Right is Wrong. Four Decades of Chinese Art from the M+ Sigg Collection

Right is Wrong. Four Decades of Chinese Art from the M+ Sigg Collection PDF Author: Lars Nittve
Publisher:
ISBN: 9789176010624
Category : Art, Chinese
Languages : en
Pages : 157

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Book Description
Right is Wrong is an extremely concentrated contemporary art history narrated through a number of key works. It gives us the opportunity to look at the connections between art and society from the specificity of recent Chinese history by showing the development of the art scene in relation to the socio-political development in China. Right is Wrong raises questions about the relationship between art and contemporary life and contemporary history. It inquires about how art reflects or mirrors a society and simultaneously influences it, about how art not only reacts to and comments on events and incidents, but also is an agent shaping our future. This exhibition raises the question: what can art do? The relationship between art and society, art and ideology, art and politics, is the underlying theme which runs through Right is Wrong.0Exhibition: Bildmuseet, Umeå, Sweden (08.06-12.10.2014).

Right is Wrong. Four Decades of Chinese Art from the M+ Sigg Collection

Right is Wrong. Four Decades of Chinese Art from the M+ Sigg Collection PDF Author: Lars Nittve
Publisher:
ISBN: 9789176010624
Category : Art, Chinese
Languages : en
Pages : 157

Get Book

Book Description
Right is Wrong is an extremely concentrated contemporary art history narrated through a number of key works. It gives us the opportunity to look at the connections between art and society from the specificity of recent Chinese history by showing the development of the art scene in relation to the socio-political development in China. Right is Wrong raises questions about the relationship between art and contemporary life and contemporary history. It inquires about how art reflects or mirrors a society and simultaneously influences it, about how art not only reacts to and comments on events and incidents, but also is an agent shaping our future. This exhibition raises the question: what can art do? The relationship between art and society, art and ideology, art and politics, is the underlying theme which runs through Right is Wrong.0Exhibition: Bildmuseet, Umeå, Sweden (08.06-12.10.2014).

Bouchra Khalili

Bouchra Khalili PDF Author: Arnisa Zeqo
Publisher: Hatje Cantz Verlag
ISBN: 3775750517
Category : Art
Languages : en
Pages : 193

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Book Description
Bouchra Khalili arbeitet medienübergreifend mit einem sehr charakteristischen Erzählstil. Diese Monografie erscheint anlässlich ihrer Ausstellung im Bildmuseet in Umeå, Schweden. Mit dem Wissen um die Avantgarden der Zeit nach der Unabhängigkeit sowie um die volkstümlichen Traditionen ihres Heimatlandes Marokko kombiniert Khalili in ihren Arbeiten verschiedene performative Strategien des Geschichtenerzählens. Diese narrativen Formen sind dabei sowohl von »ziviler Poesie«, wie sie vom italienischen Filmemacher Pier Paolo Pasolini definiert wurde, als auch von der Tradition der marokkanischen Al-Halqa inspiriert. Begleitende Essays ordnen die mit diesen Erzählweisen verbundenen Konzepte ein.

Chinese Art Since 1970

Chinese Art Since 1970 PDF Author: Pi Li
Publisher: National Geographic Books
ISBN: 0500024340
Category : Art
Languages : en
Pages : 0

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Book Description
The definitive catalog to a world-class collection of Chinese contemporary art, which includes painting, photography, sculpture, installation, and video art. The Sigg Collection is recognized as the most important and comprehensive collection of Chinese art today. It was acquired by M+, a new museum of visual culture in Hong Kong, in 2012 from the Swiss businessman, diplomat, and art collector Uli Sigg. The collection consists of 1,510 works of contemporary Chinese art, dating from the 1970s to the present and ranging across all media. It offers a unique insight into the remarkable flowering of experimental artistic practices in China during this time—a period of unprecedented social and economic change in the country that saw artists devise new, sometimes radical, approaches to artmaking, formulating new connections between art and society, and developing ground-breaking conceptual methodologies. Published to coincide with the presentation of the M+ Sigg Collection at the opening of the M+ building, Chinese Art Since 1970 features more than 600 works by more than 300 artists represented in the collection, among them Ai Weiwei, Cao Fei, and Geng Jianyi. After introductory essays by Pi Li and Uli Sigg, an illustrated chronology spanning the years 1972 to 2020 highlights important social events, exhibitions, and artistic movements to establish a context for the discussion of the featured artists and their work that follows. Punctuating this discussion are contributions from renowned art historians, curators, and critics together with in-depth explanations of key concepts and events, from Cynical Realism to the seminal exhibition China/Avant-Garde. Through the medium of the world’s pre-eminent collection of contemporary Chinese art, this volume offers an unparalleled introduction to one of the most culturally dynamic periods in modern Chinese history.

A History of Contemporary Chinese Art

A History of Contemporary Chinese Art PDF Author: Yan Zhou
Publisher: Springer Nature
ISBN: 9811511411
Category : Art
Languages : en
Pages : 530

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Book Description
Chinese art has experienced its most profound metamorphosis since the early 1950s, transforming from humble realism to socialist realism, from revolutionary art to critical realism, then avant-garde movement, and globalized Chinese art. With a hybrid mix of Chinese philosophy, imported but revised Marxist ideology, and western humanities, Chinese artists have created an alternative approach – after a great ideological and aesthetic transition in the 1980s – toward its own contemporaneity though interacting and intertwining with the art of rest of the world. This book will investigate, from the perspective of an activist, critic, and historian who grew up prior to and participated in the great transition, and then researched and taught the subject, the evolution of Chinese art in modern and contemporary times. The volume will be a comprehensive and insightful history of the one of the most sophisticated and unparalleled artistic and cultural phenomena in the modern world.

Negotiating Difference

Negotiating Difference PDF Author: John Clark
Publisher: VDG Weimar - Verlag und Datenbank für Geisteswissenschaften
ISBN: 3958994601
Category : Art
Languages : en
Pages : 375

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Book Description
Contemporary Chinese art is still a young field now being opened up to critical academic research. Negotiating Difference is a pioneering collection of articles which engage with contemporary Chinese art in a global context. The contributions collectively address the urgent methodological question of how to describe, contextualize and theorize artworks and artistic processes in and beyond the People's Republic of China since the end of the Cultural Revolution. The studies break new ground as they chalk out the transcultural entanglements of which art and its practices partake and which they in turn reconfigure. The book features 20 essays written by a select group of international junior and senior scholars engaged in ambitious and methodologically innovative research on contemporary Chinese art. Their multi-faceted, in part interdisciplinary approaches are complemented by four contributions by distinguished practitioners in the field, who - as art curators and critics - are located in China and explore key developments within Chinese art and the changing art scene of the last three decades.

The Art of Contemporary China (World of Art)

The Art of Contemporary China (World of Art) PDF Author: Jiang Jiehong
Publisher: Thames & Hudson
ISBN: 0500776288
Category : Art
Languages : en
Pages : 296

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Book Description
A redefinition of contemporary Chinese art from the last forty years in the context of unprecedented cultural, political, and urban transformation, written by an authority on the subject. Contemporary Chinese art is a subject of sustained and growing significance in present-day culture across the globe. This new volume in the World of Art series reframes Chinese art since the end of China’s Cultural Revolution more than four decades ago, placing it in the context of the nation’s unprecedented cultural, political, and urban transformation. Based on original research by writer, curator, and leading scholar in the field of contemporary Chinese art, Jiang Jiehong, this volume explores the area through firsthand materials and in-depth interviews with more than thirty artists. Providing the most up-to-date understanding of contemporary Chinese art, Jiang includes a variety of media, ranging from painting, printmaking, sculpture, and photography to installation, video, performance, and participatory art. Featuring over 150 color images of artworks by more than fifty internationally renowned Chinese artists, including Ai Weiwei and Zhang Peili, as well as emerging artists, such as Zhao Zhao, The Art of Contemporary China presents a wide variety of practices through curatorial discussions and images of original installation views and historical art events. What emerges are revelations on art, and new insights into contemporary China. Fulfilling a need for an accessible, affordable introduction to contemporary Chinese art, this volume offers a concise but far-reaching survey of the movement.

Ink Art

Ink Art PDF Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 1588395049
Category : Art
Languages : en
Pages : 210

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Book Description
"Featuring 70 works in various media--paintings, calligraphy, photographs, woodblock prints, video, and sculpture--that were created during the past three decades, Ink Art: Past as Present in Contemporary China will demonstrate how China's ancient pattern of seeking cultural renewal through the reinterpretation of past models remains a viable creative path. Although all of the artists have transformed their sources through new modes of expression, visitors will recognize thematic, aesthetic, or technical attributes in their creations that have meaningful links to China's artistic past. The exhibition will be organized thematically into four parts and will include such highlights as Xu Bing's dramatic Book from the Sky (ca. 1988), an installation that will fill an entire gallery; Family Tree (2000), a set of vivid photographs documenting a performance by Zhang Huan in which his facial features--and his identity--are obscured gradually by physiognomic texts that are inscribed directly onto his face; and Map of China (2006) by Ai Weiwei, which is constructed entirely of wood salvaged from demolished Qing dynasty temples." --

Chinese Contemporary Art in the Global Auction Market

Chinese Contemporary Art in the Global Auction Market PDF Author: Anita Archer
Publisher: BRILL
ISBN: 9004510044
Category : Art
Languages : en
Pages : 366

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Book Description
Chinese Contemporary Art in the Global Auction Market charts the rapid emergence of a multi-million-dollar global market for Chinese Contemporary art by revealing the strategic activities of art world agents in promoting the work of ‘avant-garde’ Chinese artists to a Western audience.

The Art of Contemporary China

The Art of Contemporary China PDF Author: Jiang Jiehong
Publisher: National Geographic Books
ISBN: 0500204381
Category : Art
Languages : en
Pages : 0

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Book Description
A redefinition of contemporary Chinese art from the last forty years in the context of unprecedented cultural, political, and urban transformation, written by an authority on the subject. Contemporary Chinese art is a subject of sustained and growing significance in present-day culture across the globe. This new volume in the World of Art series reframes Chinese art since the end of China’s Cultural Revolution more than four decades ago, placing it in the context of the nation’s unprecedented cultural, political, and urban transformation. Based on original research by writer, curator, and leading scholar in the field of contemporary Chinese art, Jiang Jiehong, this volume explores the area through firsthand materials and in-depth interviews with more than thirty artists. Providing the most up-to-date understanding of contemporary Chinese art, Jiang includes a variety of media, ranging from painting, printmaking, sculpture, and photography to installation, video, performance, and participatory art. Featuring over 150 color images of artworks by more than fifty internationally renowned Chinese artists, including Ai Weiwei and Zhang Peili, as well as emerging artists, such as Zhao Zhao, The Art of Contemporary China presents a wide variety of practices through curatorial discussions and images of original installation views and historical art events. What emerges are revelations on art, and new insights into contemporary China. Fulfilling a need for an accessible, affordable introduction to contemporary Chinese art, this volume offers a concise but far-reaching survey of the movement.

New Kids On The Block: An Exploration into ‘The New Chinese’ collectors as Producers of Meaning in Chinese contemporary art

New Kids On The Block: An Exploration into ‘The New Chinese’ collectors as Producers of Meaning in Chinese contemporary art PDF Author: Patrizia Koenig
Publisher: GRIN Verlag
ISBN: 3656356971
Category : Art
Languages : en
Pages : 20

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Book Description
Seminar paper from the year 2012 in the subject Art - Extra-European art, grade: A+, University of California, Los Angeles, course: Contemporary Chinese Art Seminar, language: English, abstract: This term paper explores the increasing presence of Chinese collectors of contemporary Chinese art. It is driven by the idea that collectors ‘produce’ or cultivate meaning in the larger canon of art history. Based on Belk’s analysis of collecting as a consumption activity (1991), the motivations of these collectors and the resulting implications for contemporary art are investigated. The development of patronage and art appreciation throughout China’s tumultuous past, and the current barren cultural landscape have given rise to a collector who differs greatly to the traditional model. At the same time, it is hypothesized that there exists a more deeper-lying uniquely Chinese altruism next to the amalgam of social refinement, identity, nationalistic and financial motives. On the basis of this, is suggested that whereas the current nature of collecting contemporary art in China does not yet demonstrate the high level of critical thinking and sophistication that would be beneficial for the development of the contemporary art scene, there nevertheless lies potential for a more healthy development in the years to come.