Romance Readers and Romance Writers PDF Download
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Author: Christopher Goulding
Publisher: Routledge
ISBN: 1317303695
Category : Literary Criticism
Languages : en
Pages : 290
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Book Description
This edition of Romance Readers and Romance Writers (1810) is the first modern scholarly publication of what is arguably Green's most famous novel. As with many of her other works, Green adopts numerous sophisticated methods to parody her contemporaries.
Author: Christopher Goulding
Publisher: Routledge
ISBN: 1317303695
Category : Literary Criticism
Languages : en
Pages : 290
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Book Description
This edition of Romance Readers and Romance Writers (1810) is the first modern scholarly publication of what is arguably Green's most famous novel. As with many of her other works, Green adopts numerous sophisticated methods to parody her contemporaries.
Author: Sarah Green
Publisher: InfoStrategist.com
ISBN: 1592433251
Category :
Languages : en
Pages : 417
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Book Description
Author: Green
Publisher:
ISBN: 9781570852619
Category : Literature
Languages : en
Pages :
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Book Description
Volume seven of the Pickering & Chatto print edition of Chawton House Library Series: Women's Novels.
Author: Cheryl L. Nixon
Publisher: Broadview Press
ISBN: 1770482075
Category : Literary Criticism
Languages : en
Pages : 438
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Book Description
Novel Definitions captures the lively critical debate surrounding the invention of the English novel, showing how the rise of the novel is accompanied by a rise in popular literary criticism. The over 135 pieces here, many newly-discovered, include essays, prefaces, reviews, and sermons written by authors ranging from Aphra Behn to Walter Scott. Novel Definitions brings together authors' commentary on their work; debates concerning the novel’s formal qualities and cultural position, including who should read novels; reviewers' definitions of the qualities that make a novel successful; and literary historians' first attempts to write the history of the novel.
Author: Corinne Saunders
Publisher: John Wiley & Sons
ISBN: 0470999160
Category : Literary Criticism
Languages : en
Pages : 584
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Book Description
Romance is a varied and fluid literary genre, notoriously difficult to define. This groundbreaking Companion surveys the many permutations of romance throughout the ages. Considers the literary and historical development of the romance genre from its classical origins to the present day Incorporates discussion of the changing readership of romance and of romance’s special relation to women readers Comprises 30 essays written by leading authorities on different periods and sub-genres Challenges the idea that the appeal of romance is exclusively escapist Draws on a wide range of specific and influential literary examples
Author: Natalie Neill
Publisher: Taylor & Francis
ISBN: 1000888843
Category : Literary Criticism
Languages : en
Pages : 432
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Book Description
Mary Charlton's 1799 Rosella, or Modern Occurrences is a fascinating novel that brokers between conservative and feminist ideas, humour and horror, and indulgence in and ridicule of sentimental tropes. Written in imitation of Cervantes’s Don Quixote (1615) and Lennox’s The Female Quixote (1752), Rosella belongs to a large class of comic works in which female readers and novelists are satirized. This edition not only addresses the gap in knowledge about Charlton’s work, but will be of particular interest to scholars working on the Romantic literary market of the 1790s, especially Minerva Press publications. The book engages with many of the themes explored in eighteenth-century and Romantic literature, from women’s writing and female education to popular fiction and sensibility. Accompanied by a new introduction by Professor Natalie Neill, this title will be of great interest to students and scholars of literary history.
Author: Amelia Dale
Publisher: Rutgers University Press
ISBN: 168448104X
Category : Literary Criticism
Languages : en
Pages : 231
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Book Description
Shortlisted for the 2021 BARS First Book Prize (British Association for Romantic Studies) The Printed Reader explores the transformative power of reading in the eighteenth century, and how this was expressed in the fascination with Don Quixote and in a proliferation of narratives about quixotic readers, readers who attempt to reproduce and embody their readings. Through intersecting readings of quixotic narratives, including work by Charlotte Lennox, Laurence Sterne, George Colman, Richard Graves, and Elizabeth Hamilton, Amelia Dale argues that literature was envisaged as imprinting—most crucially, in gendered terms—the reader’s mind, character, and body. The Printed Reader brings together key debates concerning quixotic narratives, print culture, sensibility, empiricism, book history, and the material text, connecting developments in print technology to gendered conceptualizations of quixotism. Tracing the meanings of quixotic readers’ bodies, The Printed Reader claims the social and political text that is the quixotic reader is structured by the experiential, affective, and sexual resonances of imprinting and impressions. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
Author: Montague Summers
Publisher: BoD – Books on Demand
ISBN: 375048144X
Category : Literary Criticism
Languages : en
Pages : 598
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Book Description
An important and unique work about Gothic fiction, by"the major anthologist of supernatural and Gothic fiction", Montague Summers.
Author: Eino Railo
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 434
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Book Description
Author: Virginie Iché
Publisher: Routledge
ISBN: 1000536076
Category : Language Arts & Disciplines
Languages : en
Pages : 274
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Book Description
Building on the notion of fiction as communicative act, this collection brings together an interdisciplinary range of scholars to examine the evolving relationship between authors and readers in fictional works from 18th-century English novels through to contemporary digital fiction. The book showcases a diverse range of contributions from scholars in stylistics, rhetoric, pragmatics, and literary studies to offer new ways of looking at the "author–reader channel," drawing on work from Roger Sell, Jean-Jacques Lecercle, and James Phelan. The volume traces the evolution of its form across historical periods, genres, and media, from its origins in the conversational mode of direct address in 18th-century English novels to the use of second-person narratives in the 20th century through to 21st-century digital fiction with its implicit requirement for reader participation. The book engages in questions of how the author–reader channel is shaped by different forms, and how this continues to evolve in emerging contemporary genres and of shifting ethics of author and reader involvement. This book will be of particular interest to students and scholars interested in the intersection of pragmatics, stylistics, and literary studies.
