Author: Lynn RiggsPublisher:
ISBN:
Category :
Languages : en
Pages : 262
Book Description
Russet Mantle and the Cherokee Night
Author: Lynn RiggsPublisher:
ISBN:
Category :
Languages : en
Pages : 262
Book Description
Russet Mantle, and The Cherokee Night
Author: Lynn RiggsPublisher:
ISBN:
Category : Cherokee Nation, Oklahoma
Languages : en
Pages : 284
Book Description
Russet Mantle and The Cherokee Night
Author: L. RiggsPublisher:
ISBN:
Category :
Languages : en
Pages : 262
Book Description
The Cherokee Night and Other Plays
Author: Lynn RiggsPublisher: University of Oklahoma Press
ISBN: 9780806134703
Category : Drama
Languages : en
Pages : 370
Book Description
Special Limited Edition leatherbound hardcover The author of numerous plays and film scripts, including Green Grow the Lilacs, later made into the hit musical Oklahoma!, Lynn Riggs (18991954) is recognized as one of America’s most engaging dramatists and was the only active American Indian dramatist during the first half of the twentieth century. An elegant leatherbound collector’s edition, The Cherokee Night and Other Plays, features his never-before-published play Out of Dust, as well as The Cherokee Night and Green Grow the Lilacs. A mixed-blood Cherokee, Riggs wrote about the people, places, and events of the Oklahoma he knew so well. A cattle rancher’s son, Riggs was born in the Verdigris Valley south of Claremore in Indian Territory. He first gained recognition as a poet in the early 1920s while attending the University of Oklahoma and later moved to New York, where he worked on and around Broadway. In 1927 Riggs was awarded the Guggenheim Fellowship, and while in France on that fellowship, he began writing Green Grow the Lilacs, which Rodgers and Hammerstein made into the Broadway musical Oklahoma! in 1943. By the end of his life, Riggs had written some thirty plays and scripts for fourteen films produced between 1930 and 1955. In their 1939 Handbook of Oklahoma Writers, Mary Hays Marable and Elaine Boylan observe: “Lynn Riggs hitched his wagon to Pegasus and rode into the theatre with an output of poetic and regional plays that has brought him outstanding success.”
The Red Land to the South
Author: James Howard CoxPublisher: U of Minnesota Press
ISBN: 0816675988
Category : History
Languages : en
Pages : 289
Book Description
The forty years of American Indian literature taken up by James H. Cox--the decades between 1920 and 1960--have been called politically and intellectually moribund. On the contrary, Cox identifies a group of American Indian writers who share an interest in the revolutionary potential of the indigenous peoples of Mexico--and whose work demonstrates a surprisingly assertive literary politics in the era. By contextualizing this group of American Indian authors in the work of their contemporaries, Cox reveals how the literary history of this period is far more rich and nuanced than is generally acknowledged. The writers he focuses on--Todd Downing (Choctaw), Lynn Riggs (Cherokee), and D'Arcy McNickle (Confederated Salish and Kootenai)--are shown to be on par with writers of the preceding Progressive and the succeeding Red Power and Native American literary renaissance eras. Arguing that American Indian literary history of this period actually coheres in exciting ways with the literature of the Native American literary renaissance, Cox repudiates the intellectual and political border that has emerged between the two eras.
The Great American Playwrights on the Screen
Author: Jerry RobertsPublisher: Hal Leonard Corporation
ISBN: 9781557835123
Category : Performing Arts
Languages : en
Pages : 580
Book Description
"The profound expansion of television into American homes in the 1950s brought a flood of adapted plays to the small screen and resulted in the rebirth of the careers of many significant playwrights. The Great American Playwrights on the Screen provides fans with a video and DVD guide to the adapted works of the playwrights and shows which versions are available for home viewing and in what media (VHS and DVD). It resurrects the memory of television productions of plays at a critical time, when many of them - including Emmy winners and nominees - are deteriorating in vaults."--BOOK JACKET.
Catalog of Copyright Entries. Part 1. [C] Group 3. Dramatic Composition and Motion Pictures. New Series
![Catalog of Copyright Entries. Part 1. [C] Group 3. Dramatic Composition and Motion Pictures. New Series PDF](https://books.google.com/books/content/images/frontcover/AlVhAAAAIAAJ?fife=w80-h100)
Author: Library of Congress. Copyright OfficePublisher:
ISBN:
Category :
Languages : en
Pages : 684
Book Description
Critical Companion to Native American and First Nations Theatre and Performance
Author: Jaye T. DarbyPublisher: Bloomsbury Publishing
ISBN: 1350035068
Category : Performing Arts
Languages : en
Pages : 281
Book Description
This foundational study offers an accessible introduction to Native American and First Nations theatre by drawing on critical Indigenous and dramaturgical frameworks. It is the first major survey book to introduce Native artists, plays, and theatres within their cultural, aesthetic, spiritual, and socio-political contexts. Native American and First Nations theatre weaves the spiritual and aesthetic traditions of Native cultures into diverse, dynamic, contemporary plays that enact Indigenous human rights through the plays' visionary styles of dramaturgy and performance. The book begins by introducing readers to historical and cultural contexts helpful for reading Native American and First Nations drama, followed by an overview of Indigenous plays and theatre artists from across the century. Finally, it points forward to the ways in which Native American and First Nations theatre artists are continuing to create works that advocate for human rights through transformative Native performance practices. Addressing the complexities of this dynamic field, this volume offers critical grounding in the historical development of Indigenous theatre in North America, while analysing key Native plays and performance traditions from the mainland United States and Canada. In surveying Native theatre from the late 19th century until today, the authors explore the cultural, aesthetic, and spiritual concerns, as well as the political and revitalization efforts of Indigenous peoples. This book frames the major themes of the genre and identifies how such themes are present in the dramaturgy, rehearsal practices, and performance histories of key Native scripts.
The WPA Guide to Oklahoma
Author: Federal Writers' ProjectPublisher: Trinity University Press
ISBN: 1595342346
Category : History
Languages : en
Pages : 553
Book Description
During the 1930s in the United States, the Works Progress Administration developed the Federal Writers’ Project to support writers and artists while making a national effort to document the country’s shared history and culture. The American Guide series consists of individual guides to each of the states. Little-known authors—many of whom would later become celebrated literary figures—were commissioned to write these important books. John Steinbeck, Saul Bellow, Zora Neale Hurston, and Ralph Ellison are among the more than 6,000 writers, editors, historians, and researchers who documented this celebration of local histories. Photographs, drawings, driving tours, detailed descriptions of towns, and rich cultural details exhibit each state’s unique flavor. The WPA Guide to Oklahoma is filled with descriptions of Native American life in the region, accompanied by many photographs. From Black Mesa to Cavanal Hill, this guide to the Sooner State takes the reader on a journey across the state’s vast and varied landscape. Also, notable in this guide is an essay by prominent historian Edward Everett Dale entitled “The Spirit of Oklahoma.”
Lynn Riggs: The Indigenous Plays
Author: Lynn RiggsPublisher: Broadview Press
ISBN: 1770489207
Category : Drama
Languages : en
Pages : 368
Book Description
Lynn Riggs: The Indigenous Plays bundles critically edited texts of three thematically allied plays with an extensive primary, secondary, and textual apparatus. The Cherokee Night (1932), comprising seven asynchronous scenes set between 1895 and 1931, is Riggs’s most experimental play. Its Cherokee characters inhabit a history of dispossession and violence, including the dissolution of the Cherokee Nation with Oklahoma statehood in 1907. Their daily survival constitutes the apex of resistance. Not so for the Indigenes of The Year of Pilar (1938), the most radical American Indian text prior to the Native American renaissance that began in the late 1960s. Here, Yucatecan Mayans take a government program of land reform as an opportunity to reclaim their homeland and punish settler-colonialists for centuries of enslavement, torture, and sexual violence. Riggs returns to Indian Territory in The Cream in the Well (1941), set on the eve of Oklahoma statehood. The Cherokee Sawters family responds to the onset of statehood by lamenting lost opportunities and fretting about an uncertain future.
