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Author: Judith Bailey-Slagle
Publisher: Fairleigh Dickinson
ISBN: 1611475104
Category : Literary Criticism
Languages : en
Pages : 146
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Book Description
Romantic Appropriations of History: The Legends of Joanna Baillie and Margaret Holford Hodson focuses on Joanna Baillie’s Metrical Legends of Exalted Characters (1821) and on various historical tales, either written or translated, by one of her very close friends, Margaret Holford Hodson. While Baillie’s plays have garnered significant critical attention over the past few years, little has been written about her poetry. Further, virtually no attention has been given to Hodson’s works, yet critic Stephen Behrendt argues that her Margaret of Anjou is a “minor masterpiece that has not been accorded the attention it deserves.” Romantic Appropriations of History offers a look at how two early nineteenth-century women, each under her own “anxiety of influence,” appropriated original tales to produce completely new texts of political and cultural significance. The book addresses appropriation and translation in various ways and provides an introduction to the lives and alliances of Joanna Baillie and Margaret Holford Hodson, both to each other and to two significant poets and friends who were proponents of this historical tradition in literature—Walter Scott and Robert Southey. Employing the language of fancy, Baillie and Hodson joined the pathos of historical situations and archetypical characters with their own cultural and ethical sensibilities at a time of literary, social, and political disorder. The atmosphere not only provided Baillie and Hodson with the therapeutic power of appropriating history, but it also established them as creative, political women with distinct voices in a patriarchal, yet dynamic, nineteenth-century world.
Author: Judith Bailey-Slagle
Publisher: Fairleigh Dickinson
ISBN: 1611475104
Category : Literary Criticism
Languages : en
Pages : 146
Get Book Here
Book Description
Romantic Appropriations of History: The Legends of Joanna Baillie and Margaret Holford Hodson focuses on Joanna Baillie’s Metrical Legends of Exalted Characters (1821) and on various historical tales, either written or translated, by one of her very close friends, Margaret Holford Hodson. While Baillie’s plays have garnered significant critical attention over the past few years, little has been written about her poetry. Further, virtually no attention has been given to Hodson’s works, yet critic Stephen Behrendt argues that her Margaret of Anjou is a “minor masterpiece that has not been accorded the attention it deserves.” Romantic Appropriations of History offers a look at how two early nineteenth-century women, each under her own “anxiety of influence,” appropriated original tales to produce completely new texts of political and cultural significance. The book addresses appropriation and translation in various ways and provides an introduction to the lives and alliances of Joanna Baillie and Margaret Holford Hodson, both to each other and to two significant poets and friends who were proponents of this historical tradition in literature—Walter Scott and Robert Southey. Employing the language of fancy, Baillie and Hodson joined the pathos of historical situations and archetypical characters with their own cultural and ethical sensibilities at a time of literary, social, and political disorder. The atmosphere not only provided Baillie and Hodson with the therapeutic power of appropriating history, but it also established them as creative, political women with distinct voices in a patriarchal, yet dynamic, nineteenth-century world.
Author: Francesca Saggini
Publisher: Routledge
ISBN: 1317319508
Category : Literary Criticism
Languages : en
Pages : 263
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Book Description
In this ground-breaking study Saggini explores the relationship between the late eighteenth-century novel and the theatre, arguing that the implicit theatricality of the Gothic novel made it an obvious source from which dramatists could take ideas. Similarly, elements of the theatre provided inspiration to novelists.
Author:
Publisher: BRILL
ISBN: 9004181784
Category : History
Languages : en
Pages : 364
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Book Description
Throughout Europe, nostalgia and modernization embraced around 1800: the rise of historicism coincided with the emergence of the modern nation-state. Poetical, cultural changes intersected with political, institutional ones: a Romantic taste for medieval or tribal antiquity benefited from a modernization-driven transfer of cultural relics into the public sphere. This process involved the establishment of museums, libraries, archives and university institutes, as well as the dissemination of historical knowledge through text editions, philological studies, historical novels, plays, operas and paintings, monuments and restorations. Antiquaries, philologists and historians produced a new past and rendered history a matter of public, national interest and collective identification. This international and interdisciplinary collection explores the romantic-historicist complexities at the root of the modern nation-state. Contributors are Ellinoor Bergvelt, Eveline G. Bouwers, Peter Fritzsche, Paula Henrikson, Sharon Ann Holt, Lotte Jensen, Krisztina Lajosi, Joep Leerssen, Susanne Legêne, Marita Mathijsen, Mathias Meirlaen, Peter Rietbergen, Anne-Marie Thiesse, and Robert Verhoogt.
Author: Tilar J. Mazzeo
Publisher: University of Pennsylvania Press
ISBN: 0812202732
Category : Literary Criticism
Languages : en
Pages : 252
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Book Description
In a series of articles published in Tait's Magazine in 1834, Thomas DeQuincey catalogued four potential instances of plagiarism in the work of his friend and literary competitor Samuel Taylor Coleridge. DeQuincey's charges and the controversy they ignited have shaped readers' responses to the work of such writers as Coleridge, Lord Byron, William Wordsworth, and John Clare ever since. But what did plagiarism mean some two hundred years ago in Britain? What was at stake when early nineteenth-century authors levied such charges against each other? How would matters change if we were to evaluate these writers by the standards of their own national moment? And what does our moral investment in plagiarism tell us about ourselves and about our relationship to the Romantic myth of authorship? In Plagiarism and Literary Property in the Romantic Period, Tilar Mazzeo historicizes the discussion of late eighteenth- and early nineteenth-century plagiarism and demonstrates that it had little in common with our current understanding of the term. The book offers a major reassessment of the role of borrowing, textual appropriation, and narrative mastery in British Romantic literature and provides a new picture of the period and its central aesthetic contests. Above all, Mazzeo challenges the almost exclusive modern association of Romanticism with originality and takes a fresh look at some of the most familiar writings of the period and the controversies surrounding them.
Author: Paola Mayer
Publisher: McGill-Queen's Press - MQUP
ISBN: 9780773518520
Category : Literary Criticism
Languages : en
Pages : 266
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Book Description
Interest in German Romanticism has been revitalized in recent years by new post-structural, interdisciplinary, and intertextual perspectives. However until now this renewed interest has not led to a re-examination of Jakob Böhme's formative influence on
Author: Frederick Burwick
Publisher: John Wiley & Sons
ISBN: 1119044359
Category : Literary Criticism
Languages : en
Pages : 543
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Book Description
Historical Narrative Offers Introduction to Romanticism by Placing Key Figures in Overall Social Context Going beyond the general literary survey, A History of Romantic Literature examines the literatures of sensibility and intensity as well as the aesthetic dimensions of horror and terror, sublimity and ecstasy, by providing a richly integrated account of shared themes, interests, innovations, rivalries and disputes among the writers of the late eighteenth and early nineteenth centuries. Drawing from the assemblage theory, Prof. Burwick maintains that the literature of the period is inseparable from prevailing economic conditions and ongoing political and religious turmoil, as well as developments in physics, astronomy, music and art. Thus, rather than deal with authors as if they worked in isolation from society, he identifies and describes their interactions with their communities and with one another, as well as their responses to current events. By connecting seemingly scattered and random events such as the bank crisis of 1825, he weaves the coincidental into a coherent narrative of the networking that informed the rise and progress of Romanticism. Notable features of the book include: A strong narrative structure divided into four major chronological periods: Revolution, 1789-1798; Napoleonic Wars, 1799-1815; Riots, 1815-1820; Reform, 1821-1832 Thorough coverage of major and minor figures and institutions of the Romantic movement (including Mary Wollstonecraft, Elizabeth Montague and the Bluestockings, Lord Byron, John Keats, Letitia Elizabeth Landon etc.) Emphasis on the influence of social networks among authors, such as informal dinners and teas, clubs, salons and more formal institutions With its extensive coverage and insightful analysis set within a lively historical narrative, History of Romantic Literature is highly recommended for courses on British Romanticism at both undergraduate and post-graduate levels. It will also prove a highly useful reference for advanced scholars pursuing their own research.
Author: JOHN S. MCGROARTY
Publisher:
ISBN:
Category :
Languages : en
Pages : 580
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Book Description
Author: John Steven McGroarty
Publisher:
ISBN:
Category : California
Languages : en
Pages : 438
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Book Description
Author: Meiko O'Halloran
Publisher: Springer
ISBN: 1137559055
Category : Literary Criticism
Languages : en
Pages : 321
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Book Description
This study argues for Hogg's centrality to British Romanticism, resituating his work in relation to many of his more famous Romantic contemporaries. Hogg creates a unique literary style which, the author argues, is best described as 'kaleidoscopic' in view of its similarities with David Brewster's kaleidoscope, invented in 1816.
Author: Mary Beth Rose
Publisher: Northwestern University Press
ISBN: 9780810106857
Category : Drama
Languages : en
Pages : 256
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Book Description
Includes essays that focus on the participation of the drama in changing religious and economic systems, along with essays that focus on theater history in the transmission and revision of dramatic sources--Page v.
