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Author: Cian Duffy
Publisher: Springer
ISBN: 3319512463
Category : Literary Criticism
Languages : en
Pages : 281
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Book Description
This book explores various forms of cultural influence and exchange between Britain and the Nordic countries in the late eighteenth century and romantic period. Broadly new-historicist in approach, but drawing also on influential descriptions of genre, discipline, mediation, cultural exchange, and comparative methodologies, these essays not only constitute a substantial and innovative contribution to scholarly understanding of the development of romanticisms and romantic nationalisms in Britain and the Nordic countries, but also describe a pattern of cultural encounter which was predicated upon exchange and a sense of commonality rather than upon the perception of difference or alterity which has so often been discerned by critical descriptions of British romantic-period engagements with non-British cultures. The volume ought to appeal to a broad and genuinely international academic audience with interests in eighteenth-century and romantic-period culture in Britain and Scandinavia as well as to undergraduates taking courses in eighteenth-century, romantic, and Scandinavian studies.
Author: Cian Duffy
Publisher: Springer
ISBN: 3319512463
Category : Literary Criticism
Languages : en
Pages : 281
Get Book
Book Description
This book explores various forms of cultural influence and exchange between Britain and the Nordic countries in the late eighteenth century and romantic period. Broadly new-historicist in approach, but drawing also on influential descriptions of genre, discipline, mediation, cultural exchange, and comparative methodologies, these essays not only constitute a substantial and innovative contribution to scholarly understanding of the development of romanticisms and romantic nationalisms in Britain and the Nordic countries, but also describe a pattern of cultural encounter which was predicated upon exchange and a sense of commonality rather than upon the perception of difference or alterity which has so often been discerned by critical descriptions of British romantic-period engagements with non-British cultures. The volume ought to appeal to a broad and genuinely international academic audience with interests in eighteenth-century and romantic-period culture in Britain and Scandinavia as well as to undergraduates taking courses in eighteenth-century, romantic, and Scandinavian studies.
Author: Victoria Denault
Publisher: Heart Eyes Press LLC
ISBN:
Category : Fiction
Languages : en
Pages : 274
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Book Description
What if Romeo wore hockey skates, and Juliet was raised on a farm next door? As a life-long Vermonter, there are three beliefs I’ve always held true: 1. Our family farm is everything 2. Hockey is a close second 3. The Todds next door are our sworn enemies But this season will test everything I stand for. I have an illicit side job that could cost me my hockey scholarship. And now Maggie Todd knows my secret. She’s waiting for the right moment to use it against me. But every time I face off against her, I learn things I shouldn’t want to know. Like how deeply her competitive streak runs, and how sexy that is. And how easy it is to make her blush… everywhere. An Adler and a Todd cannot be lovers. Breaking that rule is like pulling a pin on a grenade--everything in my life could blow up. Can we surrender to these feelings… or will our families’ feud make us its next casualty?
Author: A. Byrne
Publisher: Springer
ISBN: 1137311320
Category : History
Languages : en
Pages : 265
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Book Description
This book examines British scientific and antiquarian travels in the "North," circa 1790–1830. British perceptions, representations and imaginings of the North are considered part of late eighteenth- and early nineteenth-century processes of British self-fashioning as a Northern nation, and key in unifying the expanding North Atlantic empire.
Author: Boele
Publisher: BRILL
ISBN: 9004647937
Category : Literary Criticism
Languages : en
Pages : 326
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Book Description
This book explores the North in Russian romantic literature as a symbol of national particularity. It largely ignores the vogue of Ossian, being primarily concerned with the significance of the North for Russia's national self-image. The author demonstrates how, starting with Lomonosov, the North initially functions as a symbol of Russia's 'new' European identity. Gradually it acquires a different ideological charge, giving voice to growing resentment over the inroads of western culture. By the turn of the century, the North no longer denotes Russia's supposed Europeanness, but its 'unique national' spirit, believed to have been polluted by the slavish imitation of the West. By this time, the theme of winter was discovered as an appropriate vehicle for the expression of nationalist sentiments, culminating in the popular myth of the winter of 1812 as an ally of the Russian people. This study also investigates the theme of 'northern homesickness' as opposed to the lure of the South and concludes by examining the national stereotypes of Russia's northern neighbours, the Swedes and the Finns.
Author: Sarina Bowen
Publisher: Tuxbury Publishing LLC
ISBN: 1950155293
Category : Fiction
Languages : en
Pages : 231
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Book Description
The dreamiest player on the Moo U hockey team hangs a flyer on the bulletin board, and I am spellbound: Rent a boyfriend for the holiday. For $25, I will be your Thanksgiving date. I will talk hockey with your dad. I will bring your mother flowers. I will be polite, and wear a nicely ironed shirt… Now everyone knows it’s a bad idea to introduce your long-time crush to your messed-up family. But I really do need a date for Thanksgiving, even if I’m not willing to say why. So I tear his phone number off of that flyer… and accidentally entangle our star defenseman in a ruse that neither of us can easily unwind. Because Weston's family is even nuttier than mine. He needs a date, too, for the most uncomfortable holiday engagement party ever thrown. There will be hors d'oeuvre. There will be faked PDA. And there will be pro-level awkwardness… Boyfriend is a full-length book for Weston and Abbi! ******* Readers also enjoyed books by: Helena Hunting, Elle Kennedy, Ali Hazelwood, Tessa Bailey, Colleen Hoover, Lauren Blakely, Kristen Callihan, Corinne Michaels, Jana Aston, Karina Halle, Meghan March, Jay Crownover, Anna Todd, Jami Davenport, Audrey Carlan, Jill Shalvis, Helen Hoang, Christina Lauren, Sally Thorne, Vi Keeland, Penelope Ward, Debbie Macomber, Nora Roberts, Maisey Yates, Sarah Mayberry, Elle Kennedy, Lauren Blakely, Susan Mallery, Penny Reid, Julia Kent, Kelly Jamieson, Melanie Harlow, Carrie Ann Ryan, Kendall Ryan, Kennedy Ryan, Helen Hardt, Meghan March, Julia Kent, Meli Raine, Sylvia Day, Chelle Bliss, Brenda Rothert, Natasha Madison, Kylie Scott, Sloane Kennedy, Penelope Sky, Elle Kennedy, K.A. Linde, Jami Davenport, Jaci Burton, Penelope Sky, Helen Hardt, E.L. James, Anna Todd, Chelle Bliss, Kendall Ryan, K Webster, Sierra Simone, Mia Sosa, Kat Mizera. Storylines in this book: fauxmance, fake boyfriend, holiday dating, holiday romance, pretend boyfriend, college romance, new adult romance.
Author: Agnes Christina Laut
Publisher: Library of Alexandria
ISBN: 1465508570
Category : Fiction
Languages : en
Pages : 1442
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Book Description
Author: Bénédict Henry Révoil
Publisher: London ; New York : T. Nelson and sons
ISBN:
Category : Game and game-birds
Languages : en
Pages : 408
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Book Description
Author: Janice A. Radway
Publisher: Univ of North Carolina Press
ISBN: 0807898856
Category : Social Science
Languages : en
Pages : 289
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Book Description
Originally published in 1984, Reading the Romance challenges popular (and often demeaning) myths about why romantic fiction, one of publishing's most lucrative categories, captivates millions of women readers. Among those who have disparaged romance reading are feminists, literary critics, and theorists of mass culture. They claim that romances enforce the woman reader's dependence on men and acceptance of the repressive ideology purveyed by popular culture. Radway questions such claims, arguing that critical attention "must shift from the text itself, taken in isolation, to the complex social event of reading." She examines that event, from the complicated business of publishing and distribution to the individual reader's engagement with the text. Radway's provocative approach combines reader-response criticism with anthropology and feminist psychology. Asking readers themselves to explore their reading motives, habits, and rewards, she conducted interviews in a midwestern town with forty-two romance readers whom she met through Dorothy Evans, a chain bookstore employee who has earned a reputation as an expert on romantic fiction. Evans defends her customers' choice of entertainment; reading romances, she tells Radway, is no more harmful than watching sports on television. "We read books so we won't cry" is the poignant explanation one woman offers for her reading habit. Indeed, Radway found that while the women she studied devote themselves to nurturing their families, these wives and mothers receive insufficient devotion or nurturance in return. In romances the women find not only escape from the demanding and often tiresome routines of their lives but also a hero who supplies the tenderness and admiring attention that they have learned not to expect. The heroines admired by Radway's group defy the expected stereotypes; they are strong, independent, and intelligent. That such characters often find themselves to be victims of male aggression and almost always resign themselves to accepting conventional roles in life has less to do, Radway argues, with the women readers' fantasies and choices than with their need to deal with a fear of masculine dominance. These romance readers resent not only the limited choices in their own lives but the patronizing atitude that men especially express toward their reading tastes. In fact, women read romances both to protest and to escape temporarily the narrowly defined role prescribed for them by a patriarchal culture. Paradoxically, the books that they read make conventional roles for women seem desirable. It is this complex relationship between culture, text, and woman reader that Radway urges feminists to address. Romance readers, she argues, should be encouraged to deliver their protests in the arena of actual social relations rather than to act them out in the solitude of the imagination. In a new introduction, Janice Radway places the book within the context of current scholarship and offers both an explanation and critique of the study's limitations.
Author: Mary Miers
Publisher: Rizzoli Publications
ISBN: 0847844765
Category : House & Home
Languages : en
Pages : 0
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Book Description
Featuring breathtaking photographs of some of Scotland’s most remarkable and little-known houses, this book tells the story of how incomers adopted the North of Scotland as a recreational paradise and left an astonishing legacy of architecture and decoration inspired by the romanticized image of the Highlands. Known as shooting lodges because they were designed principally to accommodate the parties of guests that flocked north for the annual sporting season, these houses range from Picturesque cottages ornées and Scotch Baronial castles to Arts and Crafts mansions and modern eco-lodges. While their designs respond to some of Britain’s wildest and most stirring landscapes, inside many were equipped with the latest domestic technology and boasted opulent decoration and furnishings from the smartest London and Parisian firms. A good number survive little altered in their original state, and some are still owned by descendants of the families that built them. Images from the famous Country Life Picture Library and specially commissioned photographs evoke the dramatic settings and arresting detail of these houses, making the book as appealing to decorators and architectural historians as it is to travelers and sportsmen.
Author: James Oliver Curwood
Publisher: Read Books Ltd
ISBN: 1473372194
Category : Fiction
Languages : en
Pages : 309
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Book Description
This early work by James Oliver Curwood was originally published in 1912 and we are now republishing it with a brand new introductory biography. “Flower of the North”, finds Philip Whittemore on an adventure which takes him to Northern Canada to a land which he thought he knew. However, tucked in among the rocks and hills lies an unfamiliar outpost whose inhabitants and history are shrouded in mystery. James Oliver 'Jim' Curwood was an American action-adventure writer and conservationist. He was born on 12th June, 1878, in Owosso, Michigan, USA. In 1900, Curwood sold his first story while working for the Detroit News-Tribune, and after this, his career in writing was made. By 1909 he had saved enough money to travel to the Canadian northwest, a trip that provided the inspiration for his wilderness adventure stories. The success of his novels afforded him the opportunity to return to the Yukon and Alaska for several months each year – allowing Curwood to write more than thirty such books. This approach gave his work broad commercial appeal and helped drive his appearance on several best-seller lists in the early 1920s. His most successful work was his 1920 novel, The River's End. The book sold more than 100,000 copies and was the fourth best-selling title of the year in the United States, according to Publisher's Weekly. He contributed to various literary and popular magazines throughout his career, and his bibliography includes more than 200 such articles, short stories and serializations. Curwood was an avid hunter in his youth; however, as he grew older, he became an advocate of environmentalism and was appointed to the 'Michigan Conservation Commission' in 1926. The change in his attitude toward wildlife can be best expressed by a quote he gave in The Grizzly King: that 'The greatest thrill is not to kill but to let live.' Despite this change in attitude, Curwood did not have an ultimately fruitful relationship with nature. In 1927, while on a fishing trip in Florida, Curwood was bitten on the thigh by what was believed to have been a spider and he had an immediate allergic reaction. Health problems related to the bite escalated over the next few months as an infection set in. He died soon after in his nearby home on Williams Street, on 13th August 1927. He was aged just forty-nine, and was interred in Oak Hill Cemetery (Owosso), in a family plot. Curwood's legacy lives on however, and his home of Curwood Castle is now a museum.
