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Author: Dmitriĭ Vladimirovich Sarabʹi︠a︡nov
Publisher: ABRAMS
ISBN:
Category : Architecture
Languages : en
Pages : 328
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Book Description
As Dmitri Sarabianov tells us in this lively book, Russia first turned its face to Europe at the beginning of the eighteenth century. By the start of the nineteenth century, European ideas had been assimilated into the rich substratum of Russian culture and a unique amalgam began to emerge. Indigenous subjects became the focus of Russian art. In 1870, the Society for Traveling Art Exhibitions, whose members were known as the Wanderers, was founded. Its dual purpose was to educate the people through traveling exhibitions and to work for social reform. At the turn of the century, the dominant mode was Symbolism. But Modernist tendencies and other currents were gaining strength. These diverse aesthetics had to be rethought in 1917, when the Revolution brought the Bolsheviks to power. Functional, applied design came to the forefront. It is here, with the close of the most brilliant and innovative period in Russia's artistic life so far, that Professor Sarabianov ends his account of the pivotal years that led to the dazzling abstract, geometrical breakthroughs of Russian art. -- From publisher's description.
Author: Dmitriĭ Vladimirovich Sarabʹi︠a︡nov
Publisher: ABRAMS
ISBN:
Category : Architecture
Languages : en
Pages : 328
Get Book Here
Book Description
As Dmitri Sarabianov tells us in this lively book, Russia first turned its face to Europe at the beginning of the eighteenth century. By the start of the nineteenth century, European ideas had been assimilated into the rich substratum of Russian culture and a unique amalgam began to emerge. Indigenous subjects became the focus of Russian art. In 1870, the Society for Traveling Art Exhibitions, whose members were known as the Wanderers, was founded. Its dual purpose was to educate the people through traveling exhibitions and to work for social reform. At the turn of the century, the dominant mode was Symbolism. But Modernist tendencies and other currents were gaining strength. These diverse aesthetics had to be rethought in 1917, when the Revolution brought the Bolsheviks to power. Functional, applied design came to the forefront. It is here, with the close of the most brilliant and innovative period in Russia's artistic life so far, that Professor Sarabianov ends his account of the pivotal years that led to the dazzling abstract, geometrical breakthroughs of Russian art. -- From publisher's description.
Author: Brooklyn Museum
Publisher:
ISBN:
Category : Painting, Russian
Languages : en
Pages : 72
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Book Description
Author: Irma A. Richter
Publisher: Courier Corporation
ISBN: 048614979X
Category : Art
Languages : en
Pages : 194
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Book Description
In this captivating study, an influential scholar-artist offers timeless advice on shape, form, and composition for artists in any medium, illuminating the connections between art and science. 38 figures. 34 plates.
Author: Matthew Cullerne Bown
Publisher: Manchester University Press
ISBN: 9780719037351
Category : Art
Languages : en
Pages : 250
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Book Description
This work considers aspects of the art and architecture of the Soviet Union during the turbulent period of 1917 to 1922, covering a broad range of art, some modernist, some anti-modernist, but all to some degree guided by (and sometimes coerced by) the apparatus of the over-arching state.
Author: Rena Lavery
Publisher: Unicorn
ISBN: 9781910787014
Category : Art, Soviet
Languages : en
Pages : 0
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Book Description
This will be the resource book for art historians, galleries, auctioneers and students of Soviet art history.
Author: David Jackson
Publisher:
ISBN: 9789171008312
Category : Art and state
Languages : en
Pages : 303
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Book Description
Author: IVAN. LAVERY LINDSAY (RENA.)
Publisher:
ISBN: 9781912690626
Category : ART
Languages : en
Pages :
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Book Description
Author: Aleksei Eliseevich Kruchenykh
Publisher:
ISBN: 9780946311194
Category : Futurism (Music)
Languages : en
Pages : 156
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Book Description
This Futurist opera was presented in snowy Petrograd in December 1913 to a riotous audience. The atonal music composed by Mikhail Matiushin accompanied the alogical libretto by Aleksei Kruchenykh, the action taking place in the 10th Land where "the windows of houses all face inside" and "all the paths go up to the earth," while the hands of a clock "both go backwards immediately before dinner." The cardboard costumes by Kazimir Malevich were surfaces lit by his roving colored spotlights, the characters bigger than life. This first English translation by Dr. Evgeny Steiner is accompanied by the Russian facsimile, followed by what is known of the musical score by Mikhail Matiushin, and a selection of Malevich's Cubist costume designs. Contemporary documents, from statements by the artists and photographs, to press reviews complete the contents of Vol. 1. Vol. 2 is a collection of scholarly essays on the Russian Futurist arts of language, music and performance, with Kruchenykh's own contribution to the "New Ways of the Word" first published in 1913. Together, this two volume collection of Victory Over the Sun presents Russian Futurism in all its guises. It is a tool for study, while it invites recreations of it today by theatre groups and those interested in the arts of language.
Author: Vsevolod Petrov
Publisher:
ISBN: 9781859953501
Category : Art nouveau
Languages : en
Pages : 0
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Book Description
The Art Nouveau movement in Russia was known under the name of The World of Art. This association grouped a remarkable collection of artist and poets at the end of the 19th century. Inspired by the poetic ideals of neo-Romanticism and Symbolism, they extended their influence into all forms of plastic and literary composition. Certain members of the group became world famous for book illustrations and theatrical decors. The illustrations include paintings, book illustrations, theatrical costumes and decors of such members as: Alexander Benois, Leon Bakst, Mstislav Dobujinsky, Boris Kustodiev, Evgeni Lanceray, Anna Ostrumova-Lebedeva, Konstantin Somov, Alexandre Golovin, Mikhail Vrubel, Valentin Serov Ivan Bilibin, Dimitri Mitrokin, Sergei Tchekonin and others.
Author: Ilia Dorontchenkov
Publisher: Univ of California Press
ISBN: 0520253728
Category : Art
Languages : en
Pages : 364
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Book Description
From the first Modernist exhibitions in the late 1890s to the Soviet rupture with the West in the mid-1930s, Russian artists and writers came into wide contact with modern European art and ideas. Introducing a wealth of little-known material set in an illuminating interpretive context, this sourcebook presents Russian and Soviet views of Western art during this critical period of cultural transformation. The writings document complex responses to these works and ideas before the Russians lost contact with them almost entirely. Many of these writings have been unavailable to foreign readers and, until recently, were not widely known even to Russian scholars. Both an important reference and a valuable resource for classrooms, the book includes an introductory essay and shorter introductions to the individual sections.
