The First Collection of Criticism by a Living Female Rock Critic PDF Download
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Author: Jessica Hopper
Publisher: Featherproof Books
ISBN: 0983186367
Category : Music
Languages : en
Pages : 209
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Book Description
Jessica Hopper's music criticism has earned her a reputation as a firebrand, a keen observer and fearless critic not just of music but the culture around it. With this volume spanning from her punk fanzine roots to her landmark piece on R. Kelly's past, The First Collection leaves no doubt why The New York Times has called Hopper's work "influential." Not merely a selection of two decades of Hopper's most engaging, thoughtful, and humorous writing, this book documents the last 20 years of American music making and the shifting landscape of music consumption. The book journeys through the truths of Riot Grrrl's empowering insurgence, decamps to Gary, IN, on the eve of Michael Jackson's death, explodes the grunge-era mythologies of Nirvana and Courtney Love, and examines emo's rise. Through this vast range of album reviews, essays, columns, interviews, and oral histories, Hopper chronicles what it is to be truly obsessed with music. The pieces in The First Collection send us digging deep into our record collections, searching to re-hear what we loved and hated, makes us reconsider the art, trash, and politics Hopper illuminates, helping us to make sense of what matters to us most.
Author: Jessica Hopper
Publisher: Featherproof Books
ISBN: 0983186367
Category : Music
Languages : en
Pages : 209
Get Book Here
Book Description
Jessica Hopper's music criticism has earned her a reputation as a firebrand, a keen observer and fearless critic not just of music but the culture around it. With this volume spanning from her punk fanzine roots to her landmark piece on R. Kelly's past, The First Collection leaves no doubt why The New York Times has called Hopper's work "influential." Not merely a selection of two decades of Hopper's most engaging, thoughtful, and humorous writing, this book documents the last 20 years of American music making and the shifting landscape of music consumption. The book journeys through the truths of Riot Grrrl's empowering insurgence, decamps to Gary, IN, on the eve of Michael Jackson's death, explodes the grunge-era mythologies of Nirvana and Courtney Love, and examines emo's rise. Through this vast range of album reviews, essays, columns, interviews, and oral histories, Hopper chronicles what it is to be truly obsessed with music. The pieces in The First Collection send us digging deep into our record collections, searching to re-hear what we loved and hated, makes us reconsider the art, trash, and politics Hopper illuminates, helping us to make sense of what matters to us most.
Author: Loraine Alterman
Publisher:
ISBN: 9780860014942
Category : Rock music
Languages : en
Pages : 96
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Book Description
Author: Paul Gambaccini
Publisher: Harmony
ISBN: 9780517565612
Category : Rock music
Languages : en
Pages : 96
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Book Description
This volume reveals which albums experts believe are rock's true classics and includes full-color reproductions of the album covers and one reviewer's thoughts on what makes each album great
Author: Ulf Lindberg
Publisher: Peter Lang
ISBN: 9780820474908
Category : Art
Languages : en
Pages : 384
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Book Description
Rock Criticism from the Beginning is a wide-ranging exploration of the rise and development of rock criticism in Britain and the United States from the 1960s to the present. It chronicles the evolution of a new form of journalism, and the course by which writing on rock was transformed into a respected field of cultural production. The authors explore the establishment of magazines from Crawdaddy! and Rolling Stone to The Source, and from Melody Maker and New Musical Express to The Wire, while investigating the careers of well-known music critics like Robert Christgau, Greil Marcus, and Lester Bangs in the U.S., and Nik Cohn, Paul Morley, and Jon Savage in the U.K., to name just a few. While much has been written on the history of rock, this Bourdieu-inspired book is the first to offer a look at the coming of age of rock journalism, and the critics that opened up a whole new kind of discourse on popular music.
Author: Robert Christgau
Publisher: Duke University Press
ISBN: 1478002077
Category : Music
Languages : en
Pages : 393
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Book Description
Is It Still Good to Ya? sums up the career of longtime Village Voice stalwart Robert Christgau, who for half a century has been America's most widely respected rock critic, honoring a music he argues is only more enduring because it's sometimes simple or silly. While compiling historical overviews going back to Dionysus and the gramophone along with artist analyses that range from Louis Armstrong to M.I.A., this definitive collection also explores pop's African roots, response to 9/11, and evolution from the teen music of the '50s to an art form compelled to confront mortality as its heroes pass on. A final section combines searching obituaries of David Bowie, Prince, and Leonard Cohen with awed farewells to Bob Marley and Ornette Coleman.
Author: Chuck Eddy
Publisher: Duke University Press
ISBN: 0822350106
Category : Music
Languages : en
Pages : 353
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Book Description
The best, most provocative reviews, interviews, columns, and essays written by the entertaining, idiosyncratic, and influential music writer Chuck Eddy over the past twenty-five years.
Author: Ira Levin
Publisher: Dramatists Play Service Inc
ISBN: 9780822202523
Category : Drama
Languages : en
Pages : 86
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Book Description
THE STORY: The New York Times outlines: The hero is a drama critic...What is the most searching way to test this paragon's integrity? Have his wife write a play. A stinker, naturally...He heckles the little woman, tells her she won't finish the play,
Author: Stephen Lambe
Publisher: Sonicbond Publishing Ltd
ISBN: 1789520568
Category : Music
Languages : en
Pages : 172
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Book Description
Since Sonicbond Publishing launched at the end of 2018, iwe have published books that span most genres in popular music, from easy listening to psychedelia and from pop to metal. However, it is in the world of progressive rock that we have found our most comfortable home. This book features eleven chapters from books on some of the greats of the genre, including from our On Track series Yes, Genesis, Caravan, ELP, Gentle Giant, Jethro Tull, Pink Floyd, Porcupine Tree and Steve Hackett solo. Our Decades series offers up chapters on Marillion in the 1980s and Van Der Graaf Generator in the 1970s and our Year In series has a chapter on Aphrodite’s Child’s seminal 666. This is just the tip of the iceberg, though, and for the up-to-date list, check out the complete stocklist at the back of this book. The book contains two exclusive pieces that you won’t find in printed books anywhere else. Nick Holmes’ detailed chapter on Porcupine Tree’s Closure/Continuation can be found in the current E-book but not yet in the printed version. Stephen Lambe has rewritten his own chapter on Yes’ ‘lost album’ Talk, released 30 years ago. Contents: Closure/Continuation (2022) from Porcupine Tree On Track (Revised Edition) by Nick Holmes (to be published in 2025) Talk (1994) from Yes On Track by Stephen Lambe. Revised version for future Editions Aphrodite’s Child – 666 (1972) from 1972: The Year Progressive Rock Ruled The World by Kevan Furbank If I Could Do It All Over Again It Again I’d Do It All Over You (1970) from Caravan On Track by Andy Boot Tarkus (1971) from Emerson, Lake & Palmer On Track by Mike Goode Wind & Wuthering (1976) and the Spot The Pigeon EP from Genesis On Track by Stuart Macfarlane Acquiring The Taste (1971) from Gentle Giant On Track by Gary Steel Songs From The Wood (1977) from Jethro Tull On Track by Jordan Blum 1985: The Heart That We Have Live from Marillion in the 1980s by Nathaniel Webb Meddle (1971) from Pink Floyd On Track by Richard Butterworth Defector (1980) from Steve Hackett On Track by Geoffrey Feakes 1975: The Undercover Men From Van der Graaf Generator In The 1970s by Steve Pilkington
Author: Michael Azerrad
Publisher: HarperCollins
ISBN: 0062696750
Category : Music
Languages : en
Pages : 221
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Book Description
Straight out of his beloved Twitter feed @RockCriticLaw, acclaimed rock journalist and author of the classic books Come As You Are: The Story of Nirvana and Our Band Could Be Your Life, Michael Azerrad turns his trenchant eye to the art of rock writing itself, hilariously skewering 101 of the genre’s seemingly endless litany of hackneyed phrases and tropes. One of the finest music writers today, Michael Azerrad has catalogued the shortcuts, lazy metaphors and uninspired prose that so many of his beloved colleagues all too regularly rely on to fill column inches. In 2014, he began his wickedly droll Twitter feed @RockCriticLaw to expose and make fun of this word-hash. Now, he consolidates these "Laws" into one witty, comprehensive and fully illustrated volume. Rock Critic Law includes timeless gems such as: If a band pioneered something, you must say they are "seminal." That is the Seminal Law of Rock Criticism. If a recording features densely layered guitars, then you MUST use the phrase "sonic cathedrals." Even when it’s easy to find out with research, by all means ask a band how they got their name. Please feel free to deny an artist’s individuality and say they are "the new [x]." If two guitars play a melodic line in harmony, you MUST say they are "twin lead guitars." All 101 Rock Critic Laws are accompanied by original illustrations from Ed Fotheringham, beloved Seattle scenester and highly regarded artist who has created album covers for everyone from, well, seminal grunge band Mudhoney to iconic jazz label Verve Records, as well as illustrations for TheAtlantic, Vanity Fair, The New Yorker and more, making this book a must-have for music lovers everywhere. A unique appreciation of music writing from one of its own, Rock Critic Law irreverently captures all the passion and furor of fandom.
Author: Robert Christgau
Publisher: Harper Collins
ISBN: 0062238817
Category : Biography & Autobiography
Languages : en
Pages : 266
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Book Description
One of our great essayists and journalists—the Dean of American Rock Critics, Robert Christgau—takes us on a heady tour through his life and times in this vividly atmospheric and visceral memoir that is both a love letter to a New York long past and a tribute to the transformative power of art. Lifelong New Yorker Robert Christgau has been writing about pop culture since he was twelve and getting paid for it since he was twenty-two, covering rock for Esquire in its heyday and personifying the music beat at the Village Voice for over three decades. Christgau listened to Alan Freed howl about rock ‘n’ roll before Elvis, settled east of Manhattan’s Avenue B forty years before it was cool, witnessed Monterey and Woodstock and Chicago ’68, and the first abortion speak-out. He’s caught Coltrane in the East Village, Muddy Waters in Chicago, Otis Redding at the Apollo, the Dead in the Haight, Janis Joplin at the Fillmore, the Rolling Stones at the Garden, the Clash in Leeds, Grandmaster Flash in Times Square, and every punk band you can think of at CBGB. Christgau chronicled many of the key cultural shifts of the last half century and revolutionized the cultural status of the music critic in the process. Going Into the City is a look back at the upbringing that grounded him, the history that transformed him, and the music, books, and films that showed him the way. Like Alfred Kazin’s A Walker in the City, E. B. White’s Here Is New York, Joseph Mitchell’s Up in the Old Hotel, and Patti Smith’s Just Kids, it is a loving portrait of a lost New York. It’s an homage to the city of Christgau’s youth from Queens to the Lower East Side—a city that exists mostly in memory today. And it’s a love story about the Greenwich Village girl who roamed this realm of possibility with him.
