Rodelinda. Regina de'Longobardi, etc. [By A. Salvi. With a dedication signed by N. Haym.] Ital. & Eng PDF Download
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Languages : en
Pages : 102
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![Rodelinda. Regina de'Longobardi, etc. [By A. Salvi. With a dedication signed by N. Haym.] Ital. & Eng PDF](https://books.google.com/books/content/images/frontcover/vapfAAAAcAAJ?fife=w80-h100)
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Category :
Languages : en
Pages : 102
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Author: British Museum. Department of Printed Books
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Category : English imprints
Languages : en
Pages : 456
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Author: British museum. Dept. of printed books
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Category :
Languages : en
Pages : 456
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Author: William Andrews Clark Memorial Library
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ISBN:
Category : England
Languages : en
Pages : 794
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Author: Sir George Grove
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Category :
Languages : en
Pages : 416
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Author:
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ISBN:
Category : Opera
Languages : en
Pages : 912
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Author: Colin Timms
Publisher:
ISBN: 0195154738
Category : Biography & Autobiography
Languages : en
Pages : 441
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This is the first book to consider all aspects of the life of Agostino Steffani (1654-1728), a composer, diplomat, and bishop. A remarkable figure of the late 17th and early 18th century Europe, Steffani began his career as a composer, musician, and courtier, but his accomplishments brought him high-level positions in the courts of Germany and the Catholic Church. Throughout his diplomatic and ecclesiatical career, Steffani continued to compose chamber music, vocal chamber music, operas, and sacred music--works which inspired Handel and other Baroque composers.
Author: John Alexander Fuller-Maitland
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 344
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Author: Claude Debussy
Publisher:
ISBN:
Category : Songs (Medium voice) with piano
Languages : en
Pages : 24
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Author: Stanley Ritchie
Publisher: Indiana University Press
ISBN: 0253022088
Category : Music
Languages : en
Pages : 136
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Known around the world for his advocacy of early historical performance and as a skilled violin performer and pedagogue, Stanley Ritchie has developed a technical guide to the interpretation and performance of J. S. Bach's enigmatic sonatas and partitas for solo violin. Unlike typical Baroque compositions, Bach's six solos are uniquely free of accompaniment. To add depth and texture to the pieces, Bach incorporated various techniques to bring out a multitude of voices from four strings and one bow, including arpeggios across strings, multiple stopping, opposing tonal ranges, and deft bowing. Published in 1802, over 80 years after its completion in 1720, Bach's manuscript is without expression marks, leaving the performer to freely interpret the dynamics, fingering, bowings, and articulations. Marshaling a lifetime of experience, Stanley Ritchie provides violinists with deep insights into the interpretation and technicalities at the heart of these challenging pieces.
