Rubbings of Ancient Maya Sculpture by Joan W. Patten PDF Download
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Author: Carl D. Callaway
Publisher:
ISBN: 9781300388272
Category : Guatemala
Languages : en
Pages : 83
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Book Description
Author: Carl D. Callaway
Publisher:
ISBN: 9781300388272
Category : Guatemala
Languages : en
Pages : 83
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Book Description
Author: Merle Greene Robertson
Publisher:
ISBN: 9780806199467
Category : Art
Languages : en
Pages :
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Book Description
This packet of twelve CD-ROM disks and printed instructions provides the first easy access to 2,000 of Merle Greene Robertson's rubbings of low-relief sculpture from ninety Mesoamerican sites. Many of the rubbings are irreplaceable records of monuments since destroyed by deterioration or looting, and some have never before been published. Access to the images carved on memorial Maya sculpture has always presented problems. Many of the Classic Maya sites are difficult to get to, and in those that can be visited easily the sculpture is often difficult to see. Since nearly every trace of the original paint has eroded, the viewer is dependent upon the sun or artificial light to produce contrasts between the background and the carved surfaces. The rubbings preserved at the Latin American Library at Tulane University can be viewed by scholars only on special occasions because of their size and the difficulties of unwrapping and rewrapping them. This easy-to-use compilation of high-resolution scans makes it possible to enhance and manipulate images and print them out as needed. The Viewer CD allows the user to interact with low-resolution versions of the imagery and the extensive cataloging system.
Author: Merle Greene Robertson
Publisher:
ISBN:
Category : Indian sculpture
Languages : en
Pages :
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Book Description
Author: Merle Greene
Publisher:
ISBN:
Category :
Languages : en
Pages : 70
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Book Description
Author: Merle Greene
Publisher: Museum of Primitive Art & Culture
ISBN: 9780300085556
Category : Architecture
Languages : en
Pages : 102
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Book Description
A selection of rubbings taken by Merle Greene from outstanding Maya monuments, primarily of the classic period.
Author: Kōjin Toneyama
Publisher:
ISBN:
Category : Art, Mexican
Languages : en
Pages : 64
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Book Description
Author: Megan E. O'Neil
Publisher: University of Oklahoma Press
ISBN: 0806188367
Category : Art
Languages : en
Pages : 273
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Book Description
Now shrouded in Guatemalan jungle, the ancient Maya city of Piedras Negras flourished between the sixth and ninth centuries, when its rulers erected monumental limestone sculptures carved with hieroglyphic texts and images of themselves and family members, advisers, and captives. In Engaging Ancient Maya Sculpture at Piedras Negras, Guatemala, Megan E. O’Neil offers new ways to understand these stelae, altars, and panels by exploring how ancient Maya people interacted with them. These monuments, considered sacred, were one of the community’s important forms of cultural and religious expression. Stelae may have held the essence of rulers they commemorated, and the objects remained loci for reverence of those rulers after they died. Using a variety of evidence,O’Neil examines how the forms, compositions, and contexts of the sculptures invited people to engage with them and the figures they embodied looks at these monuments not as inert bearers of images but as palpable presences that existed in real space at specific historical moments. Her analysis brings to the fore the material and affective force of these powerful objects that were seen, touched, and manipulated in the past. O’Neil investigates the monuments not only at the moment of their creation but also in later years and shows how they changed over time. She argues that the relationships among sculptures of different generations were performed in processions, through which ancient Maya people integrated historical dialogues and ancestral commemoration into the landscape. With the help of more than 160 illustrations, O’Neil reveals these sculptures’ continuing life histories, which in the past century have included their fragmentation and transformation into commodities sold on the international art market. Shedding light on modern-day transposition and display of these ancient monuments, O’Neil’s study contributes to ongoing discussions of cultural patrimony.
Author: Stephen Houston
Publisher: Getty Publications
ISBN: 1606067451
Category : Art
Languages : en
Pages : 194
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Book Description
The first study devoted to a single sculptor in ancient America, as understood through four unprovenanced masterworks traced to a small sector of Guatemala. In 1950, Dana Lamb, an explorer of some notoriety, stumbled on a Maya ruin in the tropical forests of northern Guatemala. Lamb failed to record the location of the site he called Laxtunich, turning his find into the mystery at the center of this book. The lintels he discovered there, long since looted, are probably of a set with two others that are among the masterworks of Maya sculpture from the Classic period. Using fieldwork, physical evidence, and Lamb’s expedition notes, the authors identify a small area with archaeological sites where the carvings were likely produced. Remarkably, the vividly colored lintels, replete with dynastic and cosmic information, can be assigned to a carver, Mayuy, who sculpted his name on two of them. To an extent nearly unique in ancient America, Mayuy can be studied over time as his style developed and his artistic ambition grew. An in-depth analysis of Laxtunich Lintel 1 examines how Mayuy grafted celestial, seasonal, and divine identities onto a local magnate and his overlord from the kingdom of Yaxchilan, Mexico. This volume contextualizes the lintels and points the way to their reprovenancing and, as an ultimate aim, repatriation to Guatemala.
Author: Megan E. O'Neil
Publisher: University of Texas Press
ISBN: 1477329412
Category : Art
Languages : en
Pages : 301
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Book Description
An exploration of how the ancient Maya engaged with their history by using, altering, and burying stone sculptures. For the ancient Maya, monumental stone sculptures were infused with agency. As they were used, reused, altered, and buried, such sculptures retained ceremonial meaning. In Memory in Fragments, Megan E. O'Neil explores how ancient Maya people engaged with history through these sculptures, as well as how they interacted with the stones themselves over the course of the sculptures’ long “lives.” Considering Maya religious practices, historiography, and conceptions of materials and things, O’Neil explores how Maya viewers perceived sculptures that were fragmented, scarred, burned, damaged by enemies, or set in unusual locations. In each case, she demonstrates how different human interactions, amid dynamic religious, political, and historical contexts, led to new episodes in the sculptures' lives. A rare example of cross-temporal and geographical work in this field, Memory in Fragments both compares sculptures within ancient Maya culture across Honduras, Guatemala, Mexico, and Belize over hundreds of years and reveals how memory may accrue around and be evoked in material remains.
Author: Flora S. Clancy
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 192
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Book Description
The free-standing monuments which adorned the Early Classic plazas of the ancient Mayan cities were carved with exquisite relief sculpture. It is the latter which forms the main concern of this book. Drawing on detailed examination of the art pieces themselves, Clancy discusses their composition, carving techniques, imagery, text and attempts to reconstruct the decision-making process associated with their design, creation and unveiling. With many illustrations.
