, concealed in darkness or conjured with a few lines from a horror novel suggests the monster as one onto which we are free to project the most distorted and un-human features. In each chapter of this volume, you will discover that the way in which we project what is monstrous is not a singular other but is in fact a part of our own self-identity. The greatest horror of the monster is not that it stands apart, but that once we pull it from the shadow of our own projected imagination we discover that that the monster we fear is also bound to our own mirror image. To look at the monster, to name that which must never be named, is to look upon a reflection and embrace a part of our nature we do not wish to see.
Publisher: BRILL
ISBN: 1904710158
Category : Social Science
Languages : en
Pages : 244
Book Description
From the fictional world of vampires, zombies, and invaders from other worlds, to the very real world of revolutionary France and in between, the nature of the monster encompasses the very quality that makes them so believable - that which we perceive as 'other'. While there is a commonality in this otherness, the monster lurking in the shadows, concealed in darkness or conjured with a few lines from a horror novel suggests the monster as one onto which we are free to project the most distorted and un-human features. In each chapter of this volume, you will discover that the way in which we project what is monstrous is not a singular other but is in fact a part of our own self-identity. The greatest horror of the monster is not that it stands apart, but that once we pull it from the shadow of our own projected imagination we discover that that the monster we fear is also bound to our own mirror image. To look at the monster, to name that which must never be named, is to look upon a reflection and embrace a part of our nature we do not wish to see.
At Home With The Marquis De Sade
Author: Francine Du Plessix Gray
Publisher: Random House
ISBN: 1448163064
Category : Biography & Autobiography
Languages : en
Pages : 613
Book Description
Donatien Alphonse Francois, Marquis de Sade (1740-1814), one of the most perplexing personalities of Western culture, has been called 'the freest spirit who ever lived' and 'a frenetic and abominable assemblage of all crimes and obscenities'. Yet scant attention has been given to the two women who were the catalysts of his fate: his loyal, tolerant wife, Renee-Pelagie, and his vindictive mother-in-law, Madame de Montreuil. This groundbreaking account vividly brings to life these two dynamic women and the complex bonds they evolved with the rakish Marquis, as they dedicated themselves to protecting, curbing and, ultimately, confining him. Francine du Plessix Gray draws on thousands of pages of correspondence between the magnetic, aristocratic Marquis de Sade and his plain, bourgeois wife, to explore in historical and psychological detail what it was like to live with this maverick adventurer and man of letters in the decades before the French Revolution. She brilliantly recreates the extravagant hedonism and corruption of late-18th-century France, the ensuing Terror, and the oppression of the Napoleonic regime under which de Sade spent his last years.
Publisher: Random House
ISBN: 1448163064
Category : Biography & Autobiography
Languages : en
Pages : 613
Book Description
Donatien Alphonse Francois, Marquis de Sade (1740-1814), one of the most perplexing personalities of Western culture, has been called 'the freest spirit who ever lived' and 'a frenetic and abominable assemblage of all crimes and obscenities'. Yet scant attention has been given to the two women who were the catalysts of his fate: his loyal, tolerant wife, Renee-Pelagie, and his vindictive mother-in-law, Madame de Montreuil. This groundbreaking account vividly brings to life these two dynamic women and the complex bonds they evolved with the rakish Marquis, as they dedicated themselves to protecting, curbing and, ultimately, confining him. Francine du Plessix Gray draws on thousands of pages of correspondence between the magnetic, aristocratic Marquis de Sade and his plain, bourgeois wife, to explore in historical and psychological detail what it was like to live with this maverick adventurer and man of letters in the decades before the French Revolution. She brilliantly recreates the extravagant hedonism and corruption of late-18th-century France, the ensuing Terror, and the oppression of the Napoleonic regime under which de Sade spent his last years.
Surrealism and the Gothic
Author: Neil Matheson
Publisher: Routledge
ISBN: 1351686453
Category : Art
Languages : en
Pages : 347
Book Description
Surrealism and the Gothic is the first book-length analysis of the role played by the gothic in both the initial emergence of surrealism and at key moments in its subsequent development as an art and literary movement. The book argues the strong and sustained influence, not only of the classic gothic novel itself – Ann Radcliffe, Charles Maturin, Matthew Lewis, etc. – but also the determinative impact of closely related phenomena, as with the influence of mediumism, alchemy and magic. The book also traces the later development of the gothic novel, as with Bram Stoker’s Dracula, and its mutation into such works of popular fiction as the Fantômas series of Marcel Allain and Pierre Souvestre, enthusiastically taken up by writers such as Apollinaire and subsequently feeding into the development of surrealism. More broadly, the book considers a range of motifs strongly associated with gothic writing, as with insanity, incarceration and the ‘accursed outsider’, explored in relation to the personal experience and electroshock treatment of Antonin Artaud. A recurring motif of the analysis is that of the gothic castle, developed in the writings of André Breton, Artaud, Sade, Julien Gracq and other writers, as well as in the work of visual artists such as Magritte.
Publisher: Routledge
ISBN: 1351686453
Category : Art
Languages : en
Pages : 347
Book Description
Surrealism and the Gothic is the first book-length analysis of the role played by the gothic in both the initial emergence of surrealism and at key moments in its subsequent development as an art and literary movement. The book argues the strong and sustained influence, not only of the classic gothic novel itself – Ann Radcliffe, Charles Maturin, Matthew Lewis, etc. – but also the determinative impact of closely related phenomena, as with the influence of mediumism, alchemy and magic. The book also traces the later development of the gothic novel, as with Bram Stoker’s Dracula, and its mutation into such works of popular fiction as the Fantômas series of Marcel Allain and Pierre Souvestre, enthusiastically taken up by writers such as Apollinaire and subsequently feeding into the development of surrealism. More broadly, the book considers a range of motifs strongly associated with gothic writing, as with insanity, incarceration and the ‘accursed outsider’, explored in relation to the personal experience and electroshock treatment of Antonin Artaud. A recurring motif of the analysis is that of the gothic castle, developed in the writings of André Breton, Artaud, Sade, Julien Gracq and other writers, as well as in the work of visual artists such as Magritte.
The Marquis de Sade: A Very Short Introduction
Author: John Phillips
Publisher: Oxford University Press, USA
ISBN: 0192804693
Category : Literary Criticism
Languages : en
Pages : 161
Book Description
Discussing the 'real' Marquis de Sade from his mythical and demonic reputation, John Phillips examines Sade's life and work his libertine novels, his championing of atheism, and his uniqueness in bringing the body and sex back into philosophy.
Publisher: Oxford University Press, USA
ISBN: 0192804693
Category : Literary Criticism
Languages : en
Pages : 161
Book Description
Discussing the 'real' Marquis de Sade from his mythical and demonic reputation, John Phillips examines Sade's life and work his libertine novels, his championing of atheism, and his uniqueness in bringing the body and sex back into philosophy.
Bodily Pain in Romantic Literature
Author: Jeremy Davies
Publisher: Routledge
ISBN: 1135016747
Category : Literary Criticism
Languages : en
Pages : 242
Book Description
Shortlisted for the University English Early Career Book Prize 2016 Shortlisted for the British Association for Romantic Studies First Book Prize 2015 When writers of the late eighteenth and early nineteenth centuries explored the implications of organic and emotional sensitivity, the pain of the body gave rise to unsettling but irresistible questions. Urged on by some of their most deeply felt preoccupations – and in the case of figures like Coleridge and P. B. Shelley, by their own experiences of chronic pain – many writers found themselves drawn to the imaginative scrutiny of bodies in extremis. Bodily Pain in Romantic Literature reveals the significance of physical hurt for the poetry, philosophy, and medicine of the Romantic period. This study looks back to eighteenth-century medical controversies that made pain central to discussions about the nature of life, and forward to the birth of surgical anaesthesia in 1846. It examines why Jeremy Bentham wrote in defence of torture, and how pain sparked the imagination of thinkers from Adam Smith to the Marquis de Sade. Jeremy Davies brings to bear on Romantic studies the fascinating recent work in the medical humanities that offers a fresh understanding of bodily hurt, and shows how pain could prompt new ways of thinking about politics, ethics, and identity.
Publisher: Routledge
ISBN: 1135016747
Category : Literary Criticism
Languages : en
Pages : 242
Book Description
Shortlisted for the University English Early Career Book Prize 2016 Shortlisted for the British Association for Romantic Studies First Book Prize 2015 When writers of the late eighteenth and early nineteenth centuries explored the implications of organic and emotional sensitivity, the pain of the body gave rise to unsettling but irresistible questions. Urged on by some of their most deeply felt preoccupations – and in the case of figures like Coleridge and P. B. Shelley, by their own experiences of chronic pain – many writers found themselves drawn to the imaginative scrutiny of bodies in extremis. Bodily Pain in Romantic Literature reveals the significance of physical hurt for the poetry, philosophy, and medicine of the Romantic period. This study looks back to eighteenth-century medical controversies that made pain central to discussions about the nature of life, and forward to the birth of surgical anaesthesia in 1846. It examines why Jeremy Bentham wrote in defence of torture, and how pain sparked the imagination of thinkers from Adam Smith to the Marquis de Sade. Jeremy Davies brings to bear on Romantic studies the fascinating recent work in the medical humanities that offers a fresh understanding of bodily hurt, and shows how pain could prompt new ways of thinking about politics, ethics, and identity.