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Author: Anne Kostelanetz Mellor
Publisher: Bloomington : Indiana University Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 256
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Book Description
Wollstonecraft, Mary; Lamb, Mary; Wordsworth, Dorothy; Scoft, Walter.
Author: Anne Kostelanetz Mellor
Publisher: Bloomington : Indiana University Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 256
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Book Description
Wollstonecraft, Mary; Lamb, Mary; Wordsworth, Dorothy; Scoft, Walter.
Author: Anne K. Mellor
Publisher: Routledge
ISBN: 1136040307
Category : Literary Criticism
Languages : en
Pages : 277
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Book Description
Taking twenty women writers of the Romantic period, Romanticism and Gender explores a neglected period of the female literary tradition, and for the first time gives a broad overview of Romantic literature from a feminist perspective.
Author: Elizabeth Fay
Publisher: Wiley-Blackwell
ISBN: 9780631198949
Category : Literary Criticism
Languages : en
Pages : 264
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Book Description
Elizabeth Fay's invaluable book addresses the student in an immediate and direct manner to provide an unequalled introduction to the issues most important for feminist analyses of Romantic literature.
Author: Duncan Wu
Publisher: Wiley-Blackwell
ISBN: 9780631218777
Category : Literary Criticism
Languages : en
Pages : 566
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Book Description
The Companion to Romanticism is a major introductory survey from an international galaxy of scholars writing new pieces, specifically for a student readership, under the editorship of Duncan Wu.
Author: David Sigler
Publisher: State University of New York Press
ISBN: 1438484879
Category : Literary Criticism
Languages : en
Pages : 393
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Book Description
Feminist writers in British Romanticism often developed alternatives to linear time. Viewing time as a system of social control, writers like Mary Wollstonecraft, Anna Barbauld, and Mary Shelley wrote about current events as if they possessed knowledge from the future. Fracture Feminism explores this tradition with a perspective informed by Lacanian psychoanalysis and Derridean deconstruction, showing how time can be imagined to contain a hidden fracture—and how that fracture, when claimed as a point of view, could be the basis for an emancipatory politics. Arguing that the period's most radical experiments in undoing time stemmed from the era's discourses of gender and women's rights, Fracture Feminism asks: to what extent could women "belong" to their historical moment, given their political and social marginalization? How would voices from the future interrupt the ordinary procedures of political debate? What if utopia were understood as a time rather than a place, and its time were already inside the present?
Author: Gaura Shankar Narayan
Publisher: Peter Lang
ISBN: 9781433104114
Category : Foreign Language Study
Languages : en
Pages : 218
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Book Description
"Real and Imagined Women in British Romanticism uses feminist ideology and deconstructive criticism to reconstruct the cultural context embedded in Romantic canonical texts. To achieve this end, the book undertakes a close textual study of these texts and places them in the intellectual context of Mary Wollstonecraft's critique of culture. As a result of intellectual contextuallzing as well as theoretical applications, the Romantic imagination, as represented by William Wordsworth and John Keats, emerges as the place where gender division and gender certitude break down. This book intervenes in the traditional critical debates about the Romantic imagination to show that the Romantic imagination, as set forth in these texts, registers the vigorous cultural politics of gender and aesthetics that defined the 1790s and continued to exert influence for decades." --Book Jacket.
Author: Meena Alexander
Publisher: Rowman & Littlefield
ISBN: 9780389208853
Category : Biography & Autobiography
Languages : en
Pages : 240
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Book Description
What did it mean to write as a woman in the Romantic era? How did women writers test and refashion the claims or the grand self, the central 'I, ' we typically see in Romanticism? In this powerful and original study Meena Alexander examines the work of three women: Mary Wollstonecraft (1759-97) the radical feminist who typically thought of life as 'warfare' and revolted against the social condition of women; Dorothy Wordsworth (1771-1855) who lived a private life enclosed by the bonds of femininity, under the protection of her poet brother William and his family; Mary Shelley (1797-1851), the daughter that Wollstonecraft died giving birth to, mistress then wife of the poet Percy Shelley, and precocious author of Frankenstein. Contents: Introduction: Mapping a Female Romanticism; Romantic Feminine; True Appearances; Of Mothers and Mamas; Writing in Fragments; Natural Enclosures; Unnatural Creation; Revising the Feminine; Versions of the Sublime R
Author: Devoney Looser
Publisher: Cambridge University Press
ISBN: 1107016681
Category : Literary Criticism
Languages : en
Pages : 275
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Book Description
A wide-ranging and accessible account of the pioneering professional women writers who flourished during the Romantic period.
Author: Elizabeth A. Fay
Publisher: Wiley-Blackwell
ISBN: 9780631198956
Category : Literary Criticism
Languages : en
Pages : 268
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Book Description
Elizabeth Fay's invaluable book addresses the student in an immediate and direct manner to provide an unequalled introduction to the issues most important for feminist analyses of Romantic literature.
Author: Caroline Franklin
Publisher: Routledge
ISBN: 1136245510
Category : Literary Criticism
Languages : en
Pages : 263
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Book Description
Awarded the Elma Dangerfield Prize by the International Byron Society in 2013 The nineteenth century is sometimes seen as a lacuna between two literary periods. In terms of women’s writing, however, the era between the death of Mary Wollstonecraft and the 1860s feminist movement produced a coherent body of major works, impelled by an ongoing dialogue between Enlightenment ‘feminism’ and late Romanticism. This study focuses on the dynamic interaction between Lord Byron and Madame de Staël, Lady Morgan, Mary Shelley and Jane Austen, challenging previous critics’ segregation of the male Romantic writers from their female peers. The Romantic movement in general unleashed the creative ambitions of nineteenth-century female novelists, and the public voice of Byron in particular engaged them in transnational issues of political, national and sexual freedom. Byronism had itself been shaped by the poet’s incursion onto a literary scene where women readers were dominant and formidable intellectuals such as Madame de Staël were lionized. Byron engaged in rivalrous dialogue with the novels of his female friends and contemporaries, such as Caroline Lamb, Mary Shelley and Jane Austen, whose critiques of Romantic egotism helped prompt his own self-parody in Don Juan. Later Victorian novelists, such as George Sand, the Brontë sisters and Harriet Beecher Stowe, wove their rejection of their childhood attraction to Byronism, and their dawning awareness of the significance for women of Lady Byron’s actions, into the feminist fabric of their art.
