Author: John Robert Moore
Publisher: Ardent Media
ISBN:
Category :
Languages : en
Pages : 96
Book Description
Defoe's Sources for Robert Drury's Journal
Author: John Robert Moore
Publisher: Ardent Media
ISBN:
Category :
Languages : en
Pages : 96
Book Description
Publisher: Ardent Media
ISBN:
Category :
Languages : en
Pages : 96
Book Description
Robert Drury's Journal and Other Studies
Author: Arthur Wellesley Secord
Publisher: Urbana, University of Illinois Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 176
Book Description
Publisher: Urbana, University of Illinois Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 176
Book Description
The Riddle of the Ruthvens and Other Studies
Author: William Roughead
Publisher:
ISBN:
Category : Gowrie Conspiracy, 1600
Languages : en
Pages : 604
Book Description
Publisher:
ISBN:
Category : Gowrie Conspiracy, 1600
Languages : en
Pages : 604
Book Description
A General History of the Pyrates
Author: Daniel Defoe
Publisher: Courier Corporation
ISBN: 0486131947
Category : History
Languages : en
Pages : 801
Book Description
Considered the major source of information about piracy in the early 18th century, this fascinating history by the author of Robinson Crusoe profiles the deeds of Edward (Blackbeard) Teach, Captain Kidd, Anne Bonny, others.
Publisher: Courier Corporation
ISBN: 0486131947
Category : History
Languages : en
Pages : 801
Book Description
Considered the major source of information about piracy in the early 18th century, this fascinating history by the author of Robinson Crusoe profiles the deeds of Edward (Blackbeard) Teach, Captain Kidd, Anne Bonny, others.
Comic Romance
Author: Paul Scarron
Publisher: Alma Books
ISBN: 0714546577
Category : Fiction
Languages : en
Pages : 289
Book Description
Paul Scarron's masterpiece, The Comic Romance, recounts the adventures of a troupe of provincial itinerant actors, skilfully weaving comic anecdotes of their amorous exploits and the central love story between Leandre and his beloved Angelique into a rich and realistic tapestry depicting rural France.
Publisher: Alma Books
ISBN: 0714546577
Category : Fiction
Languages : en
Pages : 289
Book Description
Paul Scarron's masterpiece, The Comic Romance, recounts the adventures of a troupe of provincial itinerant actors, skilfully weaving comic anecdotes of their amorous exploits and the central love story between Leandre and his beloved Angelique into a rich and realistic tapestry depicting rural France.
The Novels of Daniel Defoe, Part I Vol 4
Author: W R Owens
Publisher: Routledge
ISBN: 1351220640
Category : Literary Criticism
Languages : en
Pages : 166
Book Description
Daniel Defoe is known as the father of the English novel. This is the modern critical edition of Defoe's novels. It brings together all three parts of "Robinson Crusoe" and examines their relationship. The editorial material includes an introduction to each novel, explanatory endnotes, textual notes, and a consolidated index in volume 10.
Publisher: Routledge
ISBN: 1351220640
Category : Literary Criticism
Languages : en
Pages : 166
Book Description
Daniel Defoe is known as the father of the English novel. This is the modern critical edition of Defoe's novels. It brings together all three parts of "Robinson Crusoe" and examines their relationship. The editorial material includes an introduction to each novel, explanatory endnotes, textual notes, and a consolidated index in volume 10.
Imagining War and Peace in Eighteenth-Century Britain, 1690–1820
Author: Andrew Lincoln
Publisher: Cambridge University Press
ISBN: 1009366548
Category : Literary Criticism
Languages : en
Pages : 315
Book Description
Is war the opposite of peace, or its necessary accomplice? Exploring this question in relation to eighteenth-century Britain, Andrew Lincoln opens up complex, paradoxical and enduring issues and shows how ideas and methods were developed to provide the British public with moral insulation from violence both overseas and at home.
Publisher: Cambridge University Press
ISBN: 1009366548
Category : Literary Criticism
Languages : en
Pages : 315
Book Description
Is war the opposite of peace, or its necessary accomplice? Exploring this question in relation to eighteenth-century Britain, Andrew Lincoln opens up complex, paradoxical and enduring issues and shows how ideas and methods were developed to provide the British public with moral insulation from violence both overseas and at home.
Shipwrecks of Madagascar
Author: Pierre Van den Boogaerde
Publisher: Strategic Book Publishing
ISBN: 1612043399
Category : Biography & Autobiography
Languages : en
Pages : 350
Book Description
There are more than one hundred shipwrecks off the coast of Madagascar. These are the stories from ancient to modern times.
Publisher: Strategic Book Publishing
ISBN: 1612043399
Category : Biography & Autobiography
Languages : en
Pages : 350
Book Description
There are more than one hundred shipwrecks off the coast of Madagascar. These are the stories from ancient to modern times.
Daniel Defoe
Author: Paula R. Backscheider
Publisher: University Press of Kentucky
ISBN: 0813185726
Category : Literary Criticism
Languages : en
Pages : 379
Book Description
In this book, Paula Backscheider considers Daniel Defoe's entire canon as related, developing, and in close dynamic relationship to the literature of its time. In so doing, she revises our conception of the contexts of Defoe's work and reassesses his achievement and contribution as a writer. By restoring a literary context for modern criticism, Backscheider argues the intensity and integrity of Defoe's artistic ambitions, demonstrating that everything he wrote rests solidly upon extensive reading of books published in England, his understanding of the reading tastes of his contemporaries, and his engagement with the issues and events of his time. Defoe, the dedicated professional writer and innovator, emerges with a new wholeness, and certain of his novels assume new significance. Defoe's literary status continues to be debated and misunderstood. Even critical studies of the novel often begin with Richardson rather than Defoe. By moving from Defoe's poetry, pamphlets, and histories to the novels, Backscheider offers an argument for the thematic and stylistic coherency of his oeuvre and for a recognition of the dominant place he held in shaping the English novel. For example, Defoe deserves to be recognized as the true originator of the historical novel, for three of his fictions are deeply engaged with just those conceptual and technical issues common to all later historical fiction. And Roxana now appears as Defoe's deliberate attempt to enter the fastest growing market for fiction—that for women readers. What have been powerfully significant for the history of the novel, then, are the very characteristics of his writing that have been held against his literary stature: its contemporaneity, its mixed and untidy form, its formal realism, its concentration on the life of an individual, and its probing of the individual's psychological interaction with the empirical world, making that world representative even as it is referential. It is exactly these characteristics most original, prominent, and subsequently imitated in Defoe's fiction that define the form we call "novel."
Publisher: University Press of Kentucky
ISBN: 0813185726
Category : Literary Criticism
Languages : en
Pages : 379
Book Description
In this book, Paula Backscheider considers Daniel Defoe's entire canon as related, developing, and in close dynamic relationship to the literature of its time. In so doing, she revises our conception of the contexts of Defoe's work and reassesses his achievement and contribution as a writer. By restoring a literary context for modern criticism, Backscheider argues the intensity and integrity of Defoe's artistic ambitions, demonstrating that everything he wrote rests solidly upon extensive reading of books published in England, his understanding of the reading tastes of his contemporaries, and his engagement with the issues and events of his time. Defoe, the dedicated professional writer and innovator, emerges with a new wholeness, and certain of his novels assume new significance. Defoe's literary status continues to be debated and misunderstood. Even critical studies of the novel often begin with Richardson rather than Defoe. By moving from Defoe's poetry, pamphlets, and histories to the novels, Backscheider offers an argument for the thematic and stylistic coherency of his oeuvre and for a recognition of the dominant place he held in shaping the English novel. For example, Defoe deserves to be recognized as the true originator of the historical novel, for three of his fictions are deeply engaged with just those conceptual and technical issues common to all later historical fiction. And Roxana now appears as Defoe's deliberate attempt to enter the fastest growing market for fiction—that for women readers. What have been powerfully significant for the history of the novel, then, are the very characteristics of his writing that have been held against his literary stature: its contemporaneity, its mixed and untidy form, its formal realism, its concentration on the life of an individual, and its probing of the individual's psychological interaction with the empirical world, making that world representative even as it is referential. It is exactly these characteristics most original, prominent, and subsequently imitated in Defoe's fiction that define the form we call "novel."
Treasure Neverland
Author: Neil Rennie
Publisher: OUP Oxford
ISBN: 0191668656
Category : Literary Criticism
Languages : en
Pages : 1956
Book Description
Treasure Neverland is about factual and fictional pirates. Swashbuckling eighteenth-century pirates were the ideal pirates of all time and tales of their exploits are still popular today. Most people have heard of Blackbeard and Captain Kidd even though they lived about three hundred years ago, but most have also heard of other pirates, such as Long John Silver and Captain Hook, even though these pirates never lived at all, except in literature. The differences between these two types of pirates - real and imaginary - are not quite as stark as we might think as the real, historical pirates are themselves somewhat legendary, somewhat fictional, belonging on the page and the stage rather than on the high seas. Based on extensive research of fascninating primary material, including testimonials, narratives, legal statements, colonial and mercantile records, Neil Rennie describes the ascertainable facts of real eighteenth-century pirate lives and then investigates how such facts were subsequently transformed artistically, by writers like Defoe and Stevenson, into realistic and fantastic fictions of various kinds: historical novels, popular melodramas, boyish adventures, Hollywood films. Rennie's aim is to watch, in other words, the long dissolve from Captain Kidd to Johnny Depp. There are surprisingly few scholarly studies of the factual pirates - properly analysing the basic manuscript sources and separating those documents from popular legends - and there are even fewer literary-historical studies of the whole crew of fictional pirates, although those imaginary pirates form a distinct and coherent literary tradition. Treasure Neverland is a study of this Scots-American literary tradition and also of the interrelations between the factual and fictional pirates - pirates who are intimately related, as the nineteenth-century writings about fictional pirates began with the eighteenth-century writings about supposedly real pirates. 'What I want is the best book about the Buccaneers', wrote Stevenson when he began Treasure Island in 1881. What he received, rightly, was indeed the best book: the sensational and unreliable History of the Pyrates (1724).
Publisher: OUP Oxford
ISBN: 0191668656
Category : Literary Criticism
Languages : en
Pages : 1956
Book Description
Treasure Neverland is about factual and fictional pirates. Swashbuckling eighteenth-century pirates were the ideal pirates of all time and tales of their exploits are still popular today. Most people have heard of Blackbeard and Captain Kidd even though they lived about three hundred years ago, but most have also heard of other pirates, such as Long John Silver and Captain Hook, even though these pirates never lived at all, except in literature. The differences between these two types of pirates - real and imaginary - are not quite as stark as we might think as the real, historical pirates are themselves somewhat legendary, somewhat fictional, belonging on the page and the stage rather than on the high seas. Based on extensive research of fascninating primary material, including testimonials, narratives, legal statements, colonial and mercantile records, Neil Rennie describes the ascertainable facts of real eighteenth-century pirate lives and then investigates how such facts were subsequently transformed artistically, by writers like Defoe and Stevenson, into realistic and fantastic fictions of various kinds: historical novels, popular melodramas, boyish adventures, Hollywood films. Rennie's aim is to watch, in other words, the long dissolve from Captain Kidd to Johnny Depp. There are surprisingly few scholarly studies of the factual pirates - properly analysing the basic manuscript sources and separating those documents from popular legends - and there are even fewer literary-historical studies of the whole crew of fictional pirates, although those imaginary pirates form a distinct and coherent literary tradition. Treasure Neverland is a study of this Scots-American literary tradition and also of the interrelations between the factual and fictional pirates - pirates who are intimately related, as the nineteenth-century writings about fictional pirates began with the eighteenth-century writings about supposedly real pirates. 'What I want is the best book about the Buccaneers', wrote Stevenson when he began Treasure Island in 1881. What he received, rightly, was indeed the best book: the sensational and unreliable History of the Pyrates (1724).