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Author: Elizabeth K. Helsinger
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 384
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Book Description
"This book seems to give me eyes," wrote Charlotte Brontë of Ruskin's Modern Painters. Elizabeth Helsinger here explores theprofound changes Ruskin induced in theway nineteenth-century viewers looked atnature and at art. Helsinger argues that Ruskin transformedthe artist- or poet-oriented aesthetics ofromanticism into a beholder- or reader-oriented criticism. Combining critical attention to Ruskin's prose with her ownwide-ranging scholarship, Helsinger placesRuskin's perceptual reforms within previously unexplored intellectual and culturalcontexts. She connects his thought withWordsworth's poetry, Turner's landscapeart, and Carlyle's history, and shows theeffect on his ideas of romantic literary andart criticism, associationist psychology, historicism, contemporary travel art andliterature, and Victorian philology. This illuminating study of Ruskin's criticism should be welcomed by students ofnineteenth-century intellectual, literary,and art history.
Author: Elizabeth K. Helsinger
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 384
Get Book
Book Description
"This book seems to give me eyes," wrote Charlotte Brontë of Ruskin's Modern Painters. Elizabeth Helsinger here explores theprofound changes Ruskin induced in theway nineteenth-century viewers looked atnature and at art. Helsinger argues that Ruskin transformedthe artist- or poet-oriented aesthetics ofromanticism into a beholder- or reader-oriented criticism. Combining critical attention to Ruskin's prose with her ownwide-ranging scholarship, Helsinger placesRuskin's perceptual reforms within previously unexplored intellectual and culturalcontexts. She connects his thought withWordsworth's poetry, Turner's landscapeart, and Carlyle's history, and shows theeffect on his ideas of romantic literary andart criticism, associationist psychology, historicism, contemporary travel art andliterature, and Victorian philology. This illuminating study of Ruskin's criticism should be welcomed by students ofnineteenth-century intellectual, literary,and art history.
Author: Elizabeth K. Helsinger
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 384
Get Book
Book Description
"This book seems to give me eyes," wrote Charlotte Brontë of Ruskin's Modern Painters. Elizabeth Helsinger here explores theprofound changes Ruskin induced in theway nineteenth-century viewers looked atnature and at art. Helsinger argues that Ruskin transformedthe artist- or poet-oriented aesthetics ofromanticism into a beholder- or reader-oriented criticism. Combining critical attention to Ruskin's prose with her ownwide-ranging scholarship, Helsinger placesRuskin's perceptual reforms within previously unexplored intellectual and culturalcontexts. She connects his thought withWordsworth's poetry, Turner's landscapeart, and Carlyle's history, and shows theeffect on his ideas of romantic literary andart criticism, associationist psychology, historicism, contemporary travel art andliterature, and Victorian philology. This illuminating study of Ruskin's criticism should be welcomed by students ofnineteenth-century intellectual, literary,and art history.
Author: Ida Maria Street
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 484
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 612
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Book Description
Author: Stephen Kite
Publisher: Routledge
ISBN: 135157292X
Category : Architecture
Languages : en
Pages : 231
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Book Description
Based on extensive fieldwork, and research into John Ruskin's still little-interpreted archival material, notebooks and drawings (in the Ruskin Library, Lancaster University, UK and elsewhere), Stephen Kite offers an unprecedented account of the evolution of Ruskin's architectural thinking and observation in the context of Italy where his watching of building achieved its greatest intensity. Venice naturally figures large in a work that also examines other key sites including Verona, Lucca, Pisa, Florence, Milan and Monza; here, the fabrics are vividly read in their contexts against the rich evidence of Ruskin's diaries, his pocket-book sketches, architectural worksheets, drawings, and daguerrotypes (the early form of photography), and the drafts and published editions of the texts. Kite presents the complex story of Ruskin's visual thinking in architecture as a narrative of deepening interpretation and representation, focusing on the humbler monuments of Italy. He shows how Ruskin's early picturesque naturalism was transformed by the realisation that to understand the built realities confronting him in Italy demanded a closer engagement with the substance of the stones themselves; reflecting Ruskin's sense of his task as a near-archaeological gleaning and gathering of remains 'hidden in many a grass grown court, and silent pathway, and lightless canal'.
Author: Judith Stoddart
Publisher: University of Virginia Press
ISBN: 9780813918068
Category : Art
Languages : en
Pages : 220
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Book Description
In Ruskin's Culture Wars, Judith Stoddart provides the first sustained modern critical reading of Fors Clavigera, placing this classic work in the context of its Victorian contemporaries: art journals, liberal and working-class periodicals, and popular criticism. In recreating the intellectual climate, she demonstrates the sense of cultural crisis and change evident at the time. Rebelling against the tendency to treat Ruskin's letters as the prose lyric of a damaged psyche, Stoddart shows how the cumulative text of Fors Clavigera not only records but revises and redirects the preoccupations of his period. He was an integral part of Victorian discussions of literary tradition and of the roles of democracy and nationality in late-nineteenth-century Europe.
Author: Robert Hewison
Publisher: Routledge
ISBN: 1351788337
Category : Art
Languages : en
Pages : 253
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Book Description
This was first published in 2000: A study of John Ruskin's engagement with art and architecture as a critic, a patron and a teacher. It offers insights into both his writings and the visual economy of the Victorian world. Each essay examines Ruskin's relationship with an individual artist or a distinct aspect of art practice. J.M.W. Turner, D.G. Rossetti, W. Holman Hunt and E. Burne-Jones are among those artists discussed whose personal relationships with Ruskin affected his critical writing. Ruskin's attitude to women artists and his approach to the teaching of art are given special attention.
Author: Rachel Teukolsky
Publisher: Oxford University Press, USA
ISBN: 0195381378
Category : Art
Languages : en
Pages : 328
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Book Description
Rather than focusing on German philosophy or the French avant-gardes, as many books on the history of aesthetics do, Teukolsky takes up British responses to modern art controversies, thus providing a unique view on the development of artistic forms and art history. She considers the canonical writing of authors like John Ruskin, Walter Pater, and Oscar Wilde alongside texts belonging to the rich field of Victorian print culture--gallery reviews, scientific treatises, satirical cartoons, advertisements, and early photography monographs among them. Spanning the years 1840 to 1910, her argument also adds substance to our understanding of the transition from Victorianism to modernism, a period of especially lively exchange between artists and intellectuals, here narrated with careful attention given to the historical particularities and real events that stamped their imprint on such interactions.
Author: Sheila Emerson
Publisher: Cambridge University Press
ISBN: 0521418070
Category : Literary Criticism
Languages : en
Pages : 310
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Book Description
A remarkable study of how early literary, familial, sexual, and social experiences affect artistic identity.
Author: C. Stephen Finley
Publisher: Penn State Press
ISBN: 9780271040400
Category : Literary Criticism
Languages : en
Pages : 276
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Book Description
Nature's Covenant, a reading of John Ruskin, including his neglected poems and early prose writings, brings forth a fresh awareness of his career as an interpreter of landscape, where landscape is conceived as a filter of human meaning, of aesthetic and theological significance. The book shows the correlation in Ruskin's work between the Reformed theology of his religious tradition and the Romantic poetics of literature that he sought to practice. It reconstructs the particular hermeneutic of landscape that Ruskin developed, a vision of the natural world that depended equally upon the Romantic/evangelical renovation of heart and eye and a remarkable articulation of the typology of nature. Ruskin's own theôria, or contemplation of nature's text, the full-scale development of which takes place in Modern Painters II, is revealed and explored, inviting renewed understanding of works both early and late, especially of certain key chapters of such often neglected works as "The Requiem" of St. Mark's Rest or the "Revision" of Deucalion. Finley shifts the emphasis away from the secularized readings of this century to recover lost religious meanings in Ruskin's critical writing, including his unpublished sermons. No previous modern study has focused on Ruskin's religious upbringings and its influence on his mature writings while countering the critical received orthodoxy about his faith, his "unconversion," and inevitable secularization often retold as part of the narrative of modernism, which proclaimed the necessary supersession of Victorian superstition by modern enlightenment. Because of its commitment to a reading of Ruskin's religious sense in light of his romantic inheritance, Nature's Covenant is also a book about Victorian romanticism, sharing in the current reevaluation of Wordsworth's later career, and in the renewed scholarly attention to Sir Walter Scott.
