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Author: Gosudarstvennyĭ russkiĭ muzeĭ (Saint Petersburg, Russia)
Publisher: Abradale Press
ISBN: 9780810967144
Category : Art
Languages : en
Pages : 0
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Book Description
Documents the broad range of Russian Impressionism in lush colorplates & illuminating essays.
Author: Gosudarstvennyĭ russkiĭ muzeĭ (Saint Petersburg, Russia)
Publisher: Abradale Press
ISBN: 9780810967144
Category : Art
Languages : en
Pages : 0
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Book Description
Documents the broad range of Russian Impressionism in lush colorplates & illuminating essays.
Author: Mikhail Guerman
Publisher: Parkstone International
ISBN: 1639199608
Category : Art
Languages : en
Pages : 168
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Book Description
The 1860s were marked by a strong realistic movement in Russian painting. Artists became interested in depicting the lives and customs of their fellow countrymen. This new art form was mostly the work of the Itinerants group, who wanted to take art to the people and paint the outdoors. Mikhail Guerman traces the converging lines of Russian and French art in the immensely fertile period of the late 19th and early 20th century.
Author: Aleksandr Sidorov
Publisher:
ISBN: 9780972149303
Category : Impressionism (Art)
Languages : en
Pages : 180
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Book Description
For nearly 60 years, two renowned artist-brothers have painted together, often on the same canvas, chronicling one of history's most dramatic periods through the eyes of Russian villagers. Impressionists Sergei and Aleksei Tkachev have been awarded the most coveted prizes in the art world of the former USSR and the Russian Federation, telling their nation's stories as they lived it under Communism, perestroika and the current system as it struggles toward democracy. This is the first book in the English language to be published on these remarkable brothers. Their paintings, all reproduced in color, are scenes of collective happiness and collective farms; of gorgeous landscapes and ravaged faces; of tremendous joy and overwhelming tragedy. Few artists have such vast resources on which to draw; even fewer have the immense talent to reproduce their memoirs so eloquently in oil. Photographs from their personal album acquaint the reader with family and other leading artists with whom they painted at the Academic Dacha. Now nearing 80, they continue to lavish themselves on their canvases with great zeal and dedication. The art world is richer for it. To order contact TMORA, 11300 Hampshire Av. S., Bloomington, MN 55438, 952-914-0200. V, MC, AE accepted. Or email:
[email protected]. Price: $60 plus $7.50 shipping and Minnesota sales tax $3.90.
Author: Leonid Osipovich Pasternak
Publisher: Smithsonian Books (DC)
ISBN:
Category : Art
Languages : en
Pages : 90
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Book Description
Author: Peter Leek
Publisher: Parkstone International
ISBN: 1780429754
Category : Art
Languages : en
Pages : 272
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Book Description
From the 18th century to the 20th, this book gives a panorama of Russian painting not equalled anywhere else. Russian culture developed in contact with the wider European influence, but retained strong native intonations. It is a culture between East and West, and both influences in together. The book begins with Icons, and it is precisely Icon-painting which gave Russian artist their peculiar preoccupation with ethical questions and a certain kind of palette. It goes on the expound the duality of their art, and point out the originality of their contribution to world art. The illustrations cover all genres and styles of painting in astonishing variety. Such figures as Borovokovsky, Rokotov, Levitsky, Brullov, Fedatov, Repin, Shishkin and Levitan and many more are in these pages.
Author: Vern G. Swanson
Publisher: Antique Collectors Club Dist
ISBN:
Category : Art
Languages : en
Pages : 472
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Book Description
A completely revised and updated edition of Soviet Impressionism.
Author: Professor Isabel Wünsche
Publisher: Ashgate Publishing, Ltd.
ISBN: 147243269X
Category : Art
Languages : en
Pages : 243
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Book Description
The artists of the Organic School of the Russian avant-garde found inspiration as well as a model for artistic growth in the creative principles of nature. Isabel Wünsche analyzes the artistic influences, intellectual foundations, and scientific publications that shaped the formation of these artists. Particular emphasis is given to the holistic worldviews and organic approaches prevalent among artists of the pre-revolutionary avant-garde and the emergence of the concept of Organic Culture.
Author: Isabel W?nsche
Publisher: Routledge
ISBN: 1351541781
Category : Art
Languages : en
Pages : 243
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Book Description
The artists of the Organic School of the Russian avant-garde found inspiration as well as a model for artistic growth in the creative principles of nature. Isabel W?nsche analyzes the artistic influences, intellectual foundations, and scientific publications that shaped the formation of these artists, the majority of whom were based in St. Petersburg. Particular emphasis is given to the holistic worldviews and organic approaches prevalent among artists of the pre-revolutionary avant-garde, specifically Jan Ciaglinski, Nikolai Kulbin, and Elena Guro, as well as the emergence of the concept of Organic Culture as developed by Mikhail Matiushin, practiced at the State Institute of Artistic Culture, and taught at the reformed Art Academy in the 1920s. Discussions of faktura and creative intuition explore the biocentric approaches that dominated the work of Pavel Filonov, Kazimir Malevich, Voldemar Matvejs, Olga Rozanova, and Vladimir Tatlin. The artistic approaches of the Organic School of the Russian avant-garde were further promoted and developed by Vladimir Sterligov and his followers between 1960 and 1990. The study examines the cultural potential as well as the utopian dimension of the artists? approaches to creativity and their ambitious visions for the role of art in promoting human psychophysiological development and shaping post-revolutionary culture.
Author: Ilia Dorontchenkov
Publisher: Univ of California Press
ISBN: 0520253728
Category : Art
Languages : en
Pages : 364
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Book Description
From the first Modernist exhibitions in the late 1890s to the Soviet rupture with the West in the mid-1930s, Russian artists and writers came into wide contact with modern European art and ideas. Introducing a wealth of little-known material set in an illuminating interpretive context, this sourcebook presents Russian and Soviet views of Western art during this critical period of cultural transformation. The writings document complex responses to these works and ideas before the Russians lost contact with them almost entirely. Many of these writings have been unavailable to foreign readers and, until recently, were not widely known even to Russian scholars. Both an important reference and a valuable resource for classrooms, the book includes an introductory essay and shorter introductions to the individual sections.
Author: Dmitri V. Sarabianov
Publisher: Parkstone International
ISBN: 1783100249
Category : Art
Languages : en
Pages : 348
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Book Description
Among the “young peredvizhniki” who joined the World of Art group, the most brilliant portraitist was Valentin Serov. Like many of his contemporaries, he delighted in painting out of doors, and some of his most appealing portraits – such as Girl with Peaches, Girl in Sunlight and In Summer - owe their naturalness to their setting or to the interplay of sunlight and shadows. Indeed, Serov regarded them as “studies” rather than portraits, giving them descriptive titles that omitted the sitter's name. The subject of Girl with Peaches – painted when Serov was only twenty-two – was in fact Mamontov's daughter Vera. The model for In Summer was Serov's wife. When only six years old, Serov began to display signs of artistic talent. At nine years old, Repin acted as his teacher and mentor, giving him lessons in his studio in Paris, then let Serov work with him in Moscow, almost like an apprentice. Eventually Repin sent him to study with Pavel Chistiakov – the teacher of many of the World of Art painters, including Nesterov and Vrubel. Chistiakov was to become a close friend. Because Serov's career spanned such a long period, his style and subject matter vary considerably, ranging from voluptuous society portraits (the later ones notable for their grand style and sumptuous dresses) to sensitive studies of children. Utterly different from any of these is the famous nude study of the dancer Ida Rubinstein, in tempera and charcoal on canvas, which he painted towards the end of his life. Although Serov's early style has much in common with the French Impressionists, he did not become acquainted with their work until after he had painted pictures such as Girl with Peaches.
