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Author: Monika Coghen
Publisher: Wydawnictwo UJ
ISBN: 8323371644
Category : Literary Criticism
Languages : en
Pages : 351
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Book Description
Romantic writers often asserted their individuality, but this assertion tended to take the form of positioning themselves in relation to other authors and literary texts. Thus they implicitly acknowledged the rich network of broadly understood poetic dialogue as an important and potent source for their own creativity. When in 1816 John Keats wrote “Great spirits now on earth are sojourning,” he celebrated the originality of his contemporaries and the historical significance of his times, pointing to deep interest in “the hum of mighty works” in all the fields of human activity, to which “the nations” ought to listen. Keats’s sonnet suggests not only stimulating exchanges between poets, artists and social thinkers in the same language, but also the idea of transnational appreciation and dialogue. The volume takes up this idea and explores the dialogues of Romantic authors within the wide scope of European and American cultures. Essays by scholars from Germany, Britain, Bulgaria, Poland, Canada and the United States of America examine Romantic writers’ responses to their contemporaries, explore their dialogues with the culture of the past, and their interactions across the arts and sciences. They also scrutinize the Romantics’ far-reaching influence on later writers and artists, and thus extend the network of artistic exchange to modern times. The volume offers a rich tapestry of interconnections that span across time and space, interlace languages and cultures, and link Romantic writers and artists with their predecessors and successors across Europe and America. The essays in the collection invite the reader to join ongoing dialogues between writers and their audiences, of the past and present.
Author: Monika Coghen
Publisher: Wydawnictwo UJ
ISBN: 8323371644
Category : Literary Criticism
Languages : en
Pages : 351
Get Book Here
Book Description
Romantic writers often asserted their individuality, but this assertion tended to take the form of positioning themselves in relation to other authors and literary texts. Thus they implicitly acknowledged the rich network of broadly understood poetic dialogue as an important and potent source for their own creativity. When in 1816 John Keats wrote “Great spirits now on earth are sojourning,” he celebrated the originality of his contemporaries and the historical significance of his times, pointing to deep interest in “the hum of mighty works” in all the fields of human activity, to which “the nations” ought to listen. Keats’s sonnet suggests not only stimulating exchanges between poets, artists and social thinkers in the same language, but also the idea of transnational appreciation and dialogue. The volume takes up this idea and explores the dialogues of Romantic authors within the wide scope of European and American cultures. Essays by scholars from Germany, Britain, Bulgaria, Poland, Canada and the United States of America examine Romantic writers’ responses to their contemporaries, explore their dialogues with the culture of the past, and their interactions across the arts and sciences. They also scrutinize the Romantics’ far-reaching influence on later writers and artists, and thus extend the network of artistic exchange to modern times. The volume offers a rich tapestry of interconnections that span across time and space, interlace languages and cultures, and link Romantic writers and artists with their predecessors and successors across Europe and America. The essays in the collection invite the reader to join ongoing dialogues between writers and their audiences, of the past and present.
Author: Anna Paluchowska-Messing
Publisher: Taylor & Francis
ISBN: 1040132332
Category : Literary Criticism
Languages : en
Pages : 163
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Book Description
This collection studies eighteenth-century British literature as enmeshed within a dynamic intercultural traffic, participating in the import and export of literary and cultural forms. Eighteenth-Century Transplantations places this transcultural circulation at the centre of attention and presents its products in a unique configuration. Literary transplants into the British context, out of it, and their transmedial afterlives are set together in order to showcase the mechanisms of such cultural commerce. The term 'transplantation', borrowed from medical and horticultural discourses and evocative of eighteenth-century experiments in gardening, is offered here as a useful kinetic model to conceptualize the diverse practices involved in relocating a literary text into a new cultural environment.
Author: Jacob Lloyd
Publisher: Springer Nature
ISBN: 3031418778
Category : Literary Criticism
Languages : en
Pages : 292
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Book Description
This book considers Samuel Taylor Coleridge’s engagement with ‘Whig poetry’: a tradition of verse from the eighteenth century which celebrated the political and constitutional arrangements of Britain as guaranteeing liberty. It argues that, during the 1790s, Coleridge was able to articulate radical ideas under the cover of widely accepted principles through his references to this poetry. He positioned his poetry within a mainstream discourse, even as he favoured radical social change. Jacob Lloyd argues that the poets Mark Akenside, William Lisle Bowles, and William Cowper each provided Coleridge with a kind of Whig poetics to which he responded. When these references are understood, much of Coleridge’s work which seems purely personal or imaginative gains a political dimension. In addition, Lloyd reassess Coleridge’s relationship with Thomas Percy’s Reliques of Ancient English Poetry, to provide an original, political reading of ‘The Rime of the Ancyent Marinere’. This book revises our understanding of the political and poetic development of a major poet and, in doing so, provides a new model for the origins of British Romanticism more broadly
Author: Małgorzata Łuczyńska-Hołdys
Publisher: V&R Unipress
ISBN: 3847012533
Category : Literary Criticism
Languages : en
Pages : 229
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Book Description
The author investigates the points of contact between literature, visual arts and feminist criticism by offering fresh readings of selected Romantic and Victorian poems about women and a discussion of their wide-ranging visual history – a subject which has not yet been undertaken in a book-length study. The innovative feature of the project lies in its scope and merit: extensive readings of 19th century poetry, informed by carefully chosen critical approaches, are followed by a rich overview and analysis of visual renderings of the poems in question. Łuczyńska-Hołdys has succeeded in bringing to light previously unknown or undiscussed works, and reappraised many well-known paintings and illustrations.
Author: Stefanie John
Publisher: Routledge
ISBN: 1000397750
Category : Literary Criticism
Languages : en
Pages : 249
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Book Description
This book demonstrates the legacies of Romanticism which animate the poetry and poetics of Eavan Boland, Gillian Clarke, John Burnside, and Kathleen Jamie. It argues that the English Romantic tradition serves as a source of inspiration and critical contention for these Irish, Welsh, and Scottish poets, and it relates this engagement to wider concerns with gender, nation, and nature which have shaped contemporary poetry in Britain and Ireland. Covering a substantial number of works from the 1980s to the 2010s, the book discusses how Boland and Clarke, as women poets from the Republic of Ireland and Wales, react to a male-dominated and Anglocentric lyric tradition and thus rework notions of the Romantic. It examines how Burnside and Jamie challenge, adopt, and revise Romantic aesthetics of nature and environment. The book is the first in-depth study to read Boland, Clarke, Burnside, and Jamie as post-Romantics. By disentangling the aesthetic and critical conceptions of Romanticism which inform their inheritance, it develops an innovative approach to the understanding of contemporary poetry and literary influence.
Author: Merve Günday
Publisher: Taylor & Francis
ISBN: 1040040292
Category : Literary Criticism
Languages : en
Pages : 215
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Book Description
This book claims that Keats’s poetry is a reaction against the discourse of modernity which traumatized the human subject by creating a divide between human and nature, subject and object. It argues that by transcending this divide and acknowledging the agency of both subject and object, Keats makes an ideological statement and offers a new site of existence or relationality to readers. This site also implies a response to the accusations that the Romantics were not interested in the realities of their time. What Keats does is to give an aestheticized response to the hardcore facts of his time. Departing from previous studies due to its emphasis on subjectivity and relationality, the book discusses Keats with regard to post/non-anthropocentric, alternative subject positions and subject-object relations in his “Ode to a Nightingale,” “In drear nighted December,” “Isabella; or, The Pot of Basil,” “Lamia,” “La Belle Dame sans Mercy,” and “Ode on a Grecian Urn.” Drawing on Lacanian and Braidottian epistemologies in its discussion of the intricacy between the imaginary and the symbolic, the irruption of the psychotic into the symbolic, and the agency of the object on the subject in Keats’s poetry, the book suggests that the inner dynamics of both the subject and the object acquire agency, which shatters Oneness and totality assumed in the Cartesian self.
Author: Juliette Wells
Publisher: Bloomsbury Publishing
ISBN: 135036553X
Category : Literary Criticism
Languages : en
Pages : 237
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Book Description
Completing Juliette Wells' groundbreaking trio of books on Austen's readers, this latest volume revolutionizes our understanding of how Austen came to be viewed as the world's greatest novelist. Wells shows that Austen's global reputation was established not by British scholars, as is commonly believed, but by visionary American writers and collectors, working largely outside academia. Drawing on extensive research, Wells weaves together colorful, compelling case studies of men and women who, from the 1880s to the 1980s, helped readers appreciate Austen's novels, persuasively advocated for her place in the literary canon, and preserved artifacts vital to her legacy. Engagingly written and abundantly illustrated, A New Jane Austen will inform and delight scholars and Austen fans alike.
Author: Sandra Mayer
Publisher: Bloomsbury Publishing USA
ISBN: 1501392344
Category : Literary Criticism
Languages : en
Pages : 265
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Book Description
Since long before the age of celebrity activism, literary authors have used their public profiles and cultural capital to draw attention to a wide range of socio-political concerns. This book is the first to explore – through history, criticism and creative interventions – the relationship between authorship, political activism and celebrity culture across historical periods, cultures, literatures and media. It brings together scholars, industry stakeholders and prominent writer-activists to engage in a conversation on literary fame and public authority. These scholarly essays, interviews, conversations and opinion pieces interrogate the topos of the artist as prophet and acute critic of the zeitgeist; analyse the ideological dimension of literary celebrity; and highlight the fault lines between public and private authorial selves, 'pure' art, political commitment and marketplace imperatives. In case studies ranging from the 18th century to present-day controversies, authors illuminate the complex relationship between literature, politics, celebrity culture and market activism, bringing together vivid current debates on the function and responsibility of literature in increasingly fractured societies.
Author: Monica Latham
Publisher: Routledge
ISBN: 1000388476
Category : Drama
Languages : en
Pages : 194
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Book Description
This book explores Virginia Woolf’s afterlives in contemporary biographical novels and drama. It offers an extensive analysis of a wide array of literary productions in which Virginia Woolf appears as a fictional character or a dramatis persona. It examines how Woolf’s physical and psychological features, as well as the values she stood for, are magnified, reinforced or distorted to serve the authors’ specific agendas. Beyond general theoretical issues about this flourishing genre, this study raises specific questions about the literary and cultural relevance of Woolf’s fictional representations. These contemporary narratives inform us about Woolf’s iconicity, but they also mirror our current literary, cultural and political concerns. Based on a close examination of twenty-five works published between 1972 and 2019, the book surveys various portraits of Woolf as a feminist, pacifist, troubled genius, gifted innovative writer, treacherous, competitive sister and tragic, suicidal character, or, on the contrary, as a caricatural comic spirit, inspirational figure and perspicacious amateur sleuth. By resurrecting Virginia Woolf in contemporary biofiction, whether to enhance or debunk stereotypes about the historical figure, the authors studied here contribute to her continuous reinvention. Their diverse fictional portraits constitute a way to reinforce Woolf’s literary status, re-evaluate her work, rejuvenate critical interpretations and augment her cultural capital in the twenty-first century
Author: Samantha C Harvey
Publisher: Edinburgh University Press
ISBN: 0748681388
Category : Literary Criticism
Languages : en
Pages : 229
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Book Description
This new study argues that Coleridge was so influential in America because he provided a framework for American intellectuals to address one of the great questions of European Romanticism: what is the relationship between the Romantic triad of nature, spi
