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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 80
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 80
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Book Description
Author: Vladimir Il'ich Lenin
Publisher:
ISBN:
Category : Communism
Languages : es
Pages : 282
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Book Description
Author: Vladimir Illich Lenin
Publisher:
ISBN:
Category :
Languages : es
Pages : 271
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Book Description
Author: Carlos Germán Renes
Publisher:
ISBN:
Category :
Languages : en
Pages : 27
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Book Description
Author: Rebecca Gordon-Nesbitt
Publisher: PM Press
ISBN: 1629631302
Category : History
Languages : en
Pages : 442
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Book Description
Grounded in painstaking research, To Defend the Revolution Is to Defend Culture revisits the circumstances which led to the arts being embraced at the heart of the Cuban Revolution. Introducing the main protagonists to the debate, this previously untold story follows the polemical twists and turns that ensued in the volatile atmosphere of the 1960s and ’70s. The picture that emerges is of a struggle for dominance between Soviet-derived approaches and a uniquely Cuban response to the arts under socialism. The latter tendency, which eventually won out, was based on the principles of Marxist humanism. As such, this book foregrounds emancipatory understandings of culture. To Defend the Revolution Is to Defend Culture takes its title from a slogan – devised by artists and writers at a meeting in October 1960 and adopted by the First National Congress of Writers and Artists the following August – which sought to highlight the intrinsic importance of culture to the Revolution. Departing from popular top-down conceptions of Cuban policy-formation, this book establishes the close involvement of the Cuban people in cultural processes and the contribution of Cuba’s artists and writers to the policy and praxis of the Revolution. Ample space is dedicated to discussions that remain hugely pertinent to those working in the cultural field, such as the relationship between art and ideology, engagement and autonomy, form and content. As the capitalist world struggles to articulate the value of the arts in anything other than economic terms, this book provides us with an entirely different way of thinking about culture and the policies underlying it.
Author: Carmen Claudín-Urondo
Publisher:
ISBN: 9788433914149
Category :
Languages : es
Pages : 126
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Book Description
Author: Robin D. Moore
Publisher: Univ of California Press
ISBN: 0520247108
Category : Art
Languages : en
Pages : 734
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Book Description
Annotation A history of Cuban music during the Castro regime (1950s to the present.
Author: Lincoln Cushing
Publisher: Chronicle Books
ISBN: 9780811835824
Category : Antiques & Collectibles
Languages : en
Pages : 140
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Book Description
The poster was the popular art form in Cuba following the Cuban Revolution, when the government sponsored some 10,000 public posters on a fascinating range of cultural, social, and political themes. Revolucin!, produced with unprecedented access to Cuban national archives, assembles nearly 150 of these powerful but little—seen works of popular art. From the 1960s through the 1980s, the posters rallied the Cuban people to the huge task of building a new society, promoting massive sugar harvests and national literacy campaigns; opposing the U.S. war in Vietnam; celebrating films, music, dance, and baseball with a unique graphic wit and exuberant colorful style. With an introduction illuminating the rich social and artistic history of the posters, and rare biographical information on the artists themselves, this striking volume offers a window into the story of Cuba—and a truly revolutionary chapter in graphic design.
Author: Robin D. Moore
Publisher: Univ of California Press
ISBN: 0520247116
Category : History
Languages : en
Pages : 368
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Book Description
Annotation A history of Cuban music during the Castro regime (1950s to the present.
Author: David Craven
Publisher: Yale University Press
ISBN: 0300082118
Category : Art
Languages : en
Pages : 248
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Book Description
In this book, David Craven investigates the extraordinary impact of three Latin American revolutions on the visual arts and on cultural policy. The three great upheavals - in Mexico (1910-40), in Cuba (1959-89), and in Nicaragua (1979-90) - were defining moments in twentieth-century life in the Americas. Craven discusses the structural logic of each movement's artistic project - by whom, how, and for whom artworks were produced - and assesses their legacies. In each case, he demonstrates how the consequences of the revolution reverberated in the arts and cultures far beyond national borders.
