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Author: Cynthia Coleman Sparke
Publisher: Acc Art Books
ISBN: 9781851497225
Category : Art
Languages : en
Pages : 0
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Book Description
An informative guide to Russian Decorative Arts and their historical context Covers a wide range of crafts including Fabergé, jewelry, woodwork, hardstone, glass and porcelain, as well as precious metal Explores pre-Revolutionary Russia, discussing various artifacts of the Tsarist era as far back as the 16th and 17th centuries with particular focus on the 18th, 19th and early 20th centuries Ideal for both novice and established collectors of the field Russia's last great Imperial celebration took place at the Winter Palace in St Petersburg with the lavish ball of 1913 celebrating 300 years of Romanov rule. The finest gowns, jewels, snuff boxes, and banqueting tableware of the Tsarist era were sumptuously displayed then for the last time. The outbreak of World War I in 1914 and the Bolshevik Revolution of 1917 brought such opulence to an end. Ever since the collapse of the Soviet Union, Russians have been eager to repatriate their lost heritage. Works by jewelers and silversmiths to the Tsars are particularly sought after today as status symbols, with the market for pre-Revolutionary decorative arts touching a wide audience - from the curators at the Hermitage Museum in St Petersburg, to the predawn bargain hunters at the Paris flea markets. Russian Decorative Arts offers an introductory guide to porcelain, glass, silver, Tula work and other base metals, orders and decorations, jewelry, objects of virtue, Fabergé, lapidary, woodwork and walrus ivory. Each topic is detailed in an illustrated chapter introducing the techniques, its specific Russian characteristics and an overview of the principle makers.
Author: Cynthia Coleman Sparke
Publisher: Acc Art Books
ISBN: 9781851497225
Category : Art
Languages : en
Pages : 0
Get Book Here
Book Description
An informative guide to Russian Decorative Arts and their historical context Covers a wide range of crafts including Fabergé, jewelry, woodwork, hardstone, glass and porcelain, as well as precious metal Explores pre-Revolutionary Russia, discussing various artifacts of the Tsarist era as far back as the 16th and 17th centuries with particular focus on the 18th, 19th and early 20th centuries Ideal for both novice and established collectors of the field Russia's last great Imperial celebration took place at the Winter Palace in St Petersburg with the lavish ball of 1913 celebrating 300 years of Romanov rule. The finest gowns, jewels, snuff boxes, and banqueting tableware of the Tsarist era were sumptuously displayed then for the last time. The outbreak of World War I in 1914 and the Bolshevik Revolution of 1917 brought such opulence to an end. Ever since the collapse of the Soviet Union, Russians have been eager to repatriate their lost heritage. Works by jewelers and silversmiths to the Tsars are particularly sought after today as status symbols, with the market for pre-Revolutionary decorative arts touching a wide audience - from the curators at the Hermitage Museum in St Petersburg, to the predawn bargain hunters at the Paris flea markets. Russian Decorative Arts offers an introductory guide to porcelain, glass, silver, Tula work and other base metals, orders and decorations, jewelry, objects of virtue, Fabergé, lapidary, woodwork and walrus ivory. Each topic is detailed in an illustrated chapter introducing the techniques, its specific Russian characteristics and an overview of the principle makers.
Author: Priscilla Hauser
Publisher: Sterling Publishing Company
ISBN: 9781402714740
Category : Art
Languages : en
Pages : 146
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Book Description
Priscilla Hauser, the queen of decorative painting, and Boris Grafov, a Russian-born painter whose native village is world-renowned for its art, have produced a luminous follow-up to their Russian Folk Art Painting. This radiant new volume features bright arrangements of flowers, fruits, and leaves, bordered in gold or silver filigree, and set off by a black lacquered surface. It’s a style with a timeless appeal, and Hauser and Grafov provide comprehensive instructions for creating ten beautiful patterns on furniture and other objects. All the necessary skills are explained, with plenty of advice on preparing the surface, wielding the brush, and mixing colors. Start by painting the intricate borders of wreath and linked motifs, then, make the designs more luscious with every colorful layer.
Author: Rosalind Polly Blakesley
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 264
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Book Description
"This book addresses the lively artistic dialogue that took place between Russia and the West - in particular with the United States, Britain, and France - from the 1860s to the Khrushchev Thaw. Offering new readings of cross-cultural exchange, it illuminates Russia's compelling, and sometimes combative, relation with western art in this period of profound cultural transformation." "This illustrated volume will appeal to students, scholars, and general readers seeking to understand the fuller context of Russian artistic culture during a remarkable century of social and political change."--BOOK JACKET.
Author: Monika Kopplin
Publisher: Hirmer Verlag GmbH
ISBN: 9783777424293
Category : Artists' marks
Languages : en
Pages : 0
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Book Description
Monika Kopplin highlights the extraordinary variety of decorative techniques as well as the many stylistic features. The history and art history of Russia are reflected in the small format of the lacquer miniatures, painting a lively picture of the various eras. A comprehensive index of seals expands the catalogue into a reference book. Russian lacquer art can be traced back to Peter the Great, who had come to know this flourishing art and craft during his study trips in Western Europe. The first important work in this genre in the tsar's empire was completed in 1722 in the form of the Lacquer Study in his palace of Monplaisir. A second significant event followed when the Korobov workshop, which was modelled on the Braunschweig-based Stobwasser workshop, was established in 1793 near Moscow. It is better known by the name of a later owner, Lukutin. A technical and artistic alignment with the German model was followed by an increasingly independent Russian development from the 1820s onwards. At first this found expression in specific decorative techniques, and later also in specifically Russian motifs.
Author: Vsevolod Petrov
Publisher:
ISBN: 9781859953501
Category : Art nouveau
Languages : en
Pages : 0
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Book Description
The Art Nouveau movement in Russia was known under the name of The World of Art. This association grouped a remarkable collection of artist and poets at the end of the 19th century. Inspired by the poetic ideals of neo-Romanticism and Symbolism, they extended their influence into all forms of plastic and literary composition. Certain members of the group became world famous for book illustrations and theatrical decors. The illustrations include paintings, book illustrations, theatrical costumes and decors of such members as: Alexander Benois, Leon Bakst, Mstislav Dobujinsky, Boris Kustodiev, Evgeni Lanceray, Anna Ostrumova-Lebedeva, Konstantin Somov, Alexandre Golovin, Mikhail Vrubel, Valentin Serov Ivan Bilibin, Dimitri Mitrokin, Sergei Tchekonin and others.
Author: Margit Rowell
Publisher:
ISBN: 0870700073
Category : Design
Languages : en
Pages : 304
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Book Description
Edited by Deborah Wye and Margit Rowell. Essays by Jared Ash, Gerald Janecek, Nina Gurianova, Margit Rowell and Deborah Wye.
Author: Museum Kunst Palast (Düsseldorf, Germany)
Publisher: Royal Academy Books
ISBN:
Category : Art
Languages : en
Pages : 342
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Book Description
The rich tradition of French painting was an important influence on Russian art from the mid-nineteenth century to the 1920s, a period that saw the rise of many of the most important movements in modern art. A magnificent visual record of an unprecedented event, this book, the catalogue of an ambitious exhibition of master paintings from the four greatest museums of Russia, examines the interaction of these two great cultures. Drawing on the collections of the State Russian Museum and the Pushkin Museum in Moscow and the Tretyakov Gallery and the State Hermitage Museum in St. Petersburg, the book presents outstanding examples of Salon painting, Impressionism, Fauvism, and Cubism in France, and related movements in Russia, among them The Wanderers, Constructivism, and Suprematism. Paintings by Renoir, Cezanne, Van Gogh, Gauguin, and Matisse are reproduced, along with works by Kandinsky, Tatlin, and Malevich. Key episodes in the story of this fascinating exchange include the vital role played by the great Russian collectors Ivan Morosov and Sergei Shchukin, whose preeminent collections of French art were an inspiration to the Russian avant-garde; the ballet impresario Sergei Diaghilev's promotion of Russian art in France in 1906; and Henri Matisse's visit to Russia in 1911.
Author: Geza Von Habsburg
Publisher: Rizzoli Publications
ISBN: 0847837386
Category : Antiques & Collectibles
Languages : en
Pages : 0
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Book Description
The exquisite objects created by goldsmith and jeweler Peter Carl Fabergé and his studio in the late 19th and early 20th centuries for the aristocracy and nobility of imperial Russia are considered to be some of the most refined examples of the jeweler's art of any age. Of greatest fascination are the extraordinary Easter eggs created as special commissions for the Russian imperial family and other notable patrons - works that remain unparalleled in their ingenuity of construction and sheer beauty. Accompanying a major exhibition Faberge Revealed represents a landmark for the Virginia Museum of Fine Arts and for Fabergé scholarship. The essays by Géza von Habsburg and other scholars present new findings on Fabergé, his workshops, and the creation of these extraordinary objects. For the first time all items by or attributed to Fabergé in VMFA's collection are documented along with the museum's significant holdings of other Russian decorative arts. Also included is a section on forgeries that bravely confronts this vexing question. Every object has been splendidly re-photographed for this book - and the detailed photography alone should provide inestimable value for future Fabergé scholarship. Richly illustrated with some 600 photographs, the volume documents an important collection bequeathed in 1947 to the Virginia Museum of Fine Arts by Lillian Thomas Pratt, of Fredericksburg, Va., the wife of General Motors executive John Lee Pratt. Her collection, assembled between 1933 and 1946, comprised several hundred creations by the Faberge workshops and by other Russian imperial jewelers. These exquisite, marvelously crafted objects, range from the majestic jeweled imperial eggs to delicate jeweled flowers in vases to diamond-encrusted icons and tiaras, to animal figures nimbly carved from precious stone. Contents: Introduction by Géza von Habsburg Chapter 1: The House of Fabergé/by Géza von Habsburg Chapter 2: Behind the Scenes at Fabergé: The St. Petersburg Workshops/ by Ulla Tillander-Godenhieim Chapter 3: Fabergé and His Russian Competitors/ by Géza von Habsburg Chapter 4: Fabergé and His Foreign Competitors Chapter 5: Mrs. Pratt's Imperial Easter Eggs / by Carol Aiken Chapter 6: The Zarnitza Sailor and His Place in History / by Christel Ludewig McCaniess Chapter 7: Fabergé and Grand Duchess Vladimir / by Alexander von Solodkoff Chapter 8: Lillian Thomas Pratt and A La Vieille Russie: A Personal Relationship/ by Mark Schaffer Chapter 9: Fauxbergé / by Géza von Habsburg Catalogue: Fabergé/Other Makers/Forgeries
Author: Gosudarstvennyĭ istoricheskiĭ muzeĭ (Moscow, Russia)
Publisher:
ISBN:
Category : Decoration and ornament
Languages : en
Pages : 142
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Book Description
Author: Evgeniĭ Fedorovich Kovtun
Publisher: Parkstone Press
ISBN:
Category : Art, Modern
Languages : en
Pages : 290
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Book Description
At the beginning of the twentieth century, Russian art was in the vanguard of the world artistic process. The decades which had gone into renewing painting in France were compressed into ten to fifteen years in Russia. The 1910s unfolded under the sign of the growing influence of Cubism, which changed the very face of the fine arts. Yet by 1913, a turning point could be seen. New plastic problems arose, opening for Russian painters a way into the unknown. The scales began to tip in the direction of the Russian avant-garde.
