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Author: Claire Sponsler
Publisher: Cornell University Press
ISBN: 1501729926
Category : Literary Criticism
Languages : en
Pages : 246
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Book Description
Throughout the Americas, performances deriving from medieval European rituals, ceremonies, and festivities made up a crucial part of the cultural cargo shipped from Europe to the overseas settlements. In 1583, Sir Humphrey Gilbert sailed from Plymouth, England, to Newfoundland, bringing with him "morris dancers, hobby horses, and Maylike Conceits" for the "allurement of the savages" and the "solace of our people." His voyage closely resembled that of twelve Franciscan friars who in 1524 had arrived in what is now Mexico armed with a repertoire of miracle plays, religious processions, and other performances. These two events, although far from unique, helped shape initial encounters between Europeans and indigenous peoples; they also marked the first stages of the process that would lead—by no means smoothly—to a distinctively American culture. Ritual Imports is a groundbreaking cultural history of European performance traditions in the New World, from the sixteenth century to the present. Claire Sponsler examines the role of survivals and adaptations of medieval drama in shaping American culture from colonization through nation building and on to today's multicultural society. The book's subjects include New Mexican matachines dances and Spanish conquest drama, Albany's Pinkster festival and Afro-Dutch religious celebrations, Philadelphia's mummers and the Anglo-Saxon revival, a Brooklyn Italian American saint's play, American and German passion plays, and academic reconstructions of medieval drama. Drawing on theories of cultural appropriation, Ritual Imports makes an important contribution to medieval and American studies as well as to cultural studies and the history of theater.
Author: Claire Sponsler
Publisher: Cornell University Press
ISBN: 1501729926
Category : Literary Criticism
Languages : en
Pages : 246
Get Book Here
Book Description
Throughout the Americas, performances deriving from medieval European rituals, ceremonies, and festivities made up a crucial part of the cultural cargo shipped from Europe to the overseas settlements. In 1583, Sir Humphrey Gilbert sailed from Plymouth, England, to Newfoundland, bringing with him "morris dancers, hobby horses, and Maylike Conceits" for the "allurement of the savages" and the "solace of our people." His voyage closely resembled that of twelve Franciscan friars who in 1524 had arrived in what is now Mexico armed with a repertoire of miracle plays, religious processions, and other performances. These two events, although far from unique, helped shape initial encounters between Europeans and indigenous peoples; they also marked the first stages of the process that would lead—by no means smoothly—to a distinctively American culture. Ritual Imports is a groundbreaking cultural history of European performance traditions in the New World, from the sixteenth century to the present. Claire Sponsler examines the role of survivals and adaptations of medieval drama in shaping American culture from colonization through nation building and on to today's multicultural society. The book's subjects include New Mexican matachines dances and Spanish conquest drama, Albany's Pinkster festival and Afro-Dutch religious celebrations, Philadelphia's mummers and the Anglo-Saxon revival, a Brooklyn Italian American saint's play, American and German passion plays, and academic reconstructions of medieval drama. Drawing on theories of cultural appropriation, Ritual Imports makes an important contribution to medieval and American studies as well as to cultural studies and the history of theater.
Author: Craig Melchert
Publisher: BRILL
ISBN: 9047402146
Category : History
Languages : en
Pages : 440
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Book Description
The Luwians played at least as important a role as the Hittites in the history of the Ancient Near East during the second and first millennia BCE, but for various reasons they have been overshadowed by and even confused with their more famous relatives and neighbours. Redressing this imbalance, the present volume by an international team of scholars offers a comprehensive, state-of-the-art appraisal of the Luwians, the first of its kind in English. A brief introduction sets the context and confronts the problem of defining 'the Luwians'. Following chapters describe their prehistory, history, writing and language, religion, and material culture.
Author: Kim Marra
Publisher: University of Iowa Press
ISBN: 1587297418
Category : Biography & Autobiography
Languages : en
Pages : 379
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Book Description
Autocratic male impresarios increasingly dominated the American stage between 1865 and 1914. Many rose from poor immigrant roots and built their own careers by making huge stars out of “undiscovered,” Anglo-identified actresses. Reflecting the antics of self-made industrial empire-builders and independent, challenging New Women, these theatrical potentates and their protégées gained a level of wealth and celebrity comparable to that of Hollywood stars today. In her engaging and provocative Strange Duets, Kim Marra spotlights three passionate impresario-actress relationships of exceptional duration that encapsulated the social tensions of the day and strongly influenced the theatre of the twentieth century. Augustin Daly and Ada Rehan, Charles Frohman and Maude Adams, and David Belasco and Mrs. Leslie Carter reigned over “legitimate” Broadway theatre, the venue of greatest social cachet for the monied classes. Unlike impresarios and actresses in vaudeville and burlesque, they produced full-length spoken drama that involved special rigors of training and rehearsal to sustain a character’s emotional “truth” as well as a high level of physical athleticism and endurance. Their efforts compelled fascination at a time when most people believed women’s emotions were seated primarily in the reproductive organs and thus were fundamentally embodied and sexual in nature. While the impresario ostensibly exercised full control over his leading lady, showing fashionable audiences that the exciting but unruly New Woman could be both tamed and enjoyed, she acquired a power of her own that could bring him to his knees.Kim Marra combines methods of cultural, gender, and sexuality studies with theatre history to explore the vexed mutual dependency between these status-seeking Svengalis and their alternately willing and resistant leading ladies. She illuminates how their on- and off-stage performances, highly charged in this Darwinian era with “racial” as well as gender, sexual, and class dynamics, tapped into the contradictory fantasies and aspirations of their audiences. Played out against a backdrop of enormous cultural and institutional transformation, the volatile romance of Daly and Rehan, closeted homosexuality of Frohman and Adams, and carnal expiations of Belasco and Carter produced strange duets indeed.
Author: Jean Allman
Publisher: Indiana University Press
ISBN: 0253111838
Category : History
Languages : en
Pages : 321
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Book Description
For many Africanist historians, traditional religion is simply a starting point for measuring the historic impact of Christianity and Islam. In Tongnaab, Jean Allman and John Parker challenge the distinction between tradition and modernity by tracing the movement and mutation of the powerful Talensi god and ancestor shrine, Tongnaab, from the savanna of northern Ghana through the forests and coastal plains of the south. Using a wide range of written, oral, and iconographic sources, Allman and Parker uncover the historical dynamics of cross-cultural religious belief and practice. They reveal how Tongnaab has been intertwined with many themes and events in West African history -- the slave trade, colonial conquest and rule, capitalist agriculture and mining, labor migration, shifting ethnicities, the production of ethnographic knowledge, and the political projects that brought about the modern nation state. This rich and original book shows that indigenous religion has been at the center of dramatic social and economic changes stretching from the slave trade to the tourist trade.
Author: Judith Weingarten
Publisher: Archaeopress Publishing Ltd
ISBN: 1803275340
Category : History
Languages : en
Pages : 372
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Book Description
Robert Koehl has long considered processions to have played an integral role in Aegean Bronze Age societies. Papers concentrate mainly on evidence from Crete, the Cyclades and the Greek mainland, with additional perspectives from abroad, these geographic divisions forming the basic outline of this volume.
Author: Douglas Bruster
Publisher: A&C Black
ISBN: 1408138166
Category : Drama
Languages : en
Pages : 309
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Book Description
Everyman and Mankind are morality plays which mark the turn of the medieval period to the early modern, with their focus on the individual. Everyman follows a man's journey towards death and his efforts to secure himself a life thereafter, whilst Mankind shows a man battling with temptation and sin, often with great humour. Both texts are modernised here and edited to the highest standards of scholarship, with full on-page commentaries giving the depth of information and insight associated with all Arden editions. The comprehensive, illustrated introduction argues that the plays signal the birth of the early modern consciousness and puts them in their historic and religious contexts. An account is also given of the staging and performance history of the plays and their critical history and significance. With a wealth of helpful and incisive commentary this is the finest edition of the plays available.
Author: Chad E. Seales
Publisher: Oxford University Press, USA
ISBN: 0199860289
Category : History
Languages : en
Pages : 253
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Book Description
Using ethnographic and archival sources, Chad E. Seales argues in The Secular Spectacle that white Protestants in Siler ritually engaged material cultures of racial segregation and southern industrialization that had been forged in the early twentieth century in order to reclaim public space following the arrival of Latino Catholics.
Author: Parmita Kapadia
Publisher: Routledge
ISBN: 1317089839
Category : Literary Criticism
Languages : en
Pages : 258
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Book Description
Explored in this essay collection is how Shakespeare is rewritten, reinscribed and translated to fit within the local tradition, values, and languages of the world's various communities and cultures. Contributors show that Shakespeare, regardless of the medium - theater, pedagogy, or literary studies - is commonly 'rooted' in the local customs of a people in ways that challenge the notion that his drama promotes a Western idealism. Native Shakespeares examines how the persistent indigenization of Shakespeare complicates the traditional vision of his work as a voice of Western culture and colonial hegemony. The international range of the collection and the focus on indigenous practices distinguishes Native Shakespeares from other available texts.
Author: Morufu B. Omigbule
Publisher: Cambridge Scholars Publishing
ISBN: 152756956X
Category : Art
Languages : en
Pages : 355
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Book Description
This book showcases six prominent ritual festivals of Ile-Ifẹ̀, Nigeria: namely Ọ̀rànfè᷂̣, Ìtàpá, Òrìṣàlásẹ̀, Ọbaresé, Òrìṣàkirè and Ọwálàrẹ́. It reveals the hidden and enduring beauties of Ifẹ̀ ritual festivals, providing rare information about the region, the acclaimed origin place and spiritual capital of Yoruba people. Through profound analysis of each of the festivals, it affords information that is unusual in both depth and breadth. The text also provides pace for the views of the practitioners of culture-specific literary-ethnographic scholarship. It, however, pushes the critical edges of its engagement with the ritual festivals and represents an important record of enduring cultural legacies with the unusual capacity to inform about Ifẹ̀ rituals in a way that serves the interest of Yoruba cultural studies in general.
Author: Tison Pugh
Publisher: University of Toronto Press
ISBN: 1487536143
Category : History
Languages : en
Pages : 336
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Book Description
The United States of Medievalism contemplates the desires, dreams, and contradictions inherent in experiencing the Middle Ages in a nation that is so temporally, spatially, and at times politically removed from them. The European Middle Ages have long influenced the national landscape of the United States through the medieval sites that permeate its self-announced republican landscapes and cities. Today, American-built medievalisms continue to shape the nation’s communities, collapsing the binaries between past and present, medieval and modern, European and American. The volume’s chapters visit the nation’s many medieval-inspired spaces, from Sherwood Forest in Texas to California’s San Andreas Fault. Stops are made in New York City’s churches, Boston’s gardens, Philadelphia’s Bryn Athyn Cathedral, Orlando’s Magic Kingdom, Appalachian highways, Minnesota’s Viking Villages, New Orleans’s Mardi Gras, and the Las Vegas Strip. As the editors and their fellow essayists take the reader on this cross-country trip across the United States, they ponder the cultural work done by the nation’s medievalized spaces. In its exploration of a seemingly distant period, this collection challenges the underexamined legacy of medievalism on the western side of the Atlantic. Full of intriguing case studies and reflections, this book is informative reading for anyone interested in the contemporary vestiges of the Middle Ages.
