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Author: Michael Gamer
Publisher: Cambridge University Press
ISBN: 1139426842
Category : Literary Criticism
Languages : en
Pages : 274
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Book Description
This is the first full-length study to examine the links between high Romantic literature and what has often been thought of as a merely popular genre - the Gothic. Michael Gamer offers a sharply focused analysis of how and why Romantic writers drew on Gothic conventions whilst, at the same time, denying their influence in order to claim critical respectability. He shows how the reception of Gothic literature, including its institutional and commercial recognition as a form of literature, played a fundamental role in the development of Romanticism as an ideology. In doing so he examines the early history of the Romantic movement and its assumptions about literary value, and the politics of reading, writing and reception at the end of the eighteenth century. As a whole the book makes an original contribution to our understanding of genre, tracing the impact of reception, marketing and audience on its formation.
Author: Michael Gamer
Publisher: Cambridge University Press
ISBN: 1139426842
Category : Literary Criticism
Languages : en
Pages : 274
Get Book Here
Book Description
This is the first full-length study to examine the links between high Romantic literature and what has often been thought of as a merely popular genre - the Gothic. Michael Gamer offers a sharply focused analysis of how and why Romantic writers drew on Gothic conventions whilst, at the same time, denying their influence in order to claim critical respectability. He shows how the reception of Gothic literature, including its institutional and commercial recognition as a form of literature, played a fundamental role in the development of Romanticism as an ideology. In doing so he examines the early history of the Romantic movement and its assumptions about literary value, and the politics of reading, writing and reception at the end of the eighteenth century. As a whole the book makes an original contribution to our understanding of genre, tracing the impact of reception, marketing and audience on its formation.
Author: Laura R. Kremmel
Publisher: University of Wales Press
ISBN: 1786838508
Category : Literary Criticism
Languages : en
Pages : 290
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Book Description
This book debates a crossover between the Gothic and the medical imagination in the Romantic period. It explores the gore and uncertainty typical of medical experimentation, and expands the possibilities of medical theories in a speculative space by a focus on Gothic novels, short stories, poetry, drama and chapbooks. By comparing the Gothic’s collection of unsavoury tropes to morbid anatomy’s collection of diseased organs, the author argues that the Gothic’s prioritisation of fear and gore gives it access to nonnormative bodies, reallocating medical and narrative agency to bodies considered otherwise powerless. Each chapter pairs a trope with a critical medical debate, granting silenced bodies power over their own narratives: the reanimated corpse confronts fears about vitalism; the skeleton exposes fears about pain; the unreliable corpse feeds on fears of dissection; the devil redirects fears about disability; the dangerous narrative manipulates fears of contagion and vaccination.
Author: Angela Wright
Publisher: Edinburgh University Press
ISBN: 074869675X
Category : Literary Criticism
Languages : en
Pages : 401
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Book Description
"Traces the Gothic impulses in proto-Romantic and Romantic British, American and European culture, 1740-1830"--Quatrième de couverture.
Author: Kerry Dean Carso
Publisher: University of Wales Press
ISBN: 1783161620
Category : Literary Criticism
Languages : en
Pages : 296
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Book Description
American Gothic Art and Architecture in the Age of Romantic Literature analyses the influence of British Gothic novels and historical romances on American art and architecture in the Romantic era.
Author: Charles Robert Maturin
Publisher: Standard Ebooks
ISBN:
Category : Fiction
Languages : en
Pages : 793
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Book Description
The Gothic novel of the eighteenth and early nineteenth centuries often feature charismatic villains and brooding Byronic heroes. Melmoth, the mysterious title character, is both of these in this, Maturin’s best-known work and one of the last of the classic Gothic novels. Melmoth the Wanderer is a slow-burning supernatural story of suspense and horror that follows the menacing, ageless Wanderer through a complex web of nested stories within stories, told by his would-be victims and others who have crossed his path over his unnaturally long life. Along the way the tales take us from nineteenth-century Ireland, to utopian Indian islands, to a romantic castle in the seventeenth-century English countryside, to Spain in the days of the Inquisition, where human horrors vie with the supernatural. Maturin’s influence on the modern horror novel can be seen in later works like Dracula, another novel that follows its title character across Europe, while weaving the tales of different narrators into a portrait of a mysterious and terrifying figure. This book is part of the Standard Ebooks project, which produces free public domain ebooks.
Author:
Publisher: Art of Darkness: Ingenious
ISBN:
Category :
Languages : en
Pages : 281
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Book Description
Author: Marshall Brown
Publisher: Stanford University Press
ISBN: 0804739129
Category : Literary Criticism
Languages : en
Pages : 312
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Book Description
Combining a new genealogy for the gothic novel with original research into gothic contexts in German idealist thought and romantic psychology, The Gothic Text offers lively readings of British and Continental novels pointing back toward the Enlightenment and ahead toward Freud.
Author: Steven Bruhm
Publisher: University of Pennsylvania Press
ISBN: 0812206738
Category : Literary Criticism
Languages : en
Pages : 207
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Book Description
An intriguing scholarly investigation, not so much of the ways the late eighteenth and early nineteenth centuries articulated pain, but of the ways in which pain itself articulated the late eighteenth-century experience. Through analysis of novels, plays, and poems, the author explores the transition from sensibility as a sense of "selflessness" to Romanticism, which puts the self in the foreground as the mediating consciousness. His tightly focused discussion sets a starting point for further critical investigation of the subject.
Author: Dale Townshend
Publisher: Cambridge University Press
ISBN: 1139867733
Category : Literary Criticism
Languages : en
Pages : 275
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Book Description
This book offers unique and fresh perspectives upon the literary productions of one of the most highly remunerated and widely admired authors of the Romantic period, Ann Radcliffe (1764–1823). While drawing upon, consolidating and enriching the critical impulses reflected in Radcliffe scholarship to date, this collection of essays, composed by a range of renowned scholars of the Romantic period, also foregrounds the hitherto neglected aspects of the author's work. Radcliffe's relations to Romantic-era travel writing; the complex political ideologies that lie behind her historiographic endeavours; her poetry and its relation to institutionalised forms of Romanticism; and her literary connections to eighteenth-century women's writing are all examined in this collection. Offering fresh considerations of the well-known Gothic fictions and extending the appreciation of Radcliffe in new critical directions, the collection reappraises Radcliffe's full oeuvre within the wider literary and political contexts of her time.
Author: Francesca Saggini
Publisher: Routledge
ISBN: 1317319508
Category : Literary Criticism
Languages : en
Pages : 263
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Book Description
In this ground-breaking study Saggini explores the relationship between the late eighteenth-century novel and the theatre, arguing that the implicit theatricality of the Gothic novel made it an obvious source from which dramatists could take ideas. Similarly, elements of the theatre provided inspiration to novelists.
