Rome Open City (Roma Città Aperta) PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Rome Open City (Roma Città Aperta) PDF full book. Access full book title Rome Open City (Roma Città Aperta) by David Forgacs. Download full books in PDF and EPUB format.
Author: David Forgacs
Publisher: Bloomsbury Publishing
ISBN: 1838717889
Category : Performing Arts
Languages : en
Pages : 113
Get Book Here
Book Description
Otto Preminger said the history of the cinema was divided into two eras: one before and one after Rome Open City (Roma Città Aperta, 1945). The film is based on events that took place in Rome in 1944, during the Nazi occupation. This book re-examines the film and its place in Rossellini's career. David Forgacs reconstructs its production history, its relationship to the events that inspired it and the time in which it was made. He argues that the traditional critical labelling of Rome Open City as the original work of neo-realism fails to capture the film's hybrid and contradictory character. Part documentary record, part patriotic myth, Rome Open City is at once an extraordinarily powerful commemoration of wartime experience and a rhetorical reworking of that experience, using stereotypes and moral polarisations.
Author: David Forgacs
Publisher: Bloomsbury Publishing
ISBN: 1838717889
Category : Performing Arts
Languages : en
Pages : 113
Get Book Here
Book Description
Otto Preminger said the history of the cinema was divided into two eras: one before and one after Rome Open City (Roma Città Aperta, 1945). The film is based on events that took place in Rome in 1944, during the Nazi occupation. This book re-examines the film and its place in Rossellini's career. David Forgacs reconstructs its production history, its relationship to the events that inspired it and the time in which it was made. He argues that the traditional critical labelling of Rome Open City as the original work of neo-realism fails to capture the film's hybrid and contradictory character. Part documentary record, part patriotic myth, Rome Open City is at once an extraordinarily powerful commemoration of wartime experience and a rhetorical reworking of that experience, using stereotypes and moral polarisations.
Author: Roberto Rossellini
Publisher:
ISBN:
Category : Motion picture plays
Languages : en
Pages : 506
Get Book Here
Book Description
Three screen plays and commentary on films made by Rossellini about World War II.
Author: Peter Bondanella
Publisher: Cambridge University Press
ISBN: 9780521398664
Category : Performing Arts
Languages : en
Pages : 214
Get Book Here
Book Description
A close analysis of the seven films that mark important turning points in Rossellini's evolution: The Man with a Cross (1943), Open City (1945), Paisan (1946), The Machine to Kill Bad People (1948-52), Voyage in Italy (1953), to General della Rovere(1959), and The Rise to Power of Louis XIV (1966).
Author: Sidney Gottlieb
Publisher: Cambridge University Press
ISBN: 9780521545198
Category : Performing Arts
Languages : en
Pages : 216
Get Book Here
Book Description
Roberto Rossellini's Rome Open City instantly, markedly, and permanently changed the landscape of film history. Made at the end of World War II, it has been credited with initiating a revolution in and reinvention of modern cinema, bold claims that are substantiated when its impact on how films are conceptualized, made, structured, theorized, circulated, and viewed is examined. This volume offers a fresh look at the production history of Rome Open City; some of its key images, and particularly its representation of the city and various types of women; its cinematic influences and affinities; the complexity of its political dimensions, including the film's vision of political struggle and the political uses to which the film was put; and the legacy of the film in public consciousness. It serves as a well illustrated, up to date, and accessible introduction to one of the major achievements of filmmaking.
Author: Saverio Giovacchini
Publisher: Univ. Press of Mississippi
ISBN: 1628468882
Category : Performing Arts
Languages : en
Pages : 407
Get Book Here
Book Description
Contributions by Nathaniel Brennan, Luca Caminati, Silvia Carlorosi, Caroline Eades, Saverio Giovacchini, Paula Halperin, Neepa Majumdar, Mariano Mestman, Hamid Naficy, Sada Niang, Masha Salazkina, Sarah Sarzynski, Robert Sklar, and Vito Zagarrio Intellectual, cultural, and film historians have long considered neorealism the founding block of post-World War II Italian cinema. Neorealism, the traditional story goes, was an Italian film style born in the second postwar period and aimed at recovering the reality of Italy after the sugarcoated moving images of fascism. Lasting from 1945 to the early 1950s, neorealism produced world-renowned masterpieces such as Roberto Rossellini's Roma, città aperta (Rome, Open City, 1945) and Vittorio De Sica's Ladri di biciclette (Bicycle Thieves, 1947). These films won some of the most prestigious film awards of the immediate postwar period and influenced world cinema. This collection brings together distinguished film scholars and cultural historians to complicate this nation-based approach to the history of neorealism. The traditional story notwithstanding, the meaning and the origins of the term are problematic. What does neorealism really mean, and how Italian is it? Italian filmmakers were wary of using the term and Rossellini preferred "realism." Many filmmakers confessed to having greatly borrowed from other cinemas, including French, Soviet, and American. Divided into three sections, Global Neorealism examines the history of this film style from the 1930s to the 1970s using a global and international perspective. The first section examines the origins of neorealism in the international debate about realist esthetics in the 1930s. The second section discusses how this debate about realism was “Italianized” and coalesced into Italian “neorealism” and explores how critics and film distributors participated in coining the term. Finally, the third section looks at neorealism’s success outside of Italy and examines how film cultures in Latin America, Africa, Asia, and the United States adjusted the style to their national and regional situations.
Author: Isabella Rossellini
Publisher:
ISBN: 9783829602426
Category : Art
Languages : en
Pages : 148
Get Book Here
Book Description
Roberto Rossellini, famous Italian film director and icon of neorealism, would have been 100 years old on 8 May 2006. Isabella Rosellini, offspring of the Bergman/Rossellini cinema dynasty, herself a film star, author and celebrated photo model has dreamed up a very special hommage to her father on the centenary of his birth.
Author: Peter Bondanella
Publisher: Cambridge University Press
ISBN: 9780521575737
Category : Performing Arts
Languages : en
Pages : 224
Get Book Here
Book Description
Examines the cinematic vision of the renowned Italian filmmaker.
Author: Tag Gallagher
Publisher: Da Capo Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 856
Get Book Here
Book Description
Continually enmeshed in controversy, perhaps no other figure in the history of world cinema has been so reviled - and so revered.
Author: Frank Burke
Publisher: John Wiley & Sons
ISBN: 1119006171
Category : Performing Arts
Languages : en
Pages : 825
Get Book Here
Book Description
Written by leading figures in the field, A Companion to Italian Cinema re-maps Italian cinema studies, employing new perspectives on traditional issues, and fresh theoretical approaches to the exciting history and field of Italian cinema. Offers new approaches to Italian cinema, whose importance in the post-war period was unrivalled Presents a theory based approach to historical and archival material Includes work by both established and more recent scholars, with new takes on traditional critical issues, and new theoretical approaches to the exciting history and field of Italian cinema Covers recent issues such as feminism, stardom, queer cinema, immigration and postcolonialism, self-reflexivity and postmodernism, popular genre cinema, and digitalization A comprehensive collection of essays addressing the prominent films, directors and cinematic forms of Italian cinema, which will become a standard resource for academic and non-academic purposes alike
Author: Charles L. Leavitt IV
Publisher: University of Toronto Press
ISBN: 1487507100
Category : Art
Languages : en
Pages : 326
Get Book Here
Book Description
This book seeks to redefine, recontextualize, and reassess Italian neorealism - an artistic movement characterized by stories set among the poor and working class - through innovative close readings and comparative analysis.
