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Author: Rubén Ortiz Torres
Publisher: UNAM
ISBN: 9789683676788
Category :
Languages : en
Pages : 28
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Book Description
Author: Rubén Ortiz Torres
Publisher: UNAM
ISBN: 9789683676788
Category :
Languages : en
Pages : 28
Get Book Here
Book Description
Author: Rubén Ortiz Torres
Publisher:
ISBN: 9780921356257
Category :
Languages : en
Pages : 48
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Book Description
Author: Jim Mendiola
Publisher:
ISBN:
Category : Art, Modern
Languages : en
Pages : 8
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Book Description
Author: Valerie Loupe Olsen
Publisher:
ISBN:
Category : Baseball in art
Languages : en
Pages : 76
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Book Description
Author: Vanessa López
Publisher:
ISBN:
Category : Automobiles
Languages : en
Pages : 303
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Book Description
A retrospective view of Rubén Ortiz Torres's art production. "Over the course of three decades, Rubén Ortiz Torres has produced work in such diverse media and materials as painting, photography, collage, video, film, multimedia, sculpture. He has also made constructivist use of these media and materials, syncretizing them in complex montages through a range of formal and political strategies including large- and small-format customization, appropriation, hybridization, and ready-mades that cumulatively produce a baroque, iconoclastic effect. The formal complexity and the originality of the genres and productive techniques that Ortiz Torres make his work unique. Unlike many artists of his generation in Mexico, Ortiz Torres's work has taken a critical positions generated from Mexico and Latin America formalist avant-garde -inevitably paired with and assimilated to a model of developmentalist, institutional and dominant modernism-interrupt and advance a political perspective on the reorganization of the circuit of the relations of production that connect art, the academy, cultural anthropology, mass culture, social movements and popular culture. work."--Page 25.
Author: Rubén Ortiz Torres
Publisher:
ISBN:
Category : Hispanic American art
Languages : en
Pages : 10
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Book Description
Author: Massachusetts Museum of Contemporary Art
Publisher: Massachusetts Museum of Contemporary Art
ISBN:
Category : Architecture
Languages : en
Pages : 160
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Book Description
Published in connection with an exhibition held at the Massachusetts Museum of Contemporary Art, MASS MoCA, May 2004-Mar., 2005.
Author: Roberto Tejada
Publisher: Fordham University Press
ISBN: 0823299260
Category : Poetry
Languages : en
Pages : 84
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Book Description
Pushing the boundaries of Latinx literature and what constitutes a borderlands poetics. Throughout Roberto Tejada’s body of work, the renowned poet and celebrated critic has explored themes of Latinx culture, politics, history, language, and ecologies. In his latest collection, Why the Assembly Disbanded, he presents a unique contribution to Latinx letters that reflects on the relations between the United States and Latin America, especially their real and symbolic borderlands. Immersive, postmodern, and philosophical, Why the Assembly Disbanded provides an associative, critical Latinx aesthetic connecting the Mexico–United States borderlands to Latin America’s neo-baroque heritage. Migrants, settlers, tourists, and exiles moving across various hemispheric landscapes are featured in these exuberant, capacious, and self-reflexive poems. Tejada relates the ravages of white supremacy in our culture that, together with immigrant precarity, turn home into a place of foreboding and impending eviction, even as a dream-weather makes room at last for scenes of possibility and attainment in the account of human history. The sweeping futuristic vistas open on to narratives of colonial extraction, human displacement, abuses of capitalism, mass media spectacle, the antagonism of language and technical images in the sensorium of urban and digital life-worlds, and the relations of desire encouraged by pictures and words in the economy of attention. Los Angeles and Mexico City figure prominently in poems committed to voicing modes of formation and community in an intersectional reckoning of personhoods prompted in work by artists Betye Saar, Amiri Baraka, Connie Samaras, and Rubén Ortiz Torres. With language given to pageantry, tonal precision, and a hopeful lyric radiance that can accommodate ecstasy and justice, Roberto Tejada’s carnivalesque, borderland imagery pushes the boundaries of Latinx literature. World-building by way of reverie, speculation, and retro-futurist tableaux, and with vivid, sometimes violent particularity, his poems enact hallucinatory realities of the hemisphere: an imagination that triangulates history, lyricism, and art as social practice.
Author: Vincent Price Art Museum
Publisher:
ISBN: 9783943514742
Category : Art, American
Languages : en
Pages : 256
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Book Description
Photographs by Rubén Ortiz Torres document the wide range of Latin American art in the collections of Carl Baldwin?s Velvetería, April and Ron Dammann, E. Michael ?Baltazar? Díaz, Betty Duker, Armando and María Durón, Alonso Elías and Patricia Fontes Rosas de Elias, Lêda Leitão Martins, Nicholas Pardon, Tom Patchett, Sammy Sayago, Dan Segal, Enrique Serrato, Billy Shire, Esperanza Valverde, Elisabeth Waldo, Richard and Rebecca Zapanta, the Stendahl Gallery, and Bill London?s Pedorrero Muffler repair shop. Six essays explore the cultural, political, and social histories of Latin American art and artifacts in Southern California collections, including Matthew H. Robb?s sleuthing on the pre-Columbian as MacGuffin in mid-century Los Angeles, Ana Elena Mallet on Taxco Silver in California, Jesse Lerner on the meeting of ancient and modern in the Arensberg collection, Selene Preciado on Chicano art collections and collectors, Rubén Ortiz Torres on the Pedorrero, and Amy Sánchez-Arteaga and Misael Díaz on the Elías Fontes collection.00Exhibition: Vincent Price Art Museum, Monterey Park, USA (09.2017- 01.2018).
Author: Lisa Lyons
Publisher: Getty Publications
ISBN: 9780892365821
Category : Art, American
Languages : en
Pages : 72
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Book Description
Lisa Lyons, guest curator for Los Angeles's Getty Museum, chronicles a series of commissioned works in an array of media by eleven acclaimed artists in response to objects at the Getty. Fine bandw illustrations. Annotation copyrighted by Book News, Inc., Portland, OR
