Author: Simon Williams
Publisher: Praeger
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 212
Book Description
In contrast to most books on Richard Wagner, this biography focuses primarily on Wagner as an important figure in the development of the theatre. While his contribution to music history has been exhaustively documented and analyzed, his theatrical ventures, in particular the founding of the Bayreuth Festival, have not been the object of much research by English-speaking theatre historians. Nevertheless, the Festival was a crucial event in the development of the European theatre: while Bayreuth established the paradigm for all modern theatre and music festivals, the Festival Theatre itself has provided the most widely imitated architectural configuration in twentieth-century theatre building.
Richard Wagner and Festival Theatre
Richard Wagner and Festival Theatre
Author: Simon Williams
Publisher: Praeger
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 208
Book Description
In contrast to most books on Richard Wagner, this biography focuses primarily on Wagner as an important figure in the development of the theatre. While his contribution to music history has been exhaustively documented and analyzed, his theatrical ventures, in particular the founding of the Bayreuth Festival, have not been the object of much research by English-speaking theatre historians. Nevertheless, the Festival was a crucial event in the development of the European theatre: while Bayreuth established the paradigm for all modern theatre and music festivals, the Festival Theatre itself has provided the most widely imitated architectural configuration in twentieth-century theatre building.
Publisher: Praeger
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 208
Book Description
In contrast to most books on Richard Wagner, this biography focuses primarily on Wagner as an important figure in the development of the theatre. While his contribution to music history has been exhaustively documented and analyzed, his theatrical ventures, in particular the founding of the Bayreuth Festival, have not been the object of much research by English-speaking theatre historians. Nevertheless, the Festival was a crucial event in the development of the European theatre: while Bayreuth established the paradigm for all modern theatre and music festivals, the Festival Theatre itself has provided the most widely imitated architectural configuration in twentieth-century theatre building.
Richard Wagner and Festival Theatre
Author: Simon Williams
Publisher: Praeger
ISBN: 0275936082
Category : Performing Arts
Languages : en
Pages : 0
Book Description
In contrast to most books on Richard Wagner, this biography focuses primarily on Wagner as an important figure in the development of the theatre. While his contribution to music history has been exhaustively documented and analyzed, his theatrical ventures, in particular the founding of the Bayreuth Festival, have not been the object of much research by English-speaking theatre historians. Nevertheless, the Festival was a crucial event in the development of the European theatre: while Bayreuth established the paradigm for all modern theatre and music festivals, the Festival Theatre itself has provided the most widely imitated architectural configuration in twentieth-century theatre building.
Publisher: Praeger
ISBN: 0275936082
Category : Performing Arts
Languages : en
Pages : 0
Book Description
In contrast to most books on Richard Wagner, this biography focuses primarily on Wagner as an important figure in the development of the theatre. While his contribution to music history has been exhaustively documented and analyzed, his theatrical ventures, in particular the founding of the Bayreuth Festival, have not been the object of much research by English-speaking theatre historians. Nevertheless, the Festival was a crucial event in the development of the European theatre: while Bayreuth established the paradigm for all modern theatre and music festivals, the Festival Theatre itself has provided the most widely imitated architectural configuration in twentieth-century theatre building.
“The” Music Dramas of Richard Wagner and His Festival Theatre in Bayreuth
Author: Albert Lavignac
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Bayreuth
Author: Frederic Spotts
Publisher: Yale University Press
ISBN: 9780300066654
Category : Music
Languages : en
Pages : 348
Book Description
Providing an overall account of the history of the Wagner festival, a critical analysis of its performers, productions, and enthusiasts establishes its remarkable beginnings, controversial associations, and surprising successes
Publisher: Yale University Press
ISBN: 9780300066654
Category : Music
Languages : en
Pages : 348
Book Description
Providing an overall account of the history of the Wagner festival, a critical analysis of its performers, productions, and enthusiasts establishes its remarkable beginnings, controversial associations, and surprising successes
Wagner and the Art of the Theatre
Author: Patrick Carnegy
Publisher: Yale University Press
ISBN: 9780300106954
Category : Music
Languages : en
Pages : 492
Book Description
Chapitre 6, p. 175-207, consacré à Adolphe Appia.
Publisher: Yale University Press
ISBN: 9780300106954
Category : Music
Languages : en
Pages : 492
Book Description
Chapitre 6, p. 175-207, consacré à Adolphe Appia.
The Music Dramas of Richard Wagner and His Festival Theatre in Bayreuth
Author: Albert Lavignac
Publisher:
ISBN:
Category : Bayreuth Festspiele (Germany : City)
Languages : en
Pages : 558
Book Description
Publisher:
ISBN:
Category : Bayreuth Festspiele (Germany : City)
Languages : en
Pages : 558
Book Description
Drama and the World of Richard Wagner
Author: Dieter Borchmeyer
Publisher: Princeton University Press
ISBN: 9780691114972
Category : Music
Languages : en
Pages : 430
Book Description
Richard Wagner continues to be the most controversial artist in history, a perpetually troubling figure in our cultural consciousness. The unceasing debate over his works and their impact--for and against--is one reason why there has been no genuinely comprehensive modern account of his musical dramas until now. Dieter Borchmeyer's book is the first to present an overall picture of these musical dramas from the standpoint of literary and theatrical history. It extends from the composer's early works--still largely ignored--to the Ring Cycle and Parsifal, and includes Wagner's unfinished works and operas he never set to music. Through lively prose, we come to see Wagner as a librettist--and as a man of letters--rather than primarily as musical composer. Borchmeyer uncovers a vast field of cultural and historical cross-references in Wagner's works. In the first part of the book, he sets out in search of the various archetypal scenes, opening up the composer's dramatic workshop to the reader. He covers all of Wagner's operas, from early juvenilia to the canonical later works. The second part examines Wagner in relation to political figures including King Ludwig II and Bismarck, and, importantly, in light of critical reactions by literary giants--Thomas Mann, whom Borchmeyer calls "a guiding light in this exploration of the fields that Wagner tilled," and Nietzsche, whose appeal to "philology" is a key source of inspiration in attempts to grapple with Wagner's works. For more than twenty years, Borchmeyer has placed his scholarship at the service of the famed Bayreuth Festival. With this volume, he gives us a summation of decades of engagement with the phenomenon of Wagner and, at the same time, the result of an abiding critical passion for his works.
Publisher: Princeton University Press
ISBN: 9780691114972
Category : Music
Languages : en
Pages : 430
Book Description
Richard Wagner continues to be the most controversial artist in history, a perpetually troubling figure in our cultural consciousness. The unceasing debate over his works and their impact--for and against--is one reason why there has been no genuinely comprehensive modern account of his musical dramas until now. Dieter Borchmeyer's book is the first to present an overall picture of these musical dramas from the standpoint of literary and theatrical history. It extends from the composer's early works--still largely ignored--to the Ring Cycle and Parsifal, and includes Wagner's unfinished works and operas he never set to music. Through lively prose, we come to see Wagner as a librettist--and as a man of letters--rather than primarily as musical composer. Borchmeyer uncovers a vast field of cultural and historical cross-references in Wagner's works. In the first part of the book, he sets out in search of the various archetypal scenes, opening up the composer's dramatic workshop to the reader. He covers all of Wagner's operas, from early juvenilia to the canonical later works. The second part examines Wagner in relation to political figures including King Ludwig II and Bismarck, and, importantly, in light of critical reactions by literary giants--Thomas Mann, whom Borchmeyer calls "a guiding light in this exploration of the fields that Wagner tilled," and Nietzsche, whose appeal to "philology" is a key source of inspiration in attempts to grapple with Wagner's works. For more than twenty years, Borchmeyer has placed his scholarship at the service of the famed Bayreuth Festival. With this volume, he gives us a summation of decades of engagement with the phenomenon of Wagner and, at the same time, the result of an abiding critical passion for his works.
The Bookman
Author:
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 920
Book Description
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 920
Book Description
Das Richard Wagner Festspielhaus Bayreuth
Author: Markus Kiesel
Publisher:
ISBN: 9783000208096
Category :
Languages : en
Pages : 223
Book Description
Publisher:
ISBN: 9783000208096
Category :
Languages : en
Pages : 223
Book Description