Ronald Gray, The German Tradition in Literature, 1871-1945, Cambridge [Eng.]: At the University Press, 1965 PDF Download
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Author: Henry Hatfield
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Category :
Languages : en
Pages : 5
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![Ronald Gray, The German Tradition in Literature, 1871-1945, Cambridge [Eng.]: At the University Press, 1965 PDF](https://books.google.com/books/content/images/frontcover/JtwWcgAACAAJ?fife=w80-h100)
Author: Henry Hatfield
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ISBN:
Category :
Languages : en
Pages : 5
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Author: Ronald Gray
Publisher: Cambridge University Press
ISBN: 9780521051330
Category : Literary Criticism
Languages : en
Pages : 392
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Book Description
For Dr Gray German literature since 1871 has been dominated by one intellectual trend: the tendency to think in polar opposites which are felt to be both diametrically opposed and yet capable of fusion, of synthesis. In tracing this trend in literature, he is led to enquire how far the same preoccupations were linked with the German history of the time. In short, did the main literary tradition help to create an atmosphere in which the tyranny of 1933 to 1945 could establish itself. In this 1965 text, Dr Gray uses a combination of broad survey and detailed analysis. The opening chapters isolate and define the tradition, and in a wide sweep show its influence wherever it is to be found in modern German literature, relating it to contemporary events. There are detailed studies of Thomas Mann and Rilke, Hofmannsthal's Der Schwierige and English resistance to German literature.
Author: Ronald Gray
Publisher: Cambridge University Press
ISBN: 9780521051330
Category : Literary Criticism
Languages : en
Pages : 398
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Book Description
For Dr Gray German literature since 1871 has been dominated by one intellectual trend: the tendency to think in polar opposites which are felt to be both diametrically opposed and yet capable of fusion, of synthesis. In tracing this trend in literature, he is led to enquire how far the same preoccupations were linked with the German history of the time. In short, did the main literary tradition help to create an atmosphere in which the tyranny of 1933 to 1945 could establish itself. In this 1965 text, Dr Gray uses a combination of broad survey and detailed analysis. The opening chapters isolate and define the tradition, and in a wide sweep show its influence wherever it is to be found in modern German literature, relating it to contemporary events. There are detailed studies of Thomas Mann and Rilke, Hofmannsthal's Der Schwierige and English resistance to German literature.
Author:
Publisher:
ISBN:
Category : Germanic philology
Languages : en
Pages : 200
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Author: Gisela Argyle
Publisher: McGill-Queen's Press - MQUP
ISBN: 9780773523517
Category : Fiction
Languages : en
Pages : 284
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Book Description
In Germany as Model and Monster Gisela Argyle details allusions in English novels to German social, cultural, and political life. Such allusions serve as criticism of English life and of English conventions of fiction. Beginning her study with Thomas Carlyle's "Germanizing" efforts in the 1830s and ending before Hitler's Third Reich and the Holocaust, Argyle concludes that current global conceptions of Englishness and of national literatures have made this kind of comparison in fiction obsolete.
Author:
Publisher:
ISBN:
Category : Union catalogs
Languages : en
Pages : 632
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Includes entries for maps and atlases
Author: Ronald Gray
Publisher: Cambridge University Press
ISBN: 9780521051330
Category : Literary Criticism
Languages : en
Pages : 392
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Book Description
For Dr Gray German literature since 1871 has been dominated by one intellectual trend: the tendency to think in polar opposites which are felt to be both diametrically opposed and yet capable of fusion, of synthesis. In tracing this trend in literature, he is led to enquire how far the same preoccupations were linked with the German history of the time. In short, did the main literary tradition help to create an atmosphere in which the tyranny of 1933 to 1945 could establish itself. In this 1965 text, Dr Gray uses a combination of broad survey and detailed analysis. The opening chapters isolate and define the tradition, and in a wide sweep show its influence wherever it is to be found in modern German literature, relating it to contemporary events. There are detailed studies of Thomas Mann and Rilke, Hofmannsthal's Der Schwierige and English resistance to German literature.
Author: Helen H. Palmer
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 264
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Book Description
Author: Library of Congress
Publisher:
ISBN:
Category :
Languages : en
Pages : 654
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Book Description
Author: Kirsten Shepherd-Barr
Publisher: Praeger
ISBN:
Category : Literary Criticism
Languages : en
Pages : 232
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Book Description
Best known as the author of such plays as A Doll's House and Hedda Gabler, Henrik Ibsen is one of the most influential figures of modern drama. This book takes Ibsen as a case study for an exploration of early modernist theatre in theory and practice, in text and performance. Modern drama has its roots in the theatrical activity across Europe during the 1880s and 1890s—the period when Ibsen's plays were first being produced in England and France, often by avant-garde or experimental theatrical groups. This study focuses on four of Ibsen's plays and their reception in England and France in the 1890s, specifically in the context of cross-cultural understanding, translation, and the diffusion of ideas. It encompasses performance history, textual and translation analysis in several languages, and theatrical criticism. The main contribution of this study lies in the provision of a better understanding of Ibsen's central role in the radical artistic movements of the period, and particularly in locating the basis for an early modernist theatre in the new wave Ibsen created internationally. His immediate impact on the French Symbolist theatre movement, for example, meant that its avant-garde leaders embraced Ibsen's works as an important exposition of their own radical ideas. Through close cross-cultural exchange, plays like Rosmersholm and The Master Builder, which were heralded as explicitly symbolist in France, helped condition the critical reaction to Ibsen as a symbolist playwright in England as well, and directly influenced the development of the theatre in that direction, however briefly.
