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Author: Denise Jeanne Youngblood
Publisher:
ISBN:
Category : History
Languages : en
Pages : 344
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Book Description
A panoramic survey of nearly a century of Russian films on wars and wartime from World War I to more recent conflicts in Afghanistan and Chechnya, with heavy emphasis on films pertaining to World War II.
Author: Denise Jeanne Youngblood
Publisher:
ISBN:
Category : History
Languages : en
Pages : 344
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Book Description
A panoramic survey of nearly a century of Russian films on wars and wartime from World War I to more recent conflicts in Afghanistan and Chechnya, with heavy emphasis on films pertaining to World War II.
Author: David C. Gillespie
Publisher: Routledge
ISBN: 1317874137
Category : Performing Arts
Languages : en
Pages : 212
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Book Description
Russian Cinema provides a lively and informative exploration of the film genres that developed during Russia's tumultuous history, with discussion of the work of Eisenstein, Pudovkin, Mikhalkov, Paradzhanov, Sokurov and others. The background section assesses the contribution of visual art and music, especially the work of the composers Shostakovich and Prokofev, to Russian cinema. Subsequent chapters explore a variety of topics: The literary space - the cinematic rendering of the literary text, from 'Sovietized' versions to bolder and more innovative interpretations, as well as adaptations of foreign classics The Russian film comedy looks at this perennially popular genre over the decades, from the 'domestication' of laughter under Stalin to the emergence of satire The historical film - how history has been used in film to affirm prevailing ideological norms, from October to Taurus Women and Russian film discusses some of the female stars of the Soviet screen (Liubov Orlova, Vera Alentova, Liudmila Gurchenko), as well as films made by male and female directors, such as Askoldov and Kira Muratova Film and ideology shows why ideology was an essential component of Soviet films such as The Maxim Trilogy, and how it was later definitively rejected The Russian war film looks at Civil War and Second World War films, and the post-Soviet treatment of recent conflicts in Afghanistan and Chechnya Private life and public morality explores the evolution of melodramas about youth angst, town and village life, personal relationships, and the emergence of the dominant sub-genre of the 1990s, the gangster thriller Autobiography, memory and identity offers a close reading of the work of Andrei Tarkovskii, Russia's greatest post-war director, whose films, including Andrei Rublev and Mirror, place him among the foremost European auteur film-makers Russian Cinema offers a close analysis of over 300 films illustrated with representative stills throughout. As with other titles in the Inside Film series it includes comprehensive filmographies, a thorough bibliography and an annotated further reading list. The book is a jargon-free, accessible study that will be of interest to undergraduates of film studies, modern languages, Russian language and literature, as well as cineastes, film teachers and researchers.
Author: ELLIS-GORMAN STUART
Publisher: Pen & Sword Military
ISBN: 9781526789532
Category :
Languages : en
Pages : 240
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Book Description
The crossbow is an iconic weapon of the Middle Ages and, alongside the longbow, one of the most effective ranged weapons of the pre-gunpowder era. Unfortunately, despite its general fame it has been decades since an in-depth history of the medieval crossbow has been published, which is why Stuart Ellis-Gorman's detailed, accessible, and highly illustrated study is so valuable. The Medieval Crossbow approaches the history of the crossbow from two directions. The first is a technical study of the design and construction of the medieval crossbow, the many different kinds of crossbows used during the Middle Ages, and finally a consideration of the relationship between crossbows and art. The second half of the book explores the history of the crossbow, from its origins in ancient China to its decline in sixteenth-century Europe. Along the way it explores the challenges in deciphering the crossbow's early medieval history as well as its prominence in warfare and sport shooting in the High and Later Middle Ages. This fascinating book brings together the work of a wide range of accomplished crossbow scholars and incorporates the author's own original research to create an account of the medieval crossbow that will appeal to anyone looking to gain an insight into one of the most important weapons of the Middle Ages.
Author: Tony Shaw
Publisher:
ISBN:
Category : History
Languages : en
Pages : 320
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Book Description
The first book-length survey of cinema's vital role in the Cold War cultural combat between the U.S. and the USSR. Focuses on 10 films--five American and five Soviet, both iconic and lesser-known works--showing that cinema provided a crucial outlet for the global "debate" between democratic and communist ideologies.
Author: Aleksandr Bek
Publisher:
ISBN:
Category : Moscow, Battle of, Moscow, Russia, 1941-1942
Languages : en
Pages : 344
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Book Description
Author: Tatiana Prorokova-Konrad
Publisher: Univ. Press of Mississippi
ISBN: 1496831136
Category : Performing Arts
Languages : en
Pages : 264
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Book Description
Contributions by Thomas J. Cobb, Donna A. Gessell, Helena Goscilo, Cyndy Hendershot, Christian Jimenez, David LaRocca, Lori Maguire, Tatiana Prorokova-Konrad, Ian Scott, Vesta Silva, Lucian Tion, Dan Ward, and Jon Wiebel In recent years, Hollywood cinema has forwarded a growing number of images of the Cold War and entertained a return to memories of conflicts between the USSR and the US, Russians and Americans, and communism and capitalism. Cold War II: Hollywood’s Renewed Obsession with Russia explores the reasons for this sudden reestablished interest in the Cold War. Essayists examine such films as Guy Ritchie’s The Man from U.N.C.L.E., Steven Spielberg’s Bridge of Spies, Ethan Coen and Joel Coen’s Hail, Caesar!, David Leitch’s Atomic Blonde, Guillermo del Toro’s The Shape of Water, Ryan Coogler’s Black Panther, and Francis Lawrence’s Red Sparrow, among others, as well as such television shows as Comrade Detective and The Americans. Contributors to this collection interrogate the revival of the Cold War movie genre from multiple angles and examine the issues of patriotism, national identity, otherness, gender, and corruption. They consider cinematic aesthetics and the ethics of these representations. They reveal how Cold War imagery shapes audiences’ understanding of the period in general and of the relationship between the US and Russia in particular. The authors complicate traditional definitions of the Cold War film and invite readers to discover a new phase in the Cold War movie genre: Cold War II.
Author: Stephen M. Norris
Publisher: Indiana University Press
ISBN: 0253007089
Category : History
Languages : en
Pages : 406
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Book Description
Seeking to rebuild the Russian film industry after its post-Soviet collapse, directors and producers sparked a revival of nationalist and patriotic sentiment by applying Hollywood techniques to themes drawn from Russian history. Unsettled by the government's move toward market capitalism, Russians embraced these historical blockbusters, packing the American-style multiplexes that sprouted across the country. Stephen M. Norris examines the connections among cinema, politics, economics, history, and patriotism in the creation of "blockbuster history"—the adaptation of an American cinematic style to Russian historical epics.
Author: David Gillespie
Publisher: Wallflower Press
ISBN: 9781903364048
Category : Performing Arts
Languages : en
Pages : 126
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Book Description
This text examines the aesthetics of Soviet cinema during its golden age of the 1920s, against a background of cultural ferment and the construction of a new socialist society.
Author: Birgit Beumers
Publisher:
ISBN: 9781904764984
Category : Performing Arts
Languages : en
Pages : 312
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Book Description
This volume explores the cinema of the former Soviet Union and contemporary Russia, ranging from the pre-Revolutionary period to the present day. It offers an insight into the development of Soviet film, from 'the most important of all arts' as a propaganda tool to a means of entertainment in the Stalin era, from the rise of its 'dissident' art-house cinema in the 1960s through the glasnost era with its broken taboos to recent Russian blockbusters. Films have been chosen to represent both the classics of Russian and Soviet cinema as well as those films that had a more localised success and remain to date part of Russia's cultural reference system. The volume also covers a range of national film industries of the former Soviet Union in chapters on the greatest films and directors of Ukrainian, Kazakh, Georgian and Armenian cinematography. Films discussed include Strike (1925), Earth (1930), Ivan's Childhood (1962), Mother and Son (1997) and Brother (1997).
Author: Mark Edele
Publisher: OUP Oxford
ISBN: 0191553352
Category : History
Languages : en
Pages : 348
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Book Description
Millions of Soviet soldiers died in the USSR's struggle for survival against Nazi Germany but millions more returned to Stalin's state after victory. Mark Edele traces the veterans' story from the early post-war years through to the end of the Soviet Union in 1991. He describes in detail the problems they encountered during demobilization, the dysfunctional bureaucracy they had to deal with once back, and the way their reintegration into civilian life worked in practice in one of the most devastated countries of Europe. He pays particular attention to groups with specific problems such as the disabled, former prisoners of war, women soldiers, and youth. The study analyses the old soldiers' long struggle for recognition and the eventual emergence of an organized movement in the years after Stalin's death. The Soviet state at first refused to recognize veterans as a group worthy of special privileges or as an organization. They were not a group conceived of in Marxist-Leninist theory, there was suspicion about their political loyalty, and the leadership worried about the costs of affording a special status to such a large population group. These preconceptions were overcome only after a long, hard struggle by a popular movement that slowly emerged within the strict confines of the authoritarian Soviet regime.
