Author: Rosalind Polly Blakesley
Publisher: Oxford University Press
ISBN: 9780198208754
Category : Art
Languages : en
Pages : 286
Book Description
This book examines Russian genre painting in the first three quarters of the nineteenth century. It focuses on five major artists who made significant contributions to Russian intellectual life: Venetsianov, Bryullov, Ivanov, Fedotov, and Perov.
Russian Genre Painting in the Nineteenth Century
Author: Rosalind Polly Blakesley
Publisher: Oxford University Press
ISBN: 9780198208754
Category : Art
Languages : en
Pages : 286
Book Description
This book examines Russian genre painting in the first three quarters of the nineteenth century. It focuses on five major artists who made significant contributions to Russian intellectual life: Venetsianov, Bryullov, Ivanov, Fedotov, and Perov.
Publisher: Oxford University Press
ISBN: 9780198208754
Category : Art
Languages : en
Pages : 286
Book Description
This book examines Russian genre painting in the first three quarters of the nineteenth century. It focuses on five major artists who made significant contributions to Russian intellectual life: Venetsianov, Bryullov, Ivanov, Fedotov, and Perov.
A Companion to Nineteenth-Century Art
Author: Michelle Facos
Publisher: John Wiley & Sons
ISBN: 1118856368
Category : Art
Languages : en
Pages : 555
Book Description
A comprehensive review of art in the first truly modern century A Companion to Nineteenth-Century Art contains contributions from an international panel of noted experts to offer a broad overview of both national and transnational developments, as well as new and innovative investigations of individual art works, artists, and issues. The text puts to rest the skewed perception of nineteenth-century art as primarily Paris-centric by including major developments beyond the French borders. The contributors present a more holistic and nuanced understanding of the art world during this first modern century. In addition to highlighting particular national identities of artists, A Companion to Nineteenth-Century Art also puts the focus on other aspects of identity including individual, ethnic, gender, and religious. The text explores a wealth of relevant topics such as: the challenges the artists faced; how artists learned their craft and how they met clients; the circumstances that affected artist’s choices and the opportunities they encountered; and where the public and critics experienced art. This important text: Offers a comprehensive review of nineteenth-century art that covers the most pressing issues and significant artists of the era Covers a wealth of important topics such as: ethnic and gender identity, certain general trends in the nineteenth century, an overview of the art market during the period, and much more Presents novel and valuable insights into familiar works and their artists Written for students of art history and those studying the history of the nineteenth century, A Companion to Nineteenth-Century Art offers a comprehensive review of the first modern era art with contributions from noted experts in the field.
Publisher: John Wiley & Sons
ISBN: 1118856368
Category : Art
Languages : en
Pages : 555
Book Description
A comprehensive review of art in the first truly modern century A Companion to Nineteenth-Century Art contains contributions from an international panel of noted experts to offer a broad overview of both national and transnational developments, as well as new and innovative investigations of individual art works, artists, and issues. The text puts to rest the skewed perception of nineteenth-century art as primarily Paris-centric by including major developments beyond the French borders. The contributors present a more holistic and nuanced understanding of the art world during this first modern century. In addition to highlighting particular national identities of artists, A Companion to Nineteenth-Century Art also puts the focus on other aspects of identity including individual, ethnic, gender, and religious. The text explores a wealth of relevant topics such as: the challenges the artists faced; how artists learned their craft and how they met clients; the circumstances that affected artist’s choices and the opportunities they encountered; and where the public and critics experienced art. This important text: Offers a comprehensive review of nineteenth-century art that covers the most pressing issues and significant artists of the era Covers a wealth of important topics such as: ethnic and gender identity, certain general trends in the nineteenth century, an overview of the art market during the period, and much more Presents novel and valuable insights into familiar works and their artists Written for students of art history and those studying the history of the nineteenth century, A Companion to Nineteenth-Century Art offers a comprehensive review of the first modern era art with contributions from noted experts in the field.
Russian Painting
Author: Peter Leek
Publisher: Parkstone International
ISBN: 1780429754
Category : Art
Languages : en
Pages : 272
Book Description
From the 18th century to the 20th, this book gives a panorama of Russian painting not equalled anywhere else. Russian culture developed in contact with the wider European influence, but retained strong native intonations. It is a culture between East and West, and both influences in together. The book begins with Icons, and it is precisely Icon-painting which gave Russian artist their peculiar preoccupation with ethical questions and a certain kind of palette. It goes on the expound the duality of their art, and point out the originality of their contribution to world art. The illustrations cover all genres and styles of painting in astonishing variety. Such figures as Borovokovsky, Rokotov, Levitsky, Brullov, Fedatov, Repin, Shishkin and Levitan and many more are in these pages.
Publisher: Parkstone International
ISBN: 1780429754
Category : Art
Languages : en
Pages : 272
Book Description
From the 18th century to the 20th, this book gives a panorama of Russian painting not equalled anywhere else. Russian culture developed in contact with the wider European influence, but retained strong native intonations. It is a culture between East and West, and both influences in together. The book begins with Icons, and it is precisely Icon-painting which gave Russian artist their peculiar preoccupation with ethical questions and a certain kind of palette. It goes on the expound the duality of their art, and point out the originality of their contribution to world art. The illustrations cover all genres and styles of painting in astonishing variety. Such figures as Borovokovsky, Rokotov, Levitsky, Brullov, Fedatov, Repin, Shishkin and Levitan and many more are in these pages.
Political Censorship of the Visual Arts in Nineteenth-Century Europe
Author: Robert Justin Goldstein
Publisher: Springer
ISBN: 1137316497
Category : History
Languages : en
Pages : 288
Book Description
In this comprehensive account of censorship of the visual arts in nineteenth-century Europe, when imagery was accessible to the illiterate in ways that print was not, specialists in the history of the major European countries trace the use of censorship by the authorities to implement their fears of the visual arts, from caricature to cinema.
Publisher: Springer
ISBN: 1137316497
Category : History
Languages : en
Pages : 288
Book Description
In this comprehensive account of censorship of the visual arts in nineteenth-century Europe, when imagery was accessible to the illiterate in ways that print was not, specialists in the history of the major European countries trace the use of censorship by the authorities to implement their fears of the visual arts, from caricature to cinema.
The Russian Passion for Dutch Painting of the Golden Age
Author: Irina Sokolova
Publisher: Brill Academic Pub
ISBN: 9789004292413
Category : Art
Languages : en
Pages : 445
Book Description
In 'The Russian Passion for Dutch Painting of the Golden Age' Irina Sokolova presents the collection of paintings created by Pyotr Petrovich Semenov-Tyan-Shansky (1827–1914), an outstanding scholar and Russian statesman during the era of liberal reforms in Russia. Not only did this man of great erudition assemble a unique body of more than 700 works by Dutch and Flemish masters, but he pushed hard to ensure that it entered the Imperial Hermitage in 1914. His activities as a collector have until recently remained largely unknown. For the first time in English, this book unfolds the history of Semenov’s gallery against the background of cultural and artistic life in St Petersburg and the close ties between Russian and European connoisseurs of his time.00About this new series: This peer reviewed book series will focus on scholarly publications (monographs, edited volumes, catalogues) on visual arts in the Netherlands up to 1900.0It is closely related to the journal 'Oud Holland, Quarterly for Dutch Art History', the oldest surviving art historical journal in the world. The book series is a platform for larger studies on topics relevant for the journal. Books are published in English. The series editor is R.E.O. Ekkart.0.
Publisher: Brill Academic Pub
ISBN: 9789004292413
Category : Art
Languages : en
Pages : 445
Book Description
In 'The Russian Passion for Dutch Painting of the Golden Age' Irina Sokolova presents the collection of paintings created by Pyotr Petrovich Semenov-Tyan-Shansky (1827–1914), an outstanding scholar and Russian statesman during the era of liberal reforms in Russia. Not only did this man of great erudition assemble a unique body of more than 700 works by Dutch and Flemish masters, but he pushed hard to ensure that it entered the Imperial Hermitage in 1914. His activities as a collector have until recently remained largely unknown. For the first time in English, this book unfolds the history of Semenov’s gallery against the background of cultural and artistic life in St Petersburg and the close ties between Russian and European connoisseurs of his time.00About this new series: This peer reviewed book series will focus on scholarly publications (monographs, edited volumes, catalogues) on visual arts in the Netherlands up to 1900.0It is closely related to the journal 'Oud Holland, Quarterly for Dutch Art History', the oldest surviving art historical journal in the world. The book series is a platform for larger studies on topics relevant for the journal. Books are published in English. The series editor is R.E.O. Ekkart.0.
Picturing Russia
Author: Valerie Ann Kivelson
Publisher: Yale University Press
ISBN: 0300119615
Category : History
Languages : en
Pages : 304
Book Description
What can Russian images and objects—a tsar’s crown, a provincial watercolor album, the Soviet Pioneer Palace—tell us about the Russian people and their culture? This wide-ranging book is the first to explore the visual culture of Russia over the entire span of Russian history, from ancient Kiev to contemporary, post-Soviet society. Illustrated with more than one hundred diverse and fascinating images, the book examines the ways that Russians have represented themselves visually, understood their visual environment, and used visual images in social and political contexts. Expert contributors discuss images and objects from all over the Russian/Soviet empire, including consumer goods, architectural monuments, religious icons, portraits, news and art photography, popular prints, films, folk art, and more. Each of the concise and accessible essays in the volume offers a fresh interpretation of Russian cultural history. Putting visuality itself in focus as never before, Picturing Russia adds an entirely new dimension to the study of Russian literature, history, art, and culture. The book enriches our understanding of visual documents and shows the variety of ways they serve as far more than mere illustration.
Publisher: Yale University Press
ISBN: 0300119615
Category : History
Languages : en
Pages : 304
Book Description
What can Russian images and objects—a tsar’s crown, a provincial watercolor album, the Soviet Pioneer Palace—tell us about the Russian people and their culture? This wide-ranging book is the first to explore the visual culture of Russia over the entire span of Russian history, from ancient Kiev to contemporary, post-Soviet society. Illustrated with more than one hundred diverse and fascinating images, the book examines the ways that Russians have represented themselves visually, understood their visual environment, and used visual images in social and political contexts. Expert contributors discuss images and objects from all over the Russian/Soviet empire, including consumer goods, architectural monuments, religious icons, portraits, news and art photography, popular prints, films, folk art, and more. Each of the concise and accessible essays in the volume offers a fresh interpretation of Russian cultural history. Putting visuality itself in focus as never before, Picturing Russia adds an entirely new dimension to the study of Russian literature, history, art, and culture. The book enriches our understanding of visual documents and shows the variety of ways they serve as far more than mere illustration.
Good for the Souls
Author: Nadieszda Kizenko
Publisher: Oxford University Press
ISBN: 0192650572
Category : History
Languages : en
Pages : 256
Book Description
From the moment that Tsars as well as hierarchs realized that having their subjects go to confession could make them better citizens as well as better Christians, the sacrament of penance in the Russian empire became a political tool, a devotional exercise, a means of education, and a literary genre. It defined who was Orthodox, and who was 'other.' First encouraging Russian subjects to participate in confession to improve them and to integrate them into a reforming Church and State, authorities then turned to confession to integrate converts of other nationalities. But the sacrament was not only something that state and religious authorities sought to impose on an unwilling populace. Confession could provide an opportunity for carefully crafted complaint. What state and church authorities initially imagined as a way of controlling an unruly population could be used by the same population as a way of telling their own story, or simply getting time off to attend to their inner lives. Good for the Souls brings Russia into the rich scholarly and popular literature on confession, penance, discipline, and gender in the modern world, and in doing so opens a key window onto church, state, and society. It draws on state laws, Synodal decrees, archives, manuscript repositories, clerical guides, sermons, saints' lives, works of literature, and visual depictions of the sacrament in those books and on church iconostases. Russia, Ukraine, and Orthodox Christianity emerge both as part of the European, transatlantic religious continuum-and, in crucial ways, distinct from it.
Publisher: Oxford University Press
ISBN: 0192650572
Category : History
Languages : en
Pages : 256
Book Description
From the moment that Tsars as well as hierarchs realized that having their subjects go to confession could make them better citizens as well as better Christians, the sacrament of penance in the Russian empire became a political tool, a devotional exercise, a means of education, and a literary genre. It defined who was Orthodox, and who was 'other.' First encouraging Russian subjects to participate in confession to improve them and to integrate them into a reforming Church and State, authorities then turned to confession to integrate converts of other nationalities. But the sacrament was not only something that state and religious authorities sought to impose on an unwilling populace. Confession could provide an opportunity for carefully crafted complaint. What state and church authorities initially imagined as a way of controlling an unruly population could be used by the same population as a way of telling their own story, or simply getting time off to attend to their inner lives. Good for the Souls brings Russia into the rich scholarly and popular literature on confession, penance, discipline, and gender in the modern world, and in doing so opens a key window onto church, state, and society. It draws on state laws, Synodal decrees, archives, manuscript repositories, clerical guides, sermons, saints' lives, works of literature, and visual depictions of the sacrament in those books and on church iconostases. Russia, Ukraine, and Orthodox Christianity emerge both as part of the European, transatlantic religious continuum-and, in crucial ways, distinct from it.
Rhythmic Form in Art
Author: Irma A. Richter
Publisher: Courier Corporation
ISBN: 048614979X
Category : Art
Languages : en
Pages : 194
Book Description
In this captivating study, an influential scholar-artist offers timeless advice on shape, form, and composition for artists in any medium, illuminating the connections between art and science. 38 figures. 34 plates.
Publisher: Courier Corporation
ISBN: 048614979X
Category : Art
Languages : en
Pages : 194
Book Description
In this captivating study, an influential scholar-artist offers timeless advice on shape, form, and composition for artists in any medium, illuminating the connections between art and science. 38 figures. 34 plates.
From Pompeii
Author: Ingrid D. Rowland
Publisher: Harvard University Press
ISBN: 0674416538
Category : History
Languages : en
Pages : 289
Book Description
When Vesuvius erupted in 79 CE, the force of the explosion blew the top right off the mountain, burying nearby Pompeii in a shower of volcanic ash. Ironically, the calamity that proved so lethal for Pompeii's inhabitants preserved the city for centuries, leaving behind a snapshot of Roman daily life that has captured the imagination of generations. The experience of Pompeii always reflects a particular time and sensibility, says Ingrid Rowland. From Pompeii: The Afterlife of a Roman Town explores the fascinating variety of these different experiences, as described by the artists, writers, actors, and others who have toured the excavated site. The city's houses, temples, gardens--and traces of Vesuvius's human victims--have elicited responses ranging from awe to embarrassment, with shifting cultural tastes playing an important role. The erotic frescoes that appalled eighteenth-century viewers inspired Renoir to change the way he painted. For Freud, visiting Pompeii was as therapeutic as a session of psychoanalysis. Crown Prince Hirohito, arriving in the Bay of Naples by battleship, found Pompeii interesting, but Vesuvius, to his eyes, was just an ugly version of Mount Fuji. Rowland treats readers to the distinctive, often quirky responses of visitors ranging from Wolfgang Amadeus Mozart, Charles Dickens, and Mark Twain to Roberto Rossellini and Ingrid Bergman. Interwoven throughout a narrative lush with detail and insight is the thread of Rowland's own impressions of Pompeii, where she has returned many times since first visiting in 1962.
Publisher: Harvard University Press
ISBN: 0674416538
Category : History
Languages : en
Pages : 289
Book Description
When Vesuvius erupted in 79 CE, the force of the explosion blew the top right off the mountain, burying nearby Pompeii in a shower of volcanic ash. Ironically, the calamity that proved so lethal for Pompeii's inhabitants preserved the city for centuries, leaving behind a snapshot of Roman daily life that has captured the imagination of generations. The experience of Pompeii always reflects a particular time and sensibility, says Ingrid Rowland. From Pompeii: The Afterlife of a Roman Town explores the fascinating variety of these different experiences, as described by the artists, writers, actors, and others who have toured the excavated site. The city's houses, temples, gardens--and traces of Vesuvius's human victims--have elicited responses ranging from awe to embarrassment, with shifting cultural tastes playing an important role. The erotic frescoes that appalled eighteenth-century viewers inspired Renoir to change the way he painted. For Freud, visiting Pompeii was as therapeutic as a session of psychoanalysis. Crown Prince Hirohito, arriving in the Bay of Naples by battleship, found Pompeii interesting, but Vesuvius, to his eyes, was just an ugly version of Mount Fuji. Rowland treats readers to the distinctive, often quirky responses of visitors ranging from Wolfgang Amadeus Mozart, Charles Dickens, and Mark Twain to Roberto Rossellini and Ingrid Bergman. Interwoven throughout a narrative lush with detail and insight is the thread of Rowland's own impressions of Pompeii, where she has returned many times since first visiting in 1962.
Historical Dictionary of Romantic Art and Architecture
Author: Allison Lee Palmer
Publisher: Rowman & Littlefield
ISBN: 1538122960
Category : Art
Languages : en
Pages : 416
Book Description
Romanticism is multifaceted, and a wide range of nostalgic, emotional, and exotic concerns were expressed in such styles and movements as the Gothic Revival, Classical Revival, Orientalism, and the Pre-Raphaelite Brotherhood. Some movements were regional and subject-specific, such as the Hudson River School of landscape painting in the United States and the German Nazarene movement, which focused primarily on religious art in Rome. The movements range across Western Europe and include the United States. This dictionary will provide a fuller historical context for Romanticism and enable the reader to identify major trends and explore artists of the period. This second edition of Historical Dictionary of Romantic Art and Architecture contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 300 cross-referenced entries on major artists of the romantic era as well as entries on related art movements, styles, aesthetic philosophies, and philosophers. This book is an excellent resource for students, researchers, and anyone wanting to know more about Romantic art.
Publisher: Rowman & Littlefield
ISBN: 1538122960
Category : Art
Languages : en
Pages : 416
Book Description
Romanticism is multifaceted, and a wide range of nostalgic, emotional, and exotic concerns were expressed in such styles and movements as the Gothic Revival, Classical Revival, Orientalism, and the Pre-Raphaelite Brotherhood. Some movements were regional and subject-specific, such as the Hudson River School of landscape painting in the United States and the German Nazarene movement, which focused primarily on religious art in Rome. The movements range across Western Europe and include the United States. This dictionary will provide a fuller historical context for Romanticism and enable the reader to identify major trends and explore artists of the period. This second edition of Historical Dictionary of Romantic Art and Architecture contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 300 cross-referenced entries on major artists of the romantic era as well as entries on related art movements, styles, aesthetic philosophies, and philosophers. This book is an excellent resource for students, researchers, and anyone wanting to know more about Romantic art.