Revolutionary Melodrama PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Revolutionary Melodrama PDF full book. Access full book title Revolutionary Melodrama by Joel S. Gordon. Download full books in PDF and EPUB format.
Author: Joel S. Gordon
Publisher:
ISBN:
Category : History
Languages : en
Pages : 320
Get Book Here
Book Description
Revolutionary Melodrama explores intersections between cinema and politics during the Nasser era, a period in which a military regime embarked upon the construction of a new civic identity for an independent Egypt. The way in which filmmakers participated in this venture provides the focal point, with their cultural production as the central texts which both shaped and were shaped by an emerging sense of a new Egypt. With the blessing of a "revolutionary" regime, filmmakers began to explore issues of social inequity, colonial and feudal exploitation, changing gender roles, religious and cultural traditions and, finally, the disappointments of the revolutionary project itself. No realm of cultural production holds greater import for the Nasser era than the cinema. Even those who are active in deconstructing the last vestiges of the Nasserist state trumpet the Nasser era as a "golden age" of the arts and media. The faces and voices on big and little screens, many still alive, some still working, constitute a pantheon who many Egyptians, young and old alike, feel will never be replaced. The author approaches his subject as a scholar of the early Nasser years who has turned his attention to questions of civic identity and its relationship to art and political symbology. The work is enriched and informed by extensive interviews with a large circle of people engaged in the production or analysis of Egyptian cinema and broadcast, then and now: directors, actors, critics, historians, scenarists, censors, musicians, writers, politicians, and government ministers. Egyptian film remains a largely ignored topic in an ever-growing literature on film and culture. This book sheds new light on what many consider to be the greatest era of Egyptian filmmaking, one that remains formative for many engaged in creating Egyptian films today.
Author: Joel S. Gordon
Publisher:
ISBN:
Category : History
Languages : en
Pages : 320
Get Book Here
Book Description
Revolutionary Melodrama explores intersections between cinema and politics during the Nasser era, a period in which a military regime embarked upon the construction of a new civic identity for an independent Egypt. The way in which filmmakers participated in this venture provides the focal point, with their cultural production as the central texts which both shaped and were shaped by an emerging sense of a new Egypt. With the blessing of a "revolutionary" regime, filmmakers began to explore issues of social inequity, colonial and feudal exploitation, changing gender roles, religious and cultural traditions and, finally, the disappointments of the revolutionary project itself. No realm of cultural production holds greater import for the Nasser era than the cinema. Even those who are active in deconstructing the last vestiges of the Nasserist state trumpet the Nasser era as a "golden age" of the arts and media. The faces and voices on big and little screens, many still alive, some still working, constitute a pantheon who many Egyptians, young and old alike, feel will never be replaced. The author approaches his subject as a scholar of the early Nasser years who has turned his attention to questions of civic identity and its relationship to art and political symbology. The work is enriched and informed by extensive interviews with a large circle of people engaged in the production or analysis of Egyptian cinema and broadcast, then and now: directors, actors, critics, historians, scenarists, censors, musicians, writers, politicians, and government ministers. Egyptian film remains a largely ignored topic in an ever-growing literature on film and culture. This book sheds new light on what many consider to be the greatest era of Egyptian filmmaking, one that remains formative for many engaged in creating Egyptian films today.
Author: Heike Paul
Publisher: transcript Verlag
ISBN: 3839459737
Category : Social Science
Languages : en
Pages : 401
Get Book Here
Book Description
This new go-to reference book for global melodrama assembles contributions by experts from a wide range of disciplines, including cultural studies, film and media studies, gender and queer studies, political science, and postcolonial studies. The melodramas covered in this volume range from early 20th century silent movies to contemporary films, from independent ›arthouse‹ productions to Hollywood blockbusters. The comprehensive overview of global melodramatic film in the Lexicon constitutes a valuable resource for scholars and practitioners of film, teachers, film critics, and anyone who is interested in the past and present of melodramatic film on a global scale. The Lexicon of Global Melodrama includes essays on All That Heaven Allows, Bombay, Casablanca, Die Büchse der Pandora, In the Mood for Love, Nosotros los Pobres, Terra Sonâmbula, and Tokyo Story.
Author: Susan Dever
Publisher: SUNY Press
ISBN: 9780791457634
Category : Social Science
Languages : en
Pages : 292
Get Book Here
Book Description
Explores issues of representation and rebellion in Mexican and Mexican American cinema.
Author: Lynn Mally
Publisher: Cornell University Press
ISBN: 1501706977
Category : History
Languages : en
Pages : 280
Get Book Here
Book Description
During the Russian Revolution and Civil War, amateur theater groups sprang up in cities across the country. Workers, peasants, students, soldiers, and sailors provided entertainment ranging from improvisations to gymnastics and from propaganda sketches to the plays of Chekhov. In Revolutionary Acts, Lynn Mally reconstructs the history of the amateur stage in Soviet Russia from 1917 to the height of the Stalinist purges. Her book illustrates in fascinating detail how Soviet culture was transformed during the new regime's first two decades in power. Of all the arts, theater had a special appeal for mass audiences in Russia, and with the coming of the revolution it took on an important role in the dissemination of the new socialist culture. Mally's analysis of amateur theater as a space where performers, their audiences, and the political authorities came into contact enables her to explore whether this culture emerged spontaneously "from below" or was imposed by the revolutionary elite. She shows that by the late 1920s, Soviet leaders had come to distrust the initiatives of the lower classes, and the amateur theaters fell increasingly under the guidance of artistic professionals. Within a few years, state agencies intervened to homogenize repertoire and performance style, and with the institutionalization of Socialist Realist principles, only those works in a unified Soviet canon were presented.
Author: Omar Khalifah
Publisher: Edinburgh University Press
ISBN: 1474410200
Category : Social Science
Languages : en
Pages : 256
Get Book Here
Book Description
The late President of Egypt, Gamal Abdel Nasser (1918-1970), has been represented in many major works of Egyptian literature and film, and continues to have a presence in everyday life and discourse in the country. Omar Khalifah's analysis of these representations focuses on how the historical character of Nasser has emerged in the Egyptian imaginary. He explores the recurrent images of Nasser in literature and film and shows how Nasser constitutes a perfect site for plural interpretations. He argues that Nasser has become a rhetorical device, a figure of speech, a trope that connotes specific images constantly invoked whenever he is mentioned. His study makes a case for literature and art to be seen as alternative archives that question, erase, distort and add to the official history of Nasser.
Author: Jane Gaines
Publisher: Duke University Press
ISBN: 9780822312994
Category : Performing Arts
Languages : en
Pages : 366
Get Book Here
Book Description
An overview of film studies
Author: Terrell Carver
Publisher: Cambridge University Press
ISBN: 1316432114
Category : Political Science
Languages : en
Pages : 317
Get Book Here
Book Description
The Cambridge Companion to The Communist Manifesto covers the historical and biographical contexts and major contemporary interpretations of this classic text for understanding Marx and Engels, and for grasping Marxist political theory. The editors and contributors offer innovative accounts of the history of the text in relation to German revolutionaries, European socialism, and socialist political projects; rhetorical, dramaturgical, feminist and postcolonial readings of the text; and theoretical analyses in relation to political economy, political theory and major concepts of Marxism. The volume includes a fresh translation into English, by Terrell Carver, of the first edition (1848), and an exacting transcription of the rare earliest English translation (1850) by Helen Macfarlane.
Author: David E. James
Publisher: U of Minnesota Press
ISBN: 9780816627042
Category : Art
Languages : en
Pages : 314
Get Book Here
Book Description
Ranging from the earliest days of the cinema to the present, The Hidden Foundation reestablishes class as a fundamental aspect of film history. Featuring prominent film scholars and historians, this volume is unique in its international scope, diversity of perspectives and methodologies, and the sweep of its analysis. The Hidden Foundation begins with a review of the history of class in social and political thought, going on to chronicle its disappearance from film and cultural studies. Subsequent essays consider topics ranging from American and Soviet silent film through Chinese and American film in the fifties, to the restructuring of the working class that was a feature of films of the 1980s in both the United States and Great Britain.
Author: Tomos Wallbank-Hughes
Publisher: LSU Press
ISBN: 0807182346
Category : Literary Criticism
Languages : en
Pages : 246
Get Book Here
Book Description
America’s Imagined Revolution explores the Reconstruction period after the Civil War to ask narratological, historiographical, and theoretical questions about how slave emancipation has (and has not) been theorized as revolution. Reading historical fiction by authors such as George Washington Cable, Albion Tourgée, Charles Chesnutt, Frances Harper, and W. E. B. Du Bois in dialogue with nineteenth-century historical writing—and the era’s legal, political, and print culture—Tomos Wallbank-Hughes excavates an evanescent form of historicist writing sensitive to the revolutionary changes that shaped life in the emancipation-era South. As an aesthetic form, the historical novel of Reconstruction poses questions about revolutionary experience in plantation societies, and in the process challenges critical assumptions about historical time in the nineteenth century: How do authors narrate epochal change that also feels like retrenchment? In what direction does history travel if it does not progress? What narratives of race, class, and region encompass both continued domination and ruptured power? By plumbing the situations that give it form, the historical novel of Reconstruction provides a window into the literary culture of the South’s long nineteenth century in which, rather than a storehouse of tradition, the region became a terrain for interpreting social revolution and uncovering slavery’s revolutionary afterlives. America’s Imagined Revolution offers a new interpretation of the literary and historiographical significance of the Reconstruction period and its relationship to American literary history.
Author: David Andress
Publisher: OUP Oxford
ISBN: 019100992X
Category : History
Languages : en
Pages : 796
Get Book Here
Book Description
The Oxford Handbook of the French Revolution brings together a sweeping range of expert and innovative contributions to offer engaging and thought-provoking insights into the history and historiography of this epochal event. Each chapter presents the foremost summations of academic thinking on key topics, along with stimulating and provocative interpretations and suggestions for future research directions. Placing core dimensions of the history of the French Revolution in their transnational and global contexts, the contributors demonstrate that revolutionary times demand close analysis of sometimes tiny groups of key political actors - whether the king and his ministers or the besieged leaders of the Jacobin republic - and attention to the deeply local politics of both rural and urban populations. Identities of class, gender and ethnicity are interrogated, but so too are conceptions and practices linked to citizenship, community, order, security, and freedom: each in their way just as central to revolutionary experiences, and equally amenable to critical analysis and reflection. This Handbook covers the structural and political contexts that build up to give new views on the classic question of the 'origins of revolution'; the different dimensions of personal and social experience that illuminate the political moment of 1789 itself; the goals and dilemmas of the period of constitutional monarchy; the processes of destabilisation and ongoing conflict that ended that experiment; the key issues surrounding the emergence and experience of 'terror'; and the short- and long-term legacies, for both good and ill, of the revolutionary trauma - for France, and for global politics.
