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Author: Ruth Butler
Publisher: Yale University Press
ISBN: 9780300064988
Category : Art
Languages : en
Pages : 612
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Book Description
Biografi om den franske billedhugger, der levede 1840-1917
Author: Ruth Butler
Publisher: Yale University Press
ISBN: 9780300064988
Category : Art
Languages : en
Pages : 612
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Book Description
Biografi om den franske billedhugger, der levede 1840-1917
Author: Antoinette Le Normand-Romain
Publisher: Lund Humphries Publishers Limited
ISBN:
Category : Art
Languages : en
Pages : 448
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Book Description
This is a catalogue raisonné of Rodin's bronzes. There are 455 entries with over a thousand pictures in 2 volumes. Each work lists the inventory number, the technique and a bibliography. Information about provenance and historical context along with comparison to other works is also included. The research is meticulous and the cross-references invaluable.
Author: Eleanor Harz Jorden
Publisher: Yale University Press
ISBN: 0300038321
Category : Art
Languages : en
Pages : 262
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Book Description
August Rodin was one of the foremost sculptors of the modern age, influencing every sculptor who came after him. This handsome book by Catherine Lampert offers new insights into the creative processes of this great French artist.
Author: Auguste Rodin
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages : 128
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Book Description
Author: Frederic V. Grunfeld
Publisher: Plunkett Lake Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 901
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Book Description
Auguste Rodin (1840-1917) was not only the world’s greatest sculptor, known for such works as The Thinker, The Kiss, The Hand of God, and dozens of others, but also one of the most remarkable personalities of modern times: an artist who outraged contemporaries with his disturbingly unfinished monuments; a sensualist who shocked France with his scandalous relationships (among others, with Camille Claudel); and a friend to the most gifted writers and artists of his day. “A consistently absorbing story... Mr. Grunfeld is primarily concerned with setting out — insofar as they can be separated from the art — the facts of the sculptor’s life, and within his chosen limits he has written a rewarding and illuminating book.” — John Gross, The New York Times “An excellent job... will undoubtedly serve as an excellent biography of the artist.” — Benedict Read, The New York Times “Rodin finally has a biography worthy of his achievements.” — Washington Post Book World “Grunfeld’s rigorously researched and gracefully written biography of Rodin is, by far, the best in its field.” — Robert Taylor, Boston Globe “Rodin’s creative life is vividly recaptured [by Grunfeld]... No previous biography has so clearly placed him amid his colleagues and assorted friends — Victor Hugo, George Bernard Shaw, Rainer Maria Rilke, Marie Curie, James McNeill Whistler, Robert Louis Stevenson, Isadora Duncan, and many others. Nor has any placed him in the raking light of his vanity, many amours (an epic in itself) and the sexual instincts inseparable from his work.” — Cleveland Plain Dealer “Grunfeld has rescued Rodin from the twin mythic images of heroic, possessed demigod or sex-obsessed bohemian... This remarkably intimate portrait should win awards.” — Publishers Weekly “Grunfeld's book shines out. It is an excellent general biography... seamlessly written and almost un-put-downable. He skilfully covers not only Rodin's personal history but also his work and the world he lived in.” — Benedict Read, The Spectator “A vibrant biography of the great French sculptor... With all the naturalistic detail of Zola and the color of canvases by Monet, Grunfeld chronicles Rodin’s rocky career... That this exhaustive book is never dull is something of a feat... Grunfeld’s Rodin, modeled in high relief against his place and time, emerges not so much a statuary monument as a three-dimensional man.” — Kirkus Review “Well researched... A marvelous roster of personalities, politicians, writers, and artists of the time pass through the pages of the book, placing Rodin in the mainstream of the cultural life of the Third Republic.” — Gerald M. Ackerman, Los Angeles Times
Author: Fritz Novotny
Publisher: Yale University Press
ISBN: 9780300053210
Category : Art
Languages : en
Pages : 488
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Book Description
From the Classicism of Jacques-Louis David to the Realism of Courbet and the Early Impressionism of Renoir, this book outlines the course taken by painting and sculpture in Europe during the 19th century. Faced with the untidy sprawl of individualism which followed the French Revolution and threw up isolated geniuses like Goya, the author nevertheless charts the currents in what was predominantly a century of Naturalism and also - whilst artists were increasingly preoccupied with the inner man - of great landscape-painting when Friedrich, Corot and the Impressionists proper added light and atmosphere to the former achievements of the great Dutch masters.
Author: Auguste Rodin
Publisher:
ISBN:
Category :
Languages : en
Pages : 128
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Book Description
Author: Albert Edward Elsen
Publisher: Washington : National Gallery of Art
ISBN:
Category : Art
Languages : en
Pages : 358
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Book Description
Author:
Publisher: BRILL
ISBN: 9004484078
Category : Literary Criticism
Languages : en
Pages : 244
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Book Description
This book is a collection of papers delivered at an international conference in September 1996 at the Scottish National Gallery of Modern Art during a major Giacometti retrospective. The contributors are leading curators, art historians and literature specialists. While the relationship between nineteenth- and twentieth-century painters and writers has been the subject of intense interest in recent years, the parallel relationship between sculptors and writers has been largely neglected. These essays seek to redress the balance by looking at a variety of ways in which the conventional barriers between writing and sculpting were broken down by such pioneering figures as Rodin, Degas, Bourdelle, Valéry, Apollinaire, Reverdy, Breton, Bataille, Arp, Picasso and Giacometti. Among the topics discussed are: the many personal and professional contacts, dual artistic talent, 'Ecrits d'artistes', ekphrasis, sculpture as object, the sculptorly representation of the poet, the poetic representation of the sculptor, sculpture as metaphor, proprioception and mental images. Fully illustrated throughout, this book offers new perspectives on familiar masterpieces like Rodin's Gates of Hell, but also opens up less well known subjects like Valéry's sculpture and Breton's Object-Poems. Above all it makes a provocative and original contribution to Word and Image studies.
Author: Odile Ayral-Clause
Publisher: Plunkett Lake Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 294
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Book Description
Camille Claudel, sister of writer Paul Claudel, was a gifted nineteenth-century French sculptor who worked with Auguste Rodin, became his lover, and then left him to gain recognition for herself in the art world. With a strong sense of independence and a firm belief in her own considerable talent, Claudel created some extraordinary works of art and challenged the social and artistic limitations imposed upon the women of her time. Eventually, however, she crumbled beneath the combined weight of social reproof, deprivation, and art-world prejudices. Her family, distraught by her unconventional behavior as well as her delusions and paranoia, had her committed to a mental asylum, where she died thirty years later. Camille Claudel’s life has been romanticized in print and on film, but this is the first fully researched biography to present a rounded picture of the life and work of this remarkable woman. The book, also available in French, has been widely praised for its gripping presentation of the life of a woman artist in the nineteenth century, and for its successful attempt to free Claudel from the myths that had been woven around her. “The complete story of Claudel’s tragic life has never been thoroughly researched and recounted until now, and Ayral-Clause’s polished, to-the-point coverage is galvanizing… Fair and precise, Ayral-Clause’s clarion biography arouses the only reasonable response to Claudel’s saga: outrage.” — Booklist “Ayral-Clause commands much new data and an admirable objectivity. Highly recommended.” — Library Journal “… scholars will find this book, with its mastery of the sources in their original language, a welcome substitute for outdated previous studies…” — Publisher’s Weekly “By excavating Claudel from the edifice of victimization, Ayral-Clause frees us to focus on her work and the factors, both Rodin-and non-Rodin-related, that nurtured and hindered her career.” — Los Angeles Times “This is a fascinating biography… Using newly discovered private letters, family photographs and medical documents recently released to the public, the author provides the first serious, authoritative portrait of this brilliantly gifted, misunderstood artist.” — Umbrella “Ayral-Clause… resists dogmatic interpretation, choosing instead to view her protagonists as fully and as sympathetically as the evidence allows… Her straightforward narrative style offers a clear and vivid context for Claudel’s life and work.” — Art and Auction “Camille Claudel: A Life is riveting: measured, even-handed and revelatory. The author shows how we have absorbed the legend (Rodin exploited and deserted her), ignorant of the facts… Odile Ayral-Clause brilliantly illuminates Claudel’s vivacity and recounts her downfall.” — Art Quarterly (England) “The author has redefined the relationship between Camille Claudel, her environment and the art world, and brings to light the originality of the work of Camille Claudel in relation to Rodin’s” — L’Oeil (France)
