Author: Ronald Gray
Publisher: Cambridge University Press
ISBN: 9780521051330
Category : Literary Criticism
Languages : en
Pages : 398
Book Description
For Dr Gray German literature since 1871 has been dominated by one intellectual trend: the tendency to think in polar opposites which are felt to be both diametrically opposed and yet capable of fusion, of synthesis. In tracing this trend in literature, he is led to enquire how far the same preoccupations were linked with the German history of the time. In short, did the main literary tradition help to create an atmosphere in which the tyranny of 1933 to 1945 could establish itself. In this 1965 text, Dr Gray uses a combination of broad survey and detailed analysis. The opening chapters isolate and define the tradition, and in a wide sweep show its influence wherever it is to be found in modern German literature, relating it to contemporary events. There are detailed studies of Thomas Mann and Rilke, Hofmannsthal's Der Schwierige and English resistance to German literature.
The German Tradition in Literature 1871-1945
Author: Ronald Gray
Publisher: Cambridge University Press
ISBN: 9780521051330
Category : Literary Criticism
Languages : en
Pages : 398
Book Description
For Dr Gray German literature since 1871 has been dominated by one intellectual trend: the tendency to think in polar opposites which are felt to be both diametrically opposed and yet capable of fusion, of synthesis. In tracing this trend in literature, he is led to enquire how far the same preoccupations were linked with the German history of the time. In short, did the main literary tradition help to create an atmosphere in which the tyranny of 1933 to 1945 could establish itself. In this 1965 text, Dr Gray uses a combination of broad survey and detailed analysis. The opening chapters isolate and define the tradition, and in a wide sweep show its influence wherever it is to be found in modern German literature, relating it to contemporary events. There are detailed studies of Thomas Mann and Rilke, Hofmannsthal's Der Schwierige and English resistance to German literature.
Publisher: Cambridge University Press
ISBN: 9780521051330
Category : Literary Criticism
Languages : en
Pages : 398
Book Description
For Dr Gray German literature since 1871 has been dominated by one intellectual trend: the tendency to think in polar opposites which are felt to be both diametrically opposed and yet capable of fusion, of synthesis. In tracing this trend in literature, he is led to enquire how far the same preoccupations were linked with the German history of the time. In short, did the main literary tradition help to create an atmosphere in which the tyranny of 1933 to 1945 could establish itself. In this 1965 text, Dr Gray uses a combination of broad survey and detailed analysis. The opening chapters isolate and define the tradition, and in a wide sweep show its influence wherever it is to be found in modern German literature, relating it to contemporary events. There are detailed studies of Thomas Mann and Rilke, Hofmannsthal's Der Schwierige and English resistance to German literature.
Germany as Model and Monster
Author: Gisela Argyle
Publisher: McGill-Queen's Press - MQUP
ISBN: 9780773523517
Category : Fiction
Languages : en
Pages : 284
Book Description
In Germany as Model and Monster Gisela Argyle details allusions in English novels to German social, cultural, and political life. Such allusions serve as criticism of English life and of English conventions of fiction. Beginning her study with Thomas Carlyle's "Germanizing" efforts in the 1830s and ending before Hitler's Third Reich and the Holocaust, Argyle concludes that current global conceptions of Englishness and of national literatures have made this kind of comparison in fiction obsolete.
Publisher: McGill-Queen's Press - MQUP
ISBN: 9780773523517
Category : Fiction
Languages : en
Pages : 284
Book Description
In Germany as Model and Monster Gisela Argyle details allusions in English novels to German social, cultural, and political life. Such allusions serve as criticism of English life and of English conventions of fiction. Beginning her study with Thomas Carlyle's "Germanizing" efforts in the 1830s and ending before Hitler's Third Reich and the Holocaust, Argyle concludes that current global conceptions of Englishness and of national literatures have made this kind of comparison in fiction obsolete.
Germanic Notes
Author:
Publisher:
ISBN:
Category : Germanic philology
Languages : en
Pages : 200
Book Description
Publisher:
ISBN:
Category : Germanic philology
Languages : en
Pages : 200
Book Description
National Union Catalog
Author:
Publisher:
ISBN:
Category : Union catalogs
Languages : en
Pages : 632
Book Description
Includes entries for maps and atlases
Publisher:
ISBN:
Category : Union catalogs
Languages : en
Pages : 632
Book Description
Includes entries for maps and atlases
European Drama Criticism: Supplement
Author: Helen H. Palmer
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 264
Book Description
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 264
Book Description
Library of Congress Catalogs
Author: Library of Congress
Publisher:
ISBN:
Category :
Languages : en
Pages : 654
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 654
Book Description
Ibsen and Early Modernist Theatre, 1890-1900
Author: Kirsten Shepherd-Barr
Publisher: Praeger
ISBN:
Category : Literary Criticism
Languages : en
Pages : 232
Book Description
Best known as the author of such plays as A Doll's House and Hedda Gabler, Henrik Ibsen is one of the most influential figures of modern drama. This book takes Ibsen as a case study for an exploration of early modernist theatre in theory and practice, in text and performance. Modern drama has its roots in the theatrical activity across Europe during the 1880s and 1890s—the period when Ibsen's plays were first being produced in England and France, often by avant-garde or experimental theatrical groups. This study focuses on four of Ibsen's plays and their reception in England and France in the 1890s, specifically in the context of cross-cultural understanding, translation, and the diffusion of ideas. It encompasses performance history, textual and translation analysis in several languages, and theatrical criticism. The main contribution of this study lies in the provision of a better understanding of Ibsen's central role in the radical artistic movements of the period, and particularly in locating the basis for an early modernist theatre in the new wave Ibsen created internationally. His immediate impact on the French Symbolist theatre movement, for example, meant that its avant-garde leaders embraced Ibsen's works as an important exposition of their own radical ideas. Through close cross-cultural exchange, plays like Rosmersholm and The Master Builder, which were heralded as explicitly symbolist in France, helped condition the critical reaction to Ibsen as a symbolist playwright in England as well, and directly influenced the development of the theatre in that direction, however briefly.
Publisher: Praeger
ISBN:
Category : Literary Criticism
Languages : en
Pages : 232
Book Description
Best known as the author of such plays as A Doll's House and Hedda Gabler, Henrik Ibsen is one of the most influential figures of modern drama. This book takes Ibsen as a case study for an exploration of early modernist theatre in theory and practice, in text and performance. Modern drama has its roots in the theatrical activity across Europe during the 1880s and 1890s—the period when Ibsen's plays were first being produced in England and France, often by avant-garde or experimental theatrical groups. This study focuses on four of Ibsen's plays and their reception in England and France in the 1890s, specifically in the context of cross-cultural understanding, translation, and the diffusion of ideas. It encompasses performance history, textual and translation analysis in several languages, and theatrical criticism. The main contribution of this study lies in the provision of a better understanding of Ibsen's central role in the radical artistic movements of the period, and particularly in locating the basis for an early modernist theatre in the new wave Ibsen created internationally. His immediate impact on the French Symbolist theatre movement, for example, meant that its avant-garde leaders embraced Ibsen's works as an important exposition of their own radical ideas. Through close cross-cultural exchange, plays like Rosmersholm and The Master Builder, which were heralded as explicitly symbolist in France, helped condition the critical reaction to Ibsen as a symbolist playwright in England as well, and directly influenced the development of the theatre in that direction, however briefly.
Aubrey Beardsley and British Wagnerism in the 1890s
Author: Emma Sutton
Publisher:
ISBN: 9780198187325
Category : Art
Languages : en
Pages : 252
Book Description
Sutton presents a study of the influence of Richard Wagner on the work of Aubrey Beardsley (1872-1898). She explores the role of Wagnerism within British culture of the 1890's, in particular the relations between Wagnerism and the decadent movement.
Publisher:
ISBN: 9780198187325
Category : Art
Languages : en
Pages : 252
Book Description
Sutton presents a study of the influence of Richard Wagner on the work of Aubrey Beardsley (1872-1898). She explores the role of Wagnerism within British culture of the 1890's, in particular the relations between Wagnerism and the decadent movement.
D. H. Lawrence
Author:
Publisher:
ISBN: 9780878750429
Category : Reference
Languages : en
Pages : 232
Book Description
Publisher:
ISBN: 9780878750429
Category : Reference
Languages : en
Pages : 232
Book Description
D.H. Lawrence and Tradition
Author: Jeffrey Meyers
Publisher: Amherst : University of Massachusetts Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 176
Book Description
DH Lawrence and Tradition indicates how Lawrence interprets, revalues, absorbs, and transforms the work of Blake, Carlyle, Ruskin, George Eliot, Hardy, Whitman, and Nietzche. Though the critics differ in their approaches to the question of Lawrence's relation to tradition and receptivity to influence, they all assume that his use of the style, forms, and ideas of his predecessors is positive. The contributers believe that Lawrence's fiction, poetry, and criticism derive their resonance, meaning, and value--and much of their inspiration--from his vital connection to significant authors of the nineteenth century. Since tradition can be construed as the cultural equivalence of the individual consciousness, this book explores the very roots of Lawrence's art. The essays examine how Lawrence fulfills the implications and completes, the potential of his Romantic and Victorian forebears and how, by rewriting the works of others, he makes them entirely his own. Though Lawrence transcends any single literary influence, part of his receptive genius is the ability to select and learn from the traditions of the past. He had the persistance, and courage to continue the struggle with the potent dead and, from his spiritual combat, to re-create a new are. Lawrence's exploration of earlier writers and his cultivation of underlying temperamental an stylistic affinities lead him to self-discovery. His debts to traditions enhance rather than diminish his originality and establish him more seriously as a writer of the first rank.
Publisher: Amherst : University of Massachusetts Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 176
Book Description
DH Lawrence and Tradition indicates how Lawrence interprets, revalues, absorbs, and transforms the work of Blake, Carlyle, Ruskin, George Eliot, Hardy, Whitman, and Nietzche. Though the critics differ in their approaches to the question of Lawrence's relation to tradition and receptivity to influence, they all assume that his use of the style, forms, and ideas of his predecessors is positive. The contributers believe that Lawrence's fiction, poetry, and criticism derive their resonance, meaning, and value--and much of their inspiration--from his vital connection to significant authors of the nineteenth century. Since tradition can be construed as the cultural equivalence of the individual consciousness, this book explores the very roots of Lawrence's art. The essays examine how Lawrence fulfills the implications and completes, the potential of his Romantic and Victorian forebears and how, by rewriting the works of others, he makes them entirely his own. Though Lawrence transcends any single literary influence, part of his receptive genius is the ability to select and learn from the traditions of the past. He had the persistance, and courage to continue the struggle with the potent dead and, from his spiritual combat, to re-create a new are. Lawrence's exploration of earlier writers and his cultivation of underlying temperamental an stylistic affinities lead him to self-discovery. His debts to traditions enhance rather than diminish his originality and establish him more seriously as a writer of the first rank.