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Author: Judith Bailey-Slagle
Publisher: Fairleigh Dickinson
ISBN: 1611475104
Category : Literary Criticism
Languages : en
Pages : 146
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Book Description
Romantic Appropriations of History: The Legends of Joanna Baillie and Margaret Holford Hodson focuses on Joanna Baillie’s Metrical Legends of Exalted Characters (1821) and on various historical tales, either written or translated, by one of her very close friends, Margaret Holford Hodson. While Baillie’s plays have garnered significant critical attention over the past few years, little has been written about her poetry. Further, virtually no attention has been given to Hodson’s works, yet critic Stephen Behrendt argues that her Margaret of Anjou is a “minor masterpiece that has not been accorded the attention it deserves.” Romantic Appropriations of History offers a look at how two early nineteenth-century women, each under her own “anxiety of influence,” appropriated original tales to produce completely new texts of political and cultural significance. The book addresses appropriation and translation in various ways and provides an introduction to the lives and alliances of Joanna Baillie and Margaret Holford Hodson, both to each other and to two significant poets and friends who were proponents of this historical tradition in literature—Walter Scott and Robert Southey. Employing the language of fancy, Baillie and Hodson joined the pathos of historical situations and archetypical characters with their own cultural and ethical sensibilities at a time of literary, social, and political disorder. The atmosphere not only provided Baillie and Hodson with the therapeutic power of appropriating history, but it also established them as creative, political women with distinct voices in a patriarchal, yet dynamic, nineteenth-century world.
Author: Judith Bailey-Slagle
Publisher: Fairleigh Dickinson
ISBN: 1611475104
Category : Literary Criticism
Languages : en
Pages : 146
Get Book Here
Book Description
Romantic Appropriations of History: The Legends of Joanna Baillie and Margaret Holford Hodson focuses on Joanna Baillie’s Metrical Legends of Exalted Characters (1821) and on various historical tales, either written or translated, by one of her very close friends, Margaret Holford Hodson. While Baillie’s plays have garnered significant critical attention over the past few years, little has been written about her poetry. Further, virtually no attention has been given to Hodson’s works, yet critic Stephen Behrendt argues that her Margaret of Anjou is a “minor masterpiece that has not been accorded the attention it deserves.” Romantic Appropriations of History offers a look at how two early nineteenth-century women, each under her own “anxiety of influence,” appropriated original tales to produce completely new texts of political and cultural significance. The book addresses appropriation and translation in various ways and provides an introduction to the lives and alliances of Joanna Baillie and Margaret Holford Hodson, both to each other and to two significant poets and friends who were proponents of this historical tradition in literature—Walter Scott and Robert Southey. Employing the language of fancy, Baillie and Hodson joined the pathos of historical situations and archetypical characters with their own cultural and ethical sensibilities at a time of literary, social, and political disorder. The atmosphere not only provided Baillie and Hodson with the therapeutic power of appropriating history, but it also established them as creative, political women with distinct voices in a patriarchal, yet dynamic, nineteenth-century world.
Author: Francesca Saggini
Publisher: Routledge
ISBN: 1317319508
Category : Literary Criticism
Languages : en
Pages : 263
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Book Description
In this ground-breaking study Saggini explores the relationship between the late eighteenth-century novel and the theatre, arguing that the implicit theatricality of the Gothic novel made it an obvious source from which dramatists could take ideas. Similarly, elements of the theatre provided inspiration to novelists.
Author: Tilar J. Mazzeo
Publisher: University of Pennsylvania Press
ISBN: 0812202732
Category : Literary Criticism
Languages : en
Pages : 252
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Book Description
In a series of articles published in Tait's Magazine in 1834, Thomas DeQuincey catalogued four potential instances of plagiarism in the work of his friend and literary competitor Samuel Taylor Coleridge. DeQuincey's charges and the controversy they ignited have shaped readers' responses to the work of such writers as Coleridge, Lord Byron, William Wordsworth, and John Clare ever since. But what did plagiarism mean some two hundred years ago in Britain? What was at stake when early nineteenth-century authors levied such charges against each other? How would matters change if we were to evaluate these writers by the standards of their own national moment? And what does our moral investment in plagiarism tell us about ourselves and about our relationship to the Romantic myth of authorship? In Plagiarism and Literary Property in the Romantic Period, Tilar Mazzeo historicizes the discussion of late eighteenth- and early nineteenth-century plagiarism and demonstrates that it had little in common with our current understanding of the term. The book offers a major reassessment of the role of borrowing, textual appropriation, and narrative mastery in British Romantic literature and provides a new picture of the period and its central aesthetic contests. Above all, Mazzeo challenges the almost exclusive modern association of Romanticism with originality and takes a fresh look at some of the most familiar writings of the period and the controversies surrounding them.
Author:
Publisher: BRILL
ISBN: 9004181784
Category : History
Languages : en
Pages : 364
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Book Description
Throughout Europe, nostalgia and modernization embraced around 1800: the rise of historicism coincided with the emergence of the modern nation-state. Poetical, cultural changes intersected with political, institutional ones: a Romantic taste for medieval or tribal antiquity benefited from a modernization-driven transfer of cultural relics into the public sphere. This process involved the establishment of museums, libraries, archives and university institutes, as well as the dissemination of historical knowledge through text editions, philological studies, historical novels, plays, operas and paintings, monuments and restorations. Antiquaries, philologists and historians produced a new past and rendered history a matter of public, national interest and collective identification. This international and interdisciplinary collection explores the romantic-historicist complexities at the root of the modern nation-state. Contributors are Ellinoor Bergvelt, Eveline G. Bouwers, Peter Fritzsche, Paula Henrikson, Sharon Ann Holt, Lotte Jensen, Krisztina Lajosi, Joep Leerssen, Susanne Legêne, Marita Mathijsen, Mathias Meirlaen, Peter Rietbergen, Anne-Marie Thiesse, and Robert Verhoogt.
Author: Paola Mayer
Publisher: McGill-Queen's Press - MQUP
ISBN: 9780773518520
Category : Literary Criticism
Languages : en
Pages : 266
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Book Description
Interest in German Romanticism has been revitalized in recent years by new post-structural, interdisciplinary, and intertextual perspectives. However until now this renewed interest has not led to a re-examination of Jakob Böhme's formative influence on
Author: Tom Mole
Publisher: Princeton University Press
ISBN: 0691202923
Category : History
Languages : en
Pages : 334
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Book Description
This insightful and elegantly written book examines how the popular media of the Victorian era sustained and transformed the reputations of Romantic writers. Tom Mole provides a new reception history of Lord Byron, Felicia Hemans, Sir Walter Scott, Percy Bysshe Shelley, and William Wordsworth—one that moves beyond the punctual historicism of much recent criticism and the narrow horizons of previous reception histories. He attends instead to the material artifacts and cultural practices that remediated Romantic writers and their works amid shifting understandings of history, memory, and media. Mole scrutinizes Victorian efforts to canonize and commodify Romantic writers in a changed media ecology. He shows how illustrated books renovated Romantic writing, how preachers incorporated irreligious Romantics into their sermons, how new statues and memorials integrated Romantic writers into an emerging national pantheon, and how anthologies mediated their works to new generations. This ambitious study investigates a wide range of material objects Victorians made in response to Romantic writing—such as photographs, postcards, books, and collectibles—that in turn remade the public’s understanding of Romantic writers. Shedding new light on how Romantic authors were posthumously recruited to address later cultural concerns, What the Victorians Made of Romanticism reveals new histories of appropriation, remediation, and renewal that resonate in our own moment of media change, when once again the cultural products of the past seem in danger of being forgotten if they are not reimagined for new audiences.
Author: Various
Publisher: Routledge
ISBN: 1317240189
Category : Literary Criticism
Languages : en
Pages : 7934
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Book Description
This set reissues 28 books on Romanticism originally published between 1940 and 2006. Routledge Library Editions: Romanticism provides an outstanding collection of scholarship which explores not only Romantic literature but the Romantic Movement as a whole, including art, philosophy and science.
Author: Stephen Prickett
Publisher: Cambridge University Press
ISBN: 0521445434
Category : Literary Criticism
Languages : en
Pages : 308
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Book Description
During the late eighteenth century the Bible underwent a shift in interpretation so radical as to make it virtually a different book from what it had been a hundred years earlier. Even as its text was being revealed as neither stable nor original, the new notion of the Bible as a cultural artefact became a paradigm for all literature. In Origins of Narrative one of the world's leading scholars in biblical interpretation, criticism and theory describes how, while formal religion declined, the prestige of the Bible as a literary and aesthetic model rose to new heights: not merely was English, German and French Romanticism steeped in biblical references of a new kind, but hermeneutics and, increasingly, theories of literature and criticism were biblically derived. Professor Prickett reveals how the Romantic Bible became simultaneously a novel-like narrative work, an on-going site of re-interpretation, and an all-embracing literary form giving meaning to all other writing.
Author: Scott Masson
Publisher: Routledge
ISBN: 1351149784
Category : Literary Criticism
Languages : en
Pages : 395
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Book Description
The human sciences established and developed in the nineteenth century have slowly disintegrated. It is an ironic end. It was in the name of the greater legitimacy of more universal psychological criteria that its architects disavowed the traditional theological standard for valuing and evaluating human words and deeds. With hindsight, we can see that universality was indeed gained, but only at the cost of alienating any sense of common legitimacy. Harold Bloom, defending the canon largely in the humanising, 'moral sense' convention of critics operating since Matthew Arnold, has resolutely maintained the common legitimacy of aesthetic value against the claims of particular interest groups. But the very universality attached to aesthetic value is at odds with the world of common sense, and thus lies at the root of the problem. To complicate matters, this universality has been understood as a traditional criterion. A more radical treatment of the subject is needed. This study begins by surveying the field of modern hermeneutics. Noting its repeated crises of self-legitimisation, it traces these to circular beliefs bequeathed by Romanticism that human nature is self-begetting, and can thus be known intimately and autonomously. After providing a historical overview of how human nature had been understood, the focus shifts to the attack in Coleridge's Biographia Literaria on Wordsworth's 1802 Preface to Lyrical Ballads, and to a reading of some key Romantic texts. It reads Coleridge's famous definition of the imagination as an attack on Romantic hermeneutics, rooted in the traditional view that man has been created in Imago Dei.
Author: Jacques Rancière
Publisher: Columbia University Press
ISBN: 0231151039
Category : Literary Criticism
Languages : en
Pages : 210
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Book Description
"Jacques Ranciere has continually unsettled political discourse, particularly through his questioning of aesthetic "distributions of the sensible," which configure the limits of what can be seen and said. Widely recognized as a seminal work in Ranciere's corpus, the translation of which is long overdue, Mute Speech is an intellectual tour de force proposing a new framework for thinking about the history of art and literature. Ranciere argues that our current notion of "literature" is a relatively recent creation, having first appeared in the wake of the French Revolution and with the rise of Romanticism. In its rejection of the system of representational hierarchies that had constituted belles-letters, "literature" is founded upon a radical equivalence in which all things are possible expressions of the life of a people. With an analysis reaching back to Plato, Aristotle, the German Romantics, Vico, and Cervantes and concluding with brilliant readings of Flaubert, Mallarme, and Proust, Ranciere demonstrates the uncontrollable democratic impulse lying at the heart of literature's still-vital capacity for reinvention."--Publisher description.
