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Author: Mr Richard Bradley
Publisher: Routledge
ISBN: 1134708920
Category : Social Science
Languages : en
Pages : 300
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Book Description
Along the Atlantic seaboard, from Scotland to Spain, are numerous rock carvings made four to five thousand years ago, whose interpretation poses a major challenge to the archaeologist. In the first full-length treatment of the subject, based largely on new fieldwork, Richard Bradley argues that these carvings should be interpreted as a series of symbolic messages that are shared between monuments, artefacts and natural places in the landscape. He discusses the cultural setting of the rock carvings and the ways in which they can be interpreted in relation to ancient land use, the creation of ritual monuments and the burial of the dead. Integrating this fascinating yet little-known material into the mainstream of prehistoric studies, Richard Bradley demonstrates that these carvings played a fundamental role in the organization of the prehistoric landscape.
Author: Mr Richard Bradley
Publisher: Routledge
ISBN: 1134708920
Category : Social Science
Languages : en
Pages : 300
Get Book Here
Book Description
Along the Atlantic seaboard, from Scotland to Spain, are numerous rock carvings made four to five thousand years ago, whose interpretation poses a major challenge to the archaeologist. In the first full-length treatment of the subject, based largely on new fieldwork, Richard Bradley argues that these carvings should be interpreted as a series of symbolic messages that are shared between monuments, artefacts and natural places in the landscape. He discusses the cultural setting of the rock carvings and the ways in which they can be interpreted in relation to ancient land use, the creation of ritual monuments and the burial of the dead. Integrating this fascinating yet little-known material into the mainstream of prehistoric studies, Richard Bradley demonstrates that these carvings played a fundamental role in the organization of the prehistoric landscape.
Author: Paul G. Bahn
Publisher: Cambridge University Press
ISBN: 1139488090
Category : Social Science
Languages : en
Pages : 239
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Book Description
Paul G. Bahn provides a richly illustrated overview of prehistoric rock art and cave art from around the world. Summarizing the recent advances in our understanding of this extraordinary visual record, he discusses new discoveries, new approaches to recording and interpretation, and current problems in conservation. Bahn focuses in particular on current issues in the interpretation of rock art, notably the 'shamanic' interpretation that has been influential in recent years and that he refutes. This book is based on the Rhind Lectures that the author delivered for the Society of Antiquaries of Scotland in 2006.
Author: Harry J. Shafer
Publisher: Trinity University Press
ISBN: 9781595340863
Category : Excavations (Archaeology)
Languages : en
Pages : 0
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Book Description
The story of ancient canyon dwellers along the Lower Pecos and their culture
Author: Mr Richard Bradley
Publisher: Routledge
ISBN: 1134708939
Category : Art
Languages : en
Pages : 297
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Book Description
Professor Bradley discusses the numerous rock carvings made four to five thousand years ago, along the Atlantic seaboard, from Scotland to Spain.
Author: Paul G. Bahn
Publisher: Cambridge University Press
ISBN: 9780521454735
Category : Art
Languages : en
Pages : 348
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Book Description
Beautifully illustrated in color with many rare and unique photographs, prints, and drawings, "The Cambridge Illustrated History of Prehistoric Art" presents the first balanced and truly worldwide survey of prehistoric art. A fascinating study of an often neglected area, the book is a powerful combination of illustration and analysis. 164 color plates. Copyright © Libri GmbH. All rights reserved.
Author: Randall White
Publisher: Harry N. Abrams
ISBN: 9780810942622
Category : Art
Languages : en
Pages : 464
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Book Description
Drawing on the most up-to-the-minute research on prehistoric art, an anthropologist presents a global survey, starting with the first explosion of imagery that occurred approximately 40,000 years ago but also including the creations of essentially "prehistoric" peoples living as recently as the early 20th century. 226 illustrations.
Author: Christopher Chippindale
Publisher: Cambridge University Press
ISBN: 9780521576192
Category : Art
Languages : en
Pages : 398
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Book Description
Pictures, painted and carved in caves and on open rock surfaces, are amongst our loveliest relics from prehistory. This pioneering set of sparkling essays goes beyond guesses as to what the pictures mean, instead exploring how we can reliably learn from rock-art as a material record of distant times: in short, rock-art as archaeology. Sometimes contact-period records offer some direct insight about indigenous meaning, so we can learn in that informed way. More often, we have no direct record, and instead have to use formal methods to learn from the evidence of the pictures themselves. The book's eighteen papers range wide in space and time, from the Palaeolithic of Europe to nineteenth-century Australia. Using varied approaches within the consistent framework of informed and proven methods, they make key advances in using the striking and reticent evidence of rock-art to archaeological benefit.
Author: Richard Bradley
Publisher: Cambridge University Press
ISBN: 1108887872
Category : Social Science
Languages : en
Pages : 154
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Book Description
The Element summarises the state of knowledge about four styles of prehistoric rock art in Europe current between the late Mesolithic period and the Iron Age. They are the Levantine, Macroschematic and Schematic traditions in the Iberian Peninsula; the Atlantic style that extended between Portugal, Spain, Britain and Ireland; Alpine rock art; and the pecked and painted images found in Fennoscandia. They are interpreted in relation to the landscapes in which they were made. Their production is related to monument building, the decoration of portable objects, trade and long distance travel, burial rites, and warfare. A final discussion considers possible connections between these separate traditions and the changing subject matter of rock art in relation to wider developments in European prehistoric societies.
Author: Francis Audrey Barnes
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 318
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Book Description
Includes information on protected rock art sites in Arizona, Colorado, Nevada, New Mexico, and Utah. Gives information on these special rock art areas: Albuquerque and Santa Fe Area; Arches National Park; Bandelier National Monument Area; Canyon de Chelly National Monument; Canyonlands National Park--Maze Area; Canyonlands National Park--Needles Area; Capitol Reef National Park;Central Utah Area; Chaco Canyon Area; Desolation-Gray Canyon of the Green River; Grand Canyon National Park; Grand Gulch Primitive Area;Hovenweep National Monument; Indian Creek Canyon; Moab Area; Petrified Forest National Park; San Juan River Gorge; Three Rivers Area; Uintah Basin Area; West-Central Colorado Area; Zuñi-Cibola Area; miscellaneous areas; and Anasazi celestial rock art.
Author: Courtney Nimura
Publisher: Oxbow Books
ISBN: 1785701207
Category : Art
Languages : en
Pages : 249
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Book Description
Scandinavia is home to prolific and varied rock art images among which the ship motif is prominent. Because of this, the rock art of Scandinavia has often been interpreted in terms of social ritual, cosmology, and religion associated with the maritime sphere. This comprehensive review is based on the creation of a Scandinavia-wide GIS database for prehistoric rock art and reexamines theoretical approaches and interpretations, in particular with regard to the significance of the ship and its relationship to a maritime landscape Discussion focuses on material agency as a means to understanding the role of rock art within society. Two main theories are developed. The first is that the sea was fundamental to the purpose and meaning of rock art, especially in the Bronze Age and, therefore, that sea-level/shoreline changes would have inspired a renegotiation of the relationship between the rock art sites and their intended purpose. The fundamental question posed is: would such changes to the landscape have affected the purpose and meaning of rock art for the communities that made and used these sites? Various theories from within and outside of archaeology are drawn on to examine environmental change and analyze the rock art, led to second theory: that the purpose of rock art might have been altered to have an effect on the disappearing sea. The general theory that rock art would have been affected by environmental change was discussed in tandem with existing interpretations of the meaning and purpose of rock art. Imbuing rock art with agency means that it could be intertwined in an active web of relations involving maritime landscapes, shoreline displacement and communities. Though created in stone and fixed in time and place, rock art images have propagated belief systems that would have changed over time as they were re-carved, abandoned and used by different groups of inhabitants. In the thousands of years rock art was created, it is likely that shoreline displacement would have inspired a renegotiation of the purpose and meaning of the imagery situated alongside the Scandinavian seas. This journey through a prehistoric Scandinavian landscape will lead us into a world of ancient beliefs and traditions revolving around this extraordinary art form.
