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Author: Margit Rowell
Publisher:
ISBN: 0870700073
Category : Design
Languages : en
Pages : 304
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Book Description
Edited by Deborah Wye and Margit Rowell. Essays by Jared Ash, Gerald Janecek, Nina Gurianova, Margit Rowell and Deborah Wye.
Author: Margit Rowell
Publisher:
ISBN: 0870700073
Category : Design
Languages : en
Pages : 304
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Book Description
Edited by Deborah Wye and Margit Rowell. Essays by Jared Ash, Gerald Janecek, Nina Gurianova, Margit Rowell and Deborah Wye.
Author: Nancy Perloff
Publisher: Getty Publications
ISBN: 1606065084
Category : Art
Languages : en
Pages : 210
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Book Description
The artists’ books made in Russia between 1910 and 1915 are like no others. Unique in their fusion of the verbal, visual, and sonic, these books are meant to be read, looked at, and listened to. Painters and poets—including Natalia Goncharova, Velimir Khlebnikov, Mikhail Larionov, Kazimir Malevich, and Vladimir Mayakovsky— collaborated to fabricate hand-lithographed books, for which they invented a new language called zaum (a neologism meaning “beyond the mind”), which was distinctive in its emphasis on “sound as such” and its rejection of definite logical meaning. At the heart of this volume are close analyses of two of the most significant and experimental futurist books: Mirskontsa (Worldbackwards) and Vzorval’ (Explodity). In addition, Nancy Perloff examines the profound differences between the Russian avant-garde and Western art movements, including futurism, and she uncovers a wide-ranging legacy in the midcentury global movement of sound and concrete poetry (the Brazilian Noigandres group, Ian Hamilton Finlay, and Henri Chopin), contemporary Western conceptual art, and the artist’s book. Sound recordings of zaum poems featured in the book are available at www.getty.edu.
Author: Solomon R. Guggenheim Museum
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 476
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Book Description
Essays by James Billington, Lidia Iovleva, Robert Rosenblum, Mikhail Allenov, Alexander Borovsky, Alexander Kostenevich, Valerie Hillings, Evgenia Petrova and others.
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 104
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Book Description
Author: Museum Kunst Palast (Düsseldorf, Germany)
Publisher: Royal Academy Books
ISBN:
Category : Art
Languages : en
Pages : 342
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Book Description
The rich tradition of French painting was an important influence on Russian art from the mid-nineteenth century to the 1920s, a period that saw the rise of many of the most important movements in modern art. A magnificent visual record of an unprecedented event, this book, the catalogue of an ambitious exhibition of master paintings from the four greatest museums of Russia, examines the interaction of these two great cultures. Drawing on the collections of the State Russian Museum and the Pushkin Museum in Moscow and the Tretyakov Gallery and the State Hermitage Museum in St. Petersburg, the book presents outstanding examples of Salon painting, Impressionism, Fauvism, and Cubism in France, and related movements in Russia, among them The Wanderers, Constructivism, and Suprematism. Paintings by Renoir, Cezanne, Van Gogh, Gauguin, and Matisse are reproduced, along with works by Kandinsky, Tatlin, and Malevich. Key episodes in the story of this fascinating exchange include the vital role played by the great Russian collectors Ivan Morosov and Sergei Shchukin, whose preeminent collections of French art were an inspiration to the Russian avant-garde; the ballet impresario Sergei Diaghilev's promotion of Russian art in France in 1906; and Henri Matisse's visit to Russia in 1911.
Author: Roann Barris
Publisher: Taylor & Francis
ISBN: 1000927660
Category : Art
Languages : en
Pages : 208
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Book Description
This book examines the history of American exhibitions of Russian art in the twentieth century in the context of the Cold War. Because this history reflects changes in museological theory and the role of governments in facilitating or preventing intercultural cooperation, it uncovers a story that is far more complex than a chronological listing of exhibition names and art works. Roann Barris considers questions of stylistic appropriations and influences and the role of museum exhibitions in promoting international and artistic exchanges. Barris reveals that Soviet and American exchanges in the world of art were extensive and persistent despite political disagreements before, during, and after the Cold War. It also reveals that these early exhibitions communicated contradictory and historically invalid pictures of the Russian or Soviet avant-garde. The book will be of interest to scholars working in art history, museum studies, and Russian studies.
Author: Anthony Cross
Publisher: Open Book Publishers
ISBN: 190925410X
Category : Literary Criticism
Languages : en
Pages : 350
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Book Description
"The essays in this stimulating collection attest to the scope and variety of Russia's influence on British culture. They move from the early nineteenth century -- when Byron sent his hero Don Juan to meet Catherine the Great, and an English critic sought to come to terms with the challenge of Pushkin -- to a series of Russian-themed exhibitions at venues including the Crystal Palace and Earls Court. The collection looks at British encounters with Russian music, the absorption with Dostoevskii and Chekhov, and finishes by shedding light on Britain's engagement with Soviet film."--Back cover.
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 192
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Book Description
"[This book] has been organized to provide a unique opportunity to challenge current artistic paradigms by displaying the diversity, creativity and technical brilliance that is incorporated in both Socialist Realist and nonconformist art. The exhibition presents examples of the two internally competing views of contemporary life in the Soviet Union, providing a cross section of the art of the period as a mirror of a society that was largely isolated from most Americans at the time."--From introduction.
Author: Isabel Wünsche
Publisher: Böhlau Köln
ISBN: 3412525650
Category : Art
Languages : en
Pages : 277
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Book Description
The First Russian Art Exhibition (Erste Russische Kunstausstellung), which opened at the Galerie van Diemen in Berlin on October 15, 1922, and later travelled to Amsterdam, introduced a broad Western audience to the most recent artistic developments in Russia. The extensive show – more than a thousand works, including paintings, graphic works, sculptures, stage designs, architectural models, and works of porcelain – was remarkably inclusive in its scope, which ranged from traditional figurative painting to the latest constructions of the Russian avant-garde. Coming on the heels of the Treaty of Rapallo, the exhibition was a first cultural step towards bilateral relations between two young and yet internationally isolated new states – the Weimar Republic and the Russian Soviet Republic. Moving away from the narrow focus on the avant-garde, the volume presents new research that examines the exhibition's broader historical scope and cultural implications. The reception of the exhibition within artistic circles in Germany, Europe, the United States, and Japan in the 1920s is addressed, as well as the disposition of many of the works exhibited. The combination of longer, thematic essays and short features, along with reproductions of newly identified works and a selection of unpublished archival materials make this book valuable to both a scholarly and a general readership.
Author: Ilia Dorontchenkov
Publisher: Univ of California Press
ISBN: 0520253728
Category : Art
Languages : en
Pages : 364
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Book Description
From the first Modernist exhibitions in the late 1890s to the Soviet rupture with the West in the mid-1930s, Russian artists and writers came into wide contact with modern European art and ideas. Introducing a wealth of little-known material set in an illuminating interpretive context, this sourcebook presents Russian and Soviet views of Western art during this critical period of cultural transformation. The writings document complex responses to these works and ideas before the Russians lost contact with them almost entirely. Many of these writings have been unavailable to foreign readers and, until recently, were not widely known even to Russian scholars. Both an important reference and a valuable resource for classrooms, the book includes an introductory essay and shorter introductions to the individual sections.
