Author: Michael DeAngelis
Publisher: State University of New York Press
ISBN: 1438468539
Category : Performing Arts
Languages : en
Pages : 238
Book Description
Rx Hollywood investigates how therapy surfaced in the themes, representations, and narrative strategies of a changing film industry. In the 1960s and early 1970s, American cinema was struggling to address adult audiences who were increasingly demanding films that confronted contemporary issues. Focusing upon five fields of therapeutic inquiry—therapist/patient dynamics, female "frigidity" and male impotence, marital discord, hallucinogenic drug use, and the dynamics of confession—Michael DeAngelis argues that the films of this period reveal an emergent, common tendency of therapy to work toward the formation of a stronger sense of interpersonal, community/social, and political engagement, counteracting alienation and social division in the spirit of connection and community. Prior to the 1960s, therapy had been considered an introspective process, one that emphasized contemplation and insight and prompted the patient to investigate memories and past traumas. In the 1960s, however, therapy would move toward more humanistic, client-centered, community, group, and encounter models that deemphasized the "there and then" of past feelings and experiences and embraced the "here and now" of the present. These kinds of therapy promised to heal the self through a process of reaching out, helping individuals to connect with communities, support networks, and other like-minded individuals who shared a needed sense of belonging. Drawing on a wide range of films, including Marnie, The Boston Strangler, The Chapman Report, Carnal Knowledge, Divorce American Style, Diary of a Mad Housewife, Guess Who's Coming to Dinner, and Five Easy Pieces, DeAngelis shows how American culture framed therapeutic issues as problems of human communication, developing treatment strategies that addressed individual psychological problems as social problems.
Rx Hollywood
Author: Michael DeAngelis
Publisher: State University of New York Press
ISBN: 1438468539
Category : Performing Arts
Languages : en
Pages : 238
Book Description
Rx Hollywood investigates how therapy surfaced in the themes, representations, and narrative strategies of a changing film industry. In the 1960s and early 1970s, American cinema was struggling to address adult audiences who were increasingly demanding films that confronted contemporary issues. Focusing upon five fields of therapeutic inquiry—therapist/patient dynamics, female "frigidity" and male impotence, marital discord, hallucinogenic drug use, and the dynamics of confession—Michael DeAngelis argues that the films of this period reveal an emergent, common tendency of therapy to work toward the formation of a stronger sense of interpersonal, community/social, and political engagement, counteracting alienation and social division in the spirit of connection and community. Prior to the 1960s, therapy had been considered an introspective process, one that emphasized contemplation and insight and prompted the patient to investigate memories and past traumas. In the 1960s, however, therapy would move toward more humanistic, client-centered, community, group, and encounter models that deemphasized the "there and then" of past feelings and experiences and embraced the "here and now" of the present. These kinds of therapy promised to heal the self through a process of reaching out, helping individuals to connect with communities, support networks, and other like-minded individuals who shared a needed sense of belonging. Drawing on a wide range of films, including Marnie, The Boston Strangler, The Chapman Report, Carnal Knowledge, Divorce American Style, Diary of a Mad Housewife, Guess Who's Coming to Dinner, and Five Easy Pieces, DeAngelis shows how American culture framed therapeutic issues as problems of human communication, developing treatment strategies that addressed individual psychological problems as social problems.
Publisher: State University of New York Press
ISBN: 1438468539
Category : Performing Arts
Languages : en
Pages : 238
Book Description
Rx Hollywood investigates how therapy surfaced in the themes, representations, and narrative strategies of a changing film industry. In the 1960s and early 1970s, American cinema was struggling to address adult audiences who were increasingly demanding films that confronted contemporary issues. Focusing upon five fields of therapeutic inquiry—therapist/patient dynamics, female "frigidity" and male impotence, marital discord, hallucinogenic drug use, and the dynamics of confession—Michael DeAngelis argues that the films of this period reveal an emergent, common tendency of therapy to work toward the formation of a stronger sense of interpersonal, community/social, and political engagement, counteracting alienation and social division in the spirit of connection and community. Prior to the 1960s, therapy had been considered an introspective process, one that emphasized contemplation and insight and prompted the patient to investigate memories and past traumas. In the 1960s, however, therapy would move toward more humanistic, client-centered, community, group, and encounter models that deemphasized the "there and then" of past feelings and experiences and embraced the "here and now" of the present. These kinds of therapy promised to heal the self through a process of reaching out, helping individuals to connect with communities, support networks, and other like-minded individuals who shared a needed sense of belonging. Drawing on a wide range of films, including Marnie, The Boston Strangler, The Chapman Report, Carnal Knowledge, Divorce American Style, Diary of a Mad Housewife, Guess Who's Coming to Dinner, and Five Easy Pieces, DeAngelis shows how American culture framed therapeutic issues as problems of human communication, developing treatment strategies that addressed individual psychological problems as social problems.
Hollywood's Indies
Author: Yannis Tzioumakis
Publisher: Edinburgh University Press
ISBN: 074864959X
Category : Performing Arts
Languages : en
Pages : 240
Book Description
For almost three decades the big Hollywood studios have operated classics divisions or specialty labels, subsidiaries that originally focused on the foreign art house film market, while more recently (and controversially) moving on to the American 'indie' film market. This is the first book to offer an in depth examination of the phenomenon of the classics divisions by tracing its history since the establishment the first specialty label in 1980, United Artists Classics, to more contemporary outfits like Focus Features, Warner Independent and Picturehouse.This detailed account of all classics divisions examines their business practices, their position within the often labyrinthine structure of contemporary entertainment conglomerates and their relationship to their parent companies. Yannis Tzioumakis examines the impact of those companies on American 'indie' cinema and argues that it was companies such as Fox Searchlight and Paramount Classics (now Paramount Vantage) that turned independent filmmaking to an industrial category endorsed by the Hollywood majors as opposed to a mode of filmmaking practised outside the conglomerated major players and posed as a sustained alternative to mainstream Hollywood cinema. A number of case studies are provided, including such celebrated films as Mystery Train, The Brothers McMullen, Broken Flowers, Before Sunset and many others.
Publisher: Edinburgh University Press
ISBN: 074864959X
Category : Performing Arts
Languages : en
Pages : 240
Book Description
For almost three decades the big Hollywood studios have operated classics divisions or specialty labels, subsidiaries that originally focused on the foreign art house film market, while more recently (and controversially) moving on to the American 'indie' film market. This is the first book to offer an in depth examination of the phenomenon of the classics divisions by tracing its history since the establishment the first specialty label in 1980, United Artists Classics, to more contemporary outfits like Focus Features, Warner Independent and Picturehouse.This detailed account of all classics divisions examines their business practices, their position within the often labyrinthine structure of contemporary entertainment conglomerates and their relationship to their parent companies. Yannis Tzioumakis examines the impact of those companies on American 'indie' cinema and argues that it was companies such as Fox Searchlight and Paramount Classics (now Paramount Vantage) that turned independent filmmaking to an industrial category endorsed by the Hollywood majors as opposed to a mode of filmmaking practised outside the conglomerated major players and posed as a sustained alternative to mainstream Hollywood cinema. A number of case studies are provided, including such celebrated films as Mystery Train, The Brothers McMullen, Broken Flowers, Before Sunset and many others.
The Era Druggists' Directory
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 360
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 360
Book Description
Hollywoodland
Author: David Wallace
Publisher: Macmillan
ISBN: 9780312316143
Category : Biography & Autobiography
Languages : en
Pages : 260
Book Description
Hollywood history right out of its grandest era, accompanied by rare photographs, by the author of the LA Times bestseller Lost Hollywood.
Publisher: Macmillan
ISBN: 9780312316143
Category : Biography & Autobiography
Languages : en
Pages : 260
Book Description
Hollywood history right out of its grandest era, accompanied by rare photographs, by the author of the LA Times bestseller Lost Hollywood.
Hearings
Author: United States. Congress. House. Select Committee on Small Business
Publisher:
ISBN:
Category :
Languages : en
Pages : 1506
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 1506
Book Description
Cinema, MD
Author: Eelco F. M. Wijdicks
Publisher: Oxford University Press, USA
ISBN: 0190685794
Category : Medical
Languages : en
Pages : 385
Book Description
Cinema, MD follows the intersection of medicine and film and how filmmakers wrote a history of medicine over time, analyzing not only changing practices, changing morals, and changing expectations but also medical stereotypes, medical activism, and violations of patients' integrity and autonomy. Examining over 400 films with medical themes over a century of cinema, this book establishes the cultural, medical, and historical importance of the artform.
Publisher: Oxford University Press, USA
ISBN: 0190685794
Category : Medical
Languages : en
Pages : 385
Book Description
Cinema, MD follows the intersection of medicine and film and how filmmakers wrote a history of medicine over time, analyzing not only changing practices, changing morals, and changing expectations but also medical stereotypes, medical activism, and violations of patients' integrity and autonomy. Examining over 400 films with medical themes over a century of cinema, this book establishes the cultural, medical, and historical importance of the artform.
Third Party Prepaid Prescription Programs
Author: United States. Congress. House. Select Committee on Small Business. Subcommittee on Environmental Problems Affecting Small Business
Publisher:
ISBN:
Category : Drugs
Languages : en
Pages : 388
Book Description
Publisher:
ISBN:
Category : Drugs
Languages : en
Pages : 388
Book Description
Immanent Frames
Author: John Caruana
Publisher: SUNY Press
ISBN: 1438470177
Category : Performing Arts
Languages : en
Pages : 308
Book Description
Explores a growing number of films and filmmakers that challenge the strict boundaries between belief and unbelief. For some time now, thinkers across the humanities and social sciences have increasingly called into question the once-dominant view of the relationship between modernity and secularism, prompting some to speak of a postsecular turn. Until now, film studies has largely been silent about this development, even though cinema itself has been a major vehicle for such reflection. This fact became inescapable in 2011 when Terrence Malicks The Tree of Life and Lars von Triers Melancholia were released within days of each other. While these two audacious and controversial films present seemingly opposite perspectivesthe former a thoughtful meditation on faith, the latter a portrayal of nontriumphalist atheismtogether they raise critical questions about transcendence and immanence in modern life. These films are, however, only the most conspicuous of a growing body of works that call forth similar and related questionswhat this collection aptly calls postsecular cinema. Taking the nearly simultaneous release of The Tree of Life and Melancholia as its starting point and framing device, this pioneering collection sets out to establish the idea of postsecular cinema as a distinct body of films and a viable critical category. Adopting a film-philosophy approach, one group of essays examines Malicks and von Triers films, while another looks at works by Chantal Akerman, Denys Arcand, the Dardenne brothers, and John Michael McDonagh, among others. The volume closes with two important interviews with Luc Dardenne and Jean-Luc Nancy that invite us to reflect more deeply on some of the central concerns of postsecular cinema.
Publisher: SUNY Press
ISBN: 1438470177
Category : Performing Arts
Languages : en
Pages : 308
Book Description
Explores a growing number of films and filmmakers that challenge the strict boundaries between belief and unbelief. For some time now, thinkers across the humanities and social sciences have increasingly called into question the once-dominant view of the relationship between modernity and secularism, prompting some to speak of a postsecular turn. Until now, film studies has largely been silent about this development, even though cinema itself has been a major vehicle for such reflection. This fact became inescapable in 2011 when Terrence Malicks The Tree of Life and Lars von Triers Melancholia were released within days of each other. While these two audacious and controversial films present seemingly opposite perspectivesthe former a thoughtful meditation on faith, the latter a portrayal of nontriumphalist atheismtogether they raise critical questions about transcendence and immanence in modern life. These films are, however, only the most conspicuous of a growing body of works that call forth similar and related questionswhat this collection aptly calls postsecular cinema. Taking the nearly simultaneous release of The Tree of Life and Melancholia as its starting point and framing device, this pioneering collection sets out to establish the idea of postsecular cinema as a distinct body of films and a viable critical category. Adopting a film-philosophy approach, one group of essays examines Malicks and von Triers films, while another looks at works by Chantal Akerman, Denys Arcand, the Dardenne brothers, and John Michael McDonagh, among others. The volume closes with two important interviews with Luc Dardenne and Jean-Luc Nancy that invite us to reflect more deeply on some of the central concerns of postsecular cinema.
Notices of Judgment Under the Federal Food, Drug, and Cosmetic Act
Author: United States. Food and Drug Administration
Publisher:
ISBN:
Category : Drugs
Languages : en
Pages : 1762
Book Description
Publisher:
ISBN:
Category : Drugs
Languages : en
Pages : 1762
Book Description
Deleuze, Guattari and the Schizoanalysis of the Global Pandemic
Author: Saswat Samay Das
Publisher: Bloomsbury Publishing
ISBN: 135027741X
Category : Philosophy
Languages : en
Pages : 225
Book Description
A vital response to the COVID-19 pandemic, this volume connects the neoliberal underpinnings of the pandemic to the philosophy of Deleuze and Guattari. By positioning the worst outcomes of the COVID-19 crisis in terms of neoliberal normativity, contributors argue that we need to understand the pandemic rhizomatically. Construed as an event that deterritorializes the globe, the crisis of the pandemic contains within it the potential for creating new assemblages, alliances, and solidarities to offset the power of the state in building regimes of exclusion, insulation and control. Deleuzo-Guattarian attention towards non-human life finds new meaning in the context of the virus, and our understanding of what constitutes life and inorganic life. Crisis, capitalism, and revolution are read anew through the pandemic and core Deleuzo-Guattarian concepts help to situate the proliferation of new models of mutual aid, sustainability, and care in the context of anti-capitalist critique.
Publisher: Bloomsbury Publishing
ISBN: 135027741X
Category : Philosophy
Languages : en
Pages : 225
Book Description
A vital response to the COVID-19 pandemic, this volume connects the neoliberal underpinnings of the pandemic to the philosophy of Deleuze and Guattari. By positioning the worst outcomes of the COVID-19 crisis in terms of neoliberal normativity, contributors argue that we need to understand the pandemic rhizomatically. Construed as an event that deterritorializes the globe, the crisis of the pandemic contains within it the potential for creating new assemblages, alliances, and solidarities to offset the power of the state in building regimes of exclusion, insulation and control. Deleuzo-Guattarian attention towards non-human life finds new meaning in the context of the virus, and our understanding of what constitutes life and inorganic life. Crisis, capitalism, and revolution are read anew through the pandemic and core Deleuzo-Guattarian concepts help to situate the proliferation of new models of mutual aid, sustainability, and care in the context of anti-capitalist critique.