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Author: George Bwanika Seremba
Publisher: Cambridge Scholars Publishing
ISBN: 1527528936
Category : Performing Arts
Languages : en
Pages : 300
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Book Description
This book provides a meticulous examination of the work of playwright Robert Serumaga and the Golden Age of Uganda’s theatre (1968-1978). It considers the question of individualism—or its extreme form, solipsism—on the one hand, and activism or a social conscience on the other. Theatrical innovation is another key concern. It deconstructs the ruling histories, historiography and performance analysis of the time as irremediably tainted by a ferocious post-independence nation-statism. This is a study of a theatre of commitment, dissidence, resistance, resilience, struggle, signification and survival; a theatre born under the unrelenting glare of severe, scorching censorship, and incarceration. For the very first time, Serumaga’s work is examined in its entirety and afforded the room, complexity and scope it requires and deserves. For the very first time, too, scholars of the Golden Age of Uganda’s theatre will have to make no more than a single stop in their search for what were hitherto scattered tidbits and sources of Uganda’s theatre history.
Author: George Bwanika Seremba
Publisher: Cambridge Scholars Publishing
ISBN: 1527528936
Category : Performing Arts
Languages : en
Pages : 300
Get Book Here
Book Description
This book provides a meticulous examination of the work of playwright Robert Serumaga and the Golden Age of Uganda’s theatre (1968-1978). It considers the question of individualism—or its extreme form, solipsism—on the one hand, and activism or a social conscience on the other. Theatrical innovation is another key concern. It deconstructs the ruling histories, historiography and performance analysis of the time as irremediably tainted by a ferocious post-independence nation-statism. This is a study of a theatre of commitment, dissidence, resistance, resilience, struggle, signification and survival; a theatre born under the unrelenting glare of severe, scorching censorship, and incarceration. For the very first time, Serumaga’s work is examined in its entirety and afforded the room, complexity and scope it requires and deserves. For the very first time, too, scholars of the Golden Age of Uganda’s theatre will have to make no more than a single stop in their search for what were hitherto scattered tidbits and sources of Uganda’s theatre history.
Author: Kene Igweonu
Publisher: Taylor & Francis
ISBN: 1040019919
Category : Drama
Languages : en
Pages : 811
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Book Description
The Routledge Handbook of African Theatre and Performance brings together the very latest international research on the performing arts across the continent and the diaspora into one expansive and wide-ranging collection. The book offers readers a compelling journey through the different ideas, people and practices that have shaped African theatre and performance, from pre-colonial and colonial times, right through to the 20th and early 21st centuries. Resolutely Pan-African and inter- national in its coverage, the book draws on the expertise of a wide range of Africanist scholars, and also showcases the voices of performers and theatre practitioners working on the cutting-edge of African theatre and performance practice. Contributors aim to answer some of the big questions about the content (nature, form) and context (processes, practice) of theatre, whilst also painting a pluralistic and complex picture of the diversity of cultural, political and artistic exigencies across the continent. Covering a broad range of themes including postcolonialism, transnationalism, interculturalism, Afropolitanism, development and the diaspora, the handbook concludes by projecting possible future directions for African theatre and performance as we continue to advance into the 21st century and beyond. This ground-breaking new handbook will be essential reading for students and researchers studying theatre and performance practices across Africa and the diaspora. Kene Igweonu is Professor of Creative Education at University of the Arts London, where he is also Pro Vice-Chancellor and Head of London College of Communication. An interdisciplinary researcher, Professor Igweonu has extensive experience of senior academic leadership in immersive and interactive practices and performance practice. His practice research and publication interests are in storytelling, theatre, and performance in Africa and its Diaspora, as well as the Feldenkrais Method in health, wellbeing, and performance training. A champion for arts and creative industries, Professor Igweonu is Chair of DramaHE, Council Member for Creative UK, and until August 2023, President of the African Theatre Association.
Author: Clive Barker
Publisher: Cambridge University Press
ISBN: 9780521429429
Category : Drama
Languages : en
Pages : 100
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Book Description
One of a series discussing topics of interest in theatre studies from theoretical, methodological, philosophical and historical perspectives.
Author: Albert S. Gérard
Publisher: John Benjamins Publishing
ISBN: 9789630538329
Category : Africa, Sub-Saharan
Languages : en
Pages : 678
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Book Description
The first major comparative study of African writing in western languages, European-language Writing in Sub-Saharan Africa, edited by Albert S. Gérard, falls into four wide-ranging sections: an overview of early contacts and colonial developments "Under Western Eyes"; chapters on "Black Consciousness" manifest in the debates over Panafricanism and Negritude; a group of essays on mental decolonization expressed in "Black Power" texts at the time of independence struggles; and finally "Comparative Vistas," sketching directions that future comparative study might explore. An introductory e.
Author: Daniel Meyer-Dinkgrafe
Publisher: Routledge
ISBN: 1134767862
Category : Performing Arts
Languages : en
Pages : 364
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Book Description
Who's Who in Contemporary World Theatre is a lively and accessible biographical guide to the key figures in contemporary drama. All who enjoy the theatre will find their pleasure enhanced and their knowledge extended by this fascinating work of reference. Its distinctive blend of information, analysis and anecdote makes for entertaining and enlightening reading. Hugely influential innovators, household names, and a whole host of less familiar, international figures - all have their lives and careers illuminated by the clear and succinct entries. All professions associated with the theatre are represented here - actors and directors, playwrights and designers. By virtue of the broad range of its coverage, Who's Who in Contemporary World Theatre offers a unique insight into the rich diversity of international drama today.
Author: Gareth Griffiths
Publisher: Routledge
ISBN: 1317895843
Category : Literary Criticism
Languages : en
Pages : 531
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Book Description
Here is an introduction to the history of English writing from East and West Africa drawing on a range of texts from the slave diaspora to the post-war upsurge in African English language and literature from these regions.
Author: George Seremba
Publisher:
ISBN: 9781527528925
Category :
Languages : en
Pages : 0
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Book Description
This book provides a meticulous examination of the work of playwright Robert Serumaga and the Golden Age of Uganda's theatre (1968-1978). It considers the question of individualism―or its extreme form, solipsism―on the one hand, and activism or a social conscience on the other. Theatrical innovation is another key concern. It deconstructs the ruling histories, historiography and performance analysis of the time as irremediably tainted by a ferocious post-independence nation-statism. This is a study of a theatre of commitment, dissidence, resistance, resilience, struggle, signification and survival; a theatre born under the unrelenting glare of severe, scorching censorship, and incarceration. For the very first time, Serumaga's work is examined in its entirety and afforded the room, complexity and scope it requires and deserves. For the very first time, too, scholars of the Golden Age of Uganda's theatre will have to make no more than a single stop in their search for what were hitherto scattered tidbits and sources of Uganda's theatre history.
Author:
Publisher:
ISBN:
Category : Africa
Languages : en
Pages : 150
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Book Description
Author: Marion Frank
Publisher: E. Breitinger
ISBN:
Category : Education
Languages : en
Pages : 216
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Book Description
Author: Robert Serumaga
Publisher:
ISBN:
Category : Africa
Languages : en
Pages : 112
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Book Description
