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Author: Thora Brylowe
Publisher: Cambridge University Press
ISBN: 1108426409
Category : Art
Languages : en
Pages : 283
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Book Description
Explores the developing cultural tensions and connections that created a 'sister-art' movement between creative visual art and its literary counterparts.
Author: Thora Brylowe
Publisher: Cambridge University Press
ISBN: 1108426409
Category : Art
Languages : en
Pages : 283
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Book Description
Explores the developing cultural tensions and connections that created a 'sister-art' movement between creative visual art and its literary counterparts.
Author: Jos De Mul
Publisher: SUNY Press
ISBN: 9780791442173
Category : Philosophy
Languages : en
Pages : 340
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Book Description
In this erudite and wide-ranging discussion of postmodernism and romanticism in twentieth-century art and philosophy, Jos de Mul sheds a fascinating light on the ambivalent character of our present culture, which oscillates between modern enthusiasm and postmodern irony. Along the way, he engages the work of such thinkers as Nietzsche, Freud, Heidegger, Habermas, Lacan, Barthes, and Derrida; visual artists Magritte and Stella; poets Georg and Coleridge; and composers Schonberg, Cage, and Reich, among others, providing a sort of intellectual history of Romantic, Modernist, and Postmodernist "tempers."
Author: Veronica Kavass
Publisher:
ISBN: 1599621134
Category : Art
Languages : en
Pages : 228
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Book Description
"What is the relationship between life, love, and art? This gorgeously illustrated book goes into both the art and love of artists couples from the 20th and 21st centuries"--Provided by publisher.
Author: Julia Cameron
Publisher: Penguin
ISBN: 1101156880
Category : Self-Help
Languages : en
Pages : 295
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Book Description
"With its gentle affirmations, inspirational quotes, fill-in-the-blank lists and tasks — write yourself a thank-you letter, describe yourself at 80, for example — The Artist’s Way proposes an egalitarian view of creativity: Everyone’s got it."—The New York Times "Morning Pages have become a household name, a shorthand for unlocking your creative potential"—Vogue Over four million copies sold! Since its first publication, The Artist's Way phenomena has inspired the genius of Elizabeth Gilbert and millions of readers to embark on a creative journey and find a deeper connection to process and purpose. Julia Cameron's novel approach guides readers in uncovering problems areas and pressure points that may be restricting their creative flow and offers techniques to free up any areas where they might be stuck, opening up opportunities for self-growth and self-discovery. The program begins with Cameron’s most vital tools for creative recovery – The Morning Pages, a daily writing ritual of three pages of stream-of-conscious, and The Artist Date, a dedicated block of time to nurture your inner artist. From there, she shares hundreds of exercises, activities, and prompts to help readers thoroughly explore each chapter. She also offers guidance on starting a “Creative Cluster” of fellow artists who will support you in your creative endeavors. A revolutionary program for personal renewal, The Artist's Way will help get you back on track, rediscover your passions, and take the steps you need to change your life.
Author: Philip Shaw
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754664925
Category : Art
Languages : en
Pages : 264
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Book Description
In a moving intervention into Romantic-era depictions of the dead and wounded, Philip Shaw's timely study directs our gaze to the neglected figure of the common soldier. He examines a wide range of print and visual media, including paintings, political prose, anti-war poetry, early photographs, and the letters and journals of soldiers and surgeons, uncovering a history of changing attitudes that qualify notions of suffering on and off the battlefield as noble or heroic.
Author: Henry Staten
Publisher: Bloomsbury Publishing
ISBN: 1472592913
Category : Philosophy
Languages : en
Pages : 217
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Book Description
Only since the Romantic period has art been understood in terms of an ineffable aesthetic quality of things like poems, paintings, and sculptures, and the art-maker as endowed with an inexplicable power of creation. From the Greeks to the 18th century, art was conceived as techne--the skill and know-how by which things and states of affairs are ordered. Techne Theory shows how to use this concept to cut through the Romantic notion of art as a kind of magic by returning to the original sense of art as techne, the standpoint of the person who actually knows how to make a work of art. Understood as techne, art-making, like all other cultural accomplishments, is a form of work performed by an artisan who has inherited the know-how of previous generations of artisans. Along the way, Techne Theory cuts through the humanist-structuralist impasse over the question of artistic agency and explains what 'form' really means.
Author: Harold Speed
Publisher: J.B. Lippincott
ISBN:
Category : Drawing
Languages : en
Pages : 390
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Book Description
Author: Claudia Moscovici
Publisher: Lexington Books
ISBN: 0739160508
Category : Literary Criticism
Languages : en
Pages : 134
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Book Description
Claudia Moscovici asserts in Romanticism and Postromanticism that the Romantic heritage, far from being important only in a historical sense, has philosophical relevance and value for contemporary art and culture. With an emphasis on artistic tradition as a continuing source of inspiration and innovation, she touches upon each main branch of philosophy: aesthetics, epistemology, and ethics. The book begins by describing some of the most interesting features of the Romantic movement that still fuel our culture. It then addresses the question: How did an artistic movement whose focus was emotive expression change into a quest for formal experimentation? And finally, Moscovici considers the aesthetic philosophy of postromanticism by thinking through how the Romantic emphasis upon beauty and passion can be combined with the modern and postmodern emphasis on originality and experimentation.
Author: Jochen Schulte-Sasse
Publisher: U of Minnesota Press
ISBN: 0816627797
Category : Literary Criticism
Languages : en
Pages : 498
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Book Description
Theory as Practice was first published in 1997. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. In light of recent, dramatic revisions in criticism of European-particularly German-Romanticism, this anthology brings together key texts of the movement, especially those written in the last quarter of the eighteenth century by a small, influential circle centered at Jena. In their introductory essays, the editors locate writings by Fichte, Schelling, Novalis, August Wilhelm Schlegel, and Friedrich Schlegel, among others, in this context. The selections include extensive excerpts from the correspondence of the Jena Romantics, their commentaries on each other's work, their most pertinent essays, fragments, and dialogues as well as diary entries and reviews. These works, together with the editors' articulation and elaboration of their significance, provide a new perspective on the provenance of postmodern thought and literary theory. Jochen Schulte-Sasse is professor of German and comparative literature at the University of Minnesota and coeditor (with Wlad Godzich) of the Theory and History of Literature series at the University of Minnesota Press. Haynes Horne (University of Alabama), Andreas Michel (Indiana University), Assenka Oksiloff (New York University), Elizabeth Mittman (Michigan State University), Lisa C. Roetzel (University of Rochester), and Mary R. Strand each received a Ph.D. from the University of Minnesota.
Author: Clive Brown
Publisher: Oxford University Press
ISBN: 0195347242
Category : Music
Languages : en
Pages : 677
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Book Description
The past ten years have seen a rapidly growing interest in performing and recording Classical and Romantic music with period instruments; yet the relationship of composers' notation to performing practices during that period has received only sporadic attention from scholars, and many aspects of composers' intentions have remained uncertain. Brown here identifies areas in which musical notation conveyed rather different messages to the musicians for whom it was written than it does to modern performers, and seeks to look beyond the notation to understand how composers might have expected to hear their music realized in performance. There is ample evidence to demonstrate that, in many respects, the sound worlds in which Mozart, Beethoven, Wagner, and Brahms created their music were more radically different from ours than is generally assumed.
