Romance of the Willow Pattern PDF Download
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Author: Ethel Van der Veer
Publisher: Samuel French, Inc.
ISBN:
Category :
Languages : en
Pages : 44
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Book Description
Author: Allan Drummond
Publisher: Simon and Schuster
ISBN: 0735845123
Category : Juvenile Fiction
Languages : en
Pages : 30
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Book Description
Allan Drummond's classic tale unlocks the intriguing story that hides deep within one of the most distinctive and iconic china patterns ever created: the willow pattern.
Author: Ethel Van der Veer
Publisher: Samuel French, Inc.
ISBN:
Category :
Languages : en
Pages : 44
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Book Description
Author: Ethel Van der Veer
Publisher: Samuel French, Inc.
ISBN: 9780573624452
Category :
Languages : en
Pages : 36
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Book Description
Author: Doris Gates
Publisher: Penguin
ISBN: 0140309241
Category : Juvenile Fiction
Languages : en
Pages : 178
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Book Description
To Janey Larkin, the blue willow plate was the most beautiful thing in her life, a symbol of the home she could only dimly remember. Now that her father was an itinerant worker, Janey didn't have a home she could call her own or any real friends, as her family had to keep moving, following the crops from farm to farm. Someday, Janey promised the willow plate, with its picture of a real house, her family would once again be able to set down roots in a community. Blue Willow is an important fictional account of the Dust Bowl and the Great Depression, and has been called The Grapes of Wrath for children. It won a Newbery Honor and many other awards.
Author: Hilderic Friend
Publisher: Legare Street Press
ISBN: 9781019705421
Category :
Languages : en
Pages : 0
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Book Description
A story of forbidden love and tragic consequences, set against the backdrop of the beautiful Willow Pattern plate. This classic tale is perfect for fans of romance and drama. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Jennifer C Petersen
Publisher:
ISBN:
Category :
Languages : en
Pages : 148
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Book Description
The weeping willow legend which is represented on tableware, interior designs and more is also known as the Willow pattern. The design varies but the most usual form is as follows: to the right is the country seat of a lordly Chinese Mandarin. The mansion is two stories high and enclosed by a wooden fence. In the foreground is a pavilion, in the background an orange tree and to the right of the pavilion is a peach tree.At one end of a bridge is the famous Willow tree and at the other end is the humble cottage of the gardener. In the upper left-hand corner of the pattern is an island with a cottage on it. Two turtledoves are shown.On the bridge are shown two lovers with a boat; a Mandarin with a whip is near the Willow tree. The legend which these pictures represent is as follows: The Mandarin had only one daughter named Li-Chi, sometimes named Koong-se, Koong-si, or Koong-she, who fell in love with Chang, who had been secretary to Li-Chi's father. One day the Mandarin heard the two young people making vows of eternal love under the orange tree. He severely rebuked them and forbade the unequal match. But the lovers eloped and for a while remained hidden in the gardener's cottage, from which they made their escape in a boat to the island home of Chang.The enraged Mandarin pursued them and would have beaten them to death with a whip, but the gods of old China intervened and rewarded them for their fidelity by changing them into turtledoves. The story is known as the Willow legend because the elopement occurred "when the Willow begins to shed its leaves". This decorative Chinese design is traditionally blue on a white background but is also created in pink, brown, and multi-colored. It was introduced on chinaware in England in the early 1780's at Thomas Turner's porcelain factory in Caughley by Thomas Minton, and the story was later constructed to boost sales of the crockery.Blue Willow has inspired a comic opera, silent movies, children's books, blog posts and Pinterest pins. Blue Willow china versions have been adorned with gold trim for the most discriminating person to, some say, the inspiration for the "Blue Plate Special" at diners. Stories abound.Talented poets who appreciated the Blue Willow pattern story wrote their story versions for those of us, from generations past to today, who love and admire the illustrated love story and the beautiful Blue Willow pattern as tableware, teacups and teapots, drapery, and various textiles
Author: Carol Krueger
Publisher:
ISBN:
Category : Fairy tales
Languages : en
Pages : 29
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Book Description
A river escape, hiding from soldiers, romance, and a battle -- what do these have to do with a dinner plate? The willow pattern tells the story.
Author: Nina Morgan
Publisher: Routledge
ISBN: 1351672622
Category : Literary Criticism
Languages : en
Pages : 380
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Book Description
The Routledge Companion to Transnational American Studies provides scholars and students of American Studies with theoretical and applied essays that help to define Transnational American Studies as a discipline and practice. In more than 30 essays, the volume offers a history of the concept of the "transnational" and takes readers from the Barbary frontier to Guam, from Mexico's border crossings to the intifada's contested zones. Together, the essays develop new ways for Americanists to read events, images, sound, literature, identity, film, politics, or performance transnationally through the work of diverse figures, such as Confucius, Edward Said, Pauline Hopkins, Poe, Faulkner, Michael Jackson, Onoto Watanna, and others. This timely volume also addresses presidential politics and interpictorial US history from Lincoln in Africa, to Obama and Mandela, to Trump. The essays, written by prominent global Americanists, as well as the emerging scholars shaping the field, seek to provide foundational resources as well as experimental and forward-leaning approaches to Transnational American Studies.
Author: Lili Fang
Publisher: Springer Nature
ISBN: 9811990948
Category : Social Science
Languages : en
Pages : 1184
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Book Description
Adopting the perspective of anthropology of art and combining it with global academic insights, this book helps the readers to recognize that “history is, in great measure, the record of human activity which spreads from the local to the regional, from the regional to the global, and from the global to the universal.” Readers will learn that China was not only the first country to create porcelain, but also the first to export it to the world, both the products and its techniques. Therefore, the history of Chinese ceramics reflects the history of Chinese foreign trade on the one hand and depicts the expansion of Chinese ceramic techniques and cultures on the other. In addition to ceramics types, molds, decoration, and techniques, the book analyzes the spiritual impacts and aesthetic conceptions embodied in the utensils of daily use by the Chinese literati. Therefore, it reaches the conclusion that ideological systems and not technological systems are what bring about social revolutions. In addition, the book is richly illustrated with pictures of earthenware and finely glazed pieces from later periods.
Author: MeliaBelli Bose
Publisher: Routledge
ISBN: 1351536567
Category : Art
Languages : en
Pages : 394
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Book Description
Women, Gender and Art in Asia, c. 1500?1900 brings women's engagements with art into a pan-Asian dialogue with essays that examine women as artists, commissioners, collectors, and subjects from India, Southeast Asia, Tibet, China, Korea, and Japan, from the sixteenth to the early twentieth century. The artistic media includes painting, sculpture, architecture, textiles, and photography. The book is broadly concerned with four salient questions: How unusual was it for women to engage directly with art? What factors precluded more women from doing so? In what ways did women's artwork or commissions differ from those of men? And, what were the range of meanings for woman as subject matter? The chapters deal with historic individuals about whom there is considerable biographical information. Beyond locating these uncommon women within their socio-cultural milieux, contributors consider the multiple strands that twined to comprise their complex identities, and how these impacted their works of art. In many cases, the woman's status-as wife, mother, widow, ruler, or concubine (and multiple combinations thereof), as well as her religion and lineage-determined the media, style, and content of her art. Women, Gender and Art in Asia, c. 1500?1900 adds to our understanding of works of art, their meanings, and functions.
