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Author:
Publisher:
ISBN:
Category : Arts
Languages : en
Pages : 64
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Book Description
Author:
Publisher:
ISBN:
Category : Arts
Languages : en
Pages : 64
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Book Description
Author: Leonid Dorfman
Publisher: Cambridge Scholars Publishing
ISBN: 1527540898
Category : Social Science
Languages : en
Pages : 329
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Book Description
The book is about creativity and relates to the field of creative cognition, divergent thinking, and innovation. The essays collected here highlight new and exciting explorations of ideas and theories of integrative approaches to the creative mind. This singularity allows a unique and fresh look at the concept of creativity. The primary markets for this book are universities and professional bodies in the field of psychology, humanities and social sciences, and it will also appeal to specialists in the fields of cognitive psychology, sociology, culturology, the arts studies, physiology, and other areas of the humanities.
Author: Ralf Weber
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 380
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Book Description
Author: Frank Clifford Rose
Publisher: World Scientific
ISBN: 1860943683
Category : Medical
Languages : en
Pages : 453
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Book Description
This book is the first attempt to provide a basis for the interaction of the brain and nervous system with painting, music and literature. The introduction deals with the problems of creativity and which parts of the brain are involved. Then an overview of art presents the multiple facets, such as anatomy, and the myths appearing in ancient descriptions of conditions such as polio and migraine. The neurological basis of painters like Goya and van Gogh is analysed. Other chapters in the section on art cover da Vinci's mechanics and the portrayal of epilepsy. The section on music concerns the parts of the brain linked to perception and memory, as well as people who cannot appreciate music, and the effect of music on intelligence and learning (the Mozart effect). The section on literature relates to Shakespeare, Dostoyevsky, Conan Doyle, James Joyce and the poetry of one of England's most famous neurologists, Henry Head.
Author: Giovanni Perillo
Publisher: Transnational Press London
ISBN: 1912997312
Category : Antiques & Collectibles
Languages : en
Pages : 126
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Book Description
In his artistic research, Giovanni Perillo aims to generate conflicts with oneself, to weaken certainties, stereotypes and rigid expectations, encouraging a dialogue to express one's reflections on the real freedom of one's choices and on the possible influences that they imply. Through a détourner, a displacement, a deviation from alienating cultural mechanisms, aesthetic experimentation can become practical for a transformation towards a different self-awareness. "Taking the cue from the theory of events, I started to research stimuli and creative interaction processes through my artistic investigation and production. The stimuli had to be able to arouse behaviours and interpretations that are far from conformist and pre-established models. The interpretations, as answers to a stimulus coming from reality, are the significant consequences of the sense and vision of reality. The conventional and conformist interpretations form the specific psychological structure of a culture, and for this reason, they are its identity. If the reactions of the individuals who interact with artwork were not spontaneous, heterogeneous or unpredictable, they would show the homogenized and homogenizing game of taking part to practices where roles and goals of the players are pre-establish and reinforce a system of perception of reality that is influenced by dominant socio-cultural models." - Excerpt from the Introduction by Giovanni Perillo "In Art of Displacement, Giovanni Perillo establishes a new and important dialogue around ethnicity, displacement and migration. Spanning the arts as well as the social sciences—and in particularly psychology—Perillo asks us to take a leap of faith. He wants us to leave the comfort of our academic homes and to escape our “ivory towers” and consider what displacement means. Establishing his discussion in a project he calls “the Aesthetics of Migrations,” Perillo pushes boundaries, challenges assumptions. Perillo uses the Art of Displacement to help us navigate the beliefs and preconceived assumptions we bring to our encounters with migrants and strangers. More importantly, he asks us to recognize the constructed nature of our assumptions we make about migrants and strangers. Once we recognize our own bias, he offers the opportunity to search for alternatives. The French philosopher/sociologist Pierre Bourdieu argued that human life is organized around habitus or the ingrained habits, skills, and dispositions that we possess, that are grounded in life experience; and that organize our response to the world around us. Habitus is powerful and creates an assumption of the natural order that becomes real as it is shared and used to organize beliefs, laws and social rules. Perillo helps us recognize how a Western habitus limits and restricts our ability to connect; in fact, he goes so far as to argue our shared habitus, embodied in the maps we create, fragment our world and the people in it in ways that drive stereotypes, prejudice and the rise of nationalistic xenophobia we see today." - Jeffrey H. Cohen, PhD, Professor of Anthropology at Ohio State University, United States Content PREFACE by Jeffrey H. Cohen INTRODUCTION MEMORIZATION OF FACES, ASSOCIATED WITH PROFESSIONS AND CHARACTERS IMAGE OF THE WORD, WORD TO THE IMAGE THE INFLUENCE OF STEREOTYPES AND PREJUDICES IN AESTHETIC CHOICES AESTHETICS OF MIGRATIONS SKIN colourS TEST II ARTWORKS SERIES OF MAPS WITH MIGRATORY EXCHANGES IN COMPLIANCE WITH THE RULE OF CONTIGUITY AND WITHOUT THE POSSIBILITY OF RETURN TO PREVIOUSLY INHABITED REGIONS SKIN colourS TEST NEARLY EQUAL PALO DEL COLLE SKIN colourS PROJECT SKIN colourS TEST II
Author: Alberto Argenton
Publisher: Routledge
ISBN: 0429888538
Category : Art
Languages : en
Pages : 243
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Book Description
Perception of expression distinguishes our cognitive activity in a pervasive, significant and peculiar way, and manifests itself paradigmatically in the vast world of artistic production. Art and Expression examines the cognitive processes involved in artistic production, aesthetic reception, understanding and enjoyment. Using a phenomenological theoretical and methodological framework, developed by Rudolf Arnheim and other important scholars interested in expressive media, Alberto Argenton considers a wide range of artistic works, which span the whole arc of the history of western graphic and pictorial art. Argenton analyses the representational strategies of a dynamic and expressive character that can be reduced to basic aspects of perception, like obliqueness, amodal completion, and the bilateral function of contour, giving new directions relative to the functioning of cognitive activity. Art and Expression is a monument to the fruitful collaboration of art history and psychology, and Argenton has taken great care to construct a meaningful psychological approach to the arts based also on a knowledge of pictorial genres that allows him to systematically situate the works under scrutiny. Art and Expression is an essential resource for postgraduate researchers and scholars interested in visual perception, art, and gestalt psychology.
Author: Mark Turner
Publisher: Oxford University Press
ISBN: 0195306368
Category : Architecture
Languages : en
Pages : 331
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Book Description
All normal human beings alive in the last fifty thousand years appear to have possessed, in Mark Turner's phrase, "irrepressibly artful minds." Cognitively modern minds produced a staggering list of behavioral singularities--science, religion, mathematics, language, advanced tool use, decorative dress, dance, culture, art--that seems to indicate a mysterious and unexplained discontinuity between us and all other living things. This brute fact gives rise to some tantalizing questions: How did the artful mind emerge? What are the basic mental operations that make art possible for us now, and how do they operate? These are the questions that occupy the distinguished contributors to this volume, which emerged from a year-long Getty-funded research project hosted by the Center for Advanced Study in the Behavioral Sciences at Stanford. These scholars bring to bear a range of disciplinary and cross-disciplinary perspectives on the relationship between art (broadly conceived), the mind, and the brain. Together they hope to provide directions for a new field of research that can play a significant role in answering the great riddle of human singularity.
Author: British Library. Document Supply Centre
Publisher:
ISBN:
Category : Periodicals
Languages : en
Pages : 668
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Book Description
Author: Robert R. Clewis
Publisher: Bloomsbury Publishing
ISBN: 1350030171
Category : Philosophy
Languages : en
Pages : 456
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Book Description
This is the first English-language anthology to provide a compendium of primary source material on the sublime. The book takes a chronological approach, covering the earliest ancient traditions up through the early and late modern periods and into contemporary theory. It takes an inclusive, interdisciplinary approach to this key concept in aesthetics and criticism, representing voices and traditions that have often been excluded. As such, it will be of use and interest across the humanities and allied disciplines, from art criticism and literary theory, to gender and cultural studies and environmental philosophy. The anthology includes brief introductions to each selection, reading or discussion questions, suggestions for further reading, a bibliography and index – making it an ideal text for building a course around or for further study. The book's apparatus provides valuable context for exploring the history and contemporary views of the sublime.
Author: Jean-Claude Heudin
Publisher: Springer
ISBN: 3540450165
Category : Computers
Languages : en
Pages : 325
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Book Description
Virtual Worlds 2000 is the second in a series of international scientific conferences on virtual worlds held at the International Institute of Multimedia in Paris La Défense (Pôle Universitaire Léonard de Vinci). The term "virtual worlds" generally refers to virtual reality applications or experi ences. We extend the use of these terms to describe experiments that deal with the idea of synthesizing digital worlds on computers. Thus, virtual worlds could be de fined as the study of computer programs that implement digital worlds. Constructing such complex artificial worlds seems to be extremely difficult to do in any sort of complete and realistic manner. Such a new discipline must benefit from a large amount of work in various fields: virtual reality and advanced computer graphics, artificial life and evolutionary computation, simulation of physical systems, and more. Whereas virtual reality has largely concerned itself with the design of 3D immersive graphical spaces, and artificial life with the simulation of living organisms, the field of virtual worlds, is concerned with the synthesis of digital universes considered as wholes, with their own "physical" and "biological" laws.
