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Author: Anita Auer
Publisher: University of Wales Press
ISBN: 1786833964
Category : History
Languages : en
Pages : 177
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Book Description
1. Interdisciplinary nature of the volume 2. Reflection of recent work carried on the North of England in various projects 3. Sheds new light on the North of England (underexplored thus far) and asks new questions / sets out new lines of inquiry for future research (?)
Author: Anita Auer
Publisher: University of Wales Press
ISBN: 1786833964
Category : History
Languages : en
Pages : 177
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Book Description
1. Interdisciplinary nature of the volume 2. Reflection of recent work carried on the North of England in various projects 3. Sheds new light on the North of England (underexplored thus far) and asks new questions / sets out new lines of inquiry for future research (?)
Author: Joseph Taylor
Publisher: Cambridge University Press
ISBN: 1009182110
Category : Literary Criticism
Languages : en
Pages : 275
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Book Description
Uncovering the medieval origin of England's North-South divide, Joseph Taylor examines the complex dynamics of regionalism and nationalism.
Author: Anita Auer
Publisher: University of Wales Press
ISBN: 1786833956
Category : History
Languages : en
Pages : 190
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Book Description
1. Interdisciplinary nature of the volume 2. Reflection of recent work carried on the North of England in various projects 3. Sheds new light on the North of England (underexplored thus far) and asks new questions / sets out new lines of inquiry for future research (?)
Author: Christiania Whitehead
Publisher: Cambridge University Press
ISBN: 1108490352
Category : Biography & Autobiography
Languages : en
Pages : 337
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Book Description
This book surveys the textual representation of Cuthbert, the premier northern English saint, from the seventh to fifteenth centuries.
Author: Liz Herbert McAvoy
Publisher: Boydell & Brewer
ISBN: 1843845989
Category : Literary Criticism
Languages : en
Pages : 408
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Book Description
During the Middle Ages, the arresting motif of the walled garden - especially in its manifestation as a sacred or love-inflected hortus conclusus - was a common literary device. Usually associated with the Virgin Mary or the Lady of popular romance, it appeared in myriad literary and iconographic forms, largely for its aesthetic, decorative and symbolic qualities. This study focuses on the more complex metaphysical functions and meanings attached to it between 1100 and 1400 - and, in particular, those associated with the gardens of Eden and the Song of Songs. Drawing on contemporary theories of gender, gardens, landscape and space, it traces specifically the resurfacing and reworking of the idea and image of the enclosed garden within the writings of medieval holy women and other female-coded texts. In so doing, it presents the enclosed garden as generator of a powerfully gendered hermeneutic imprint within the medieval religious imaginary - indeed, as an alternative "language" used to articulate those highly complex female-coded approaches to God that came to dominate late-medieval religiosity. The book also responds to the "eco-turn" in our own troubled times that attempts to return the non-human to the centre of public and private discourse. The texts under scrutiny therefore invite responses as both literary and "garden" spaces where form often reflects content, and where their authors are also diligent "gardeners" the apocryphal Lives of Adam and Eve, for example; the horticulturally-inflected Hortus Deliciarum of Herrad of Hohenburg and the "green" philosophies of Hildegard of Bingen's Scivias; the visionary writings of Gertrude the Great and Mechthild of Hackeborn collaborating within their Helfta nunnery; the Middle English poem, Pearl; and multiple reworkings of the deeply problematic and increasingly sexualized garden enclosing the biblical figure of Susanna.
Author: Merja Stenroos
Publisher: John Benjamins Publishing Company
ISBN: 9027260486
Category : Language Arts & Disciplines
Languages : en
Pages : 322
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Book Description
English local documents – leases, wills, accounts, letters and the like – provide a unique resource for historical sociolinguistics. Abundant from the early fifteenth century, they represent the language and concerns of people from a wide range of social, institutional and geographical backgrounds. However, as relatively few documents have been available digitally or in print, they have been an underresearched resource. This volume shows the tremendous potential of late- and post-medieval English local documents: highly variable in language, often colourful, including developing formulae as well as glimpses of actual recorded speech. The volume contains eleven chapters relating to a new resource, A Corpus of Middle English Local Documents (MELD). The first four chapters outline a theoretical and methodological approach to the study of local documents. The remaining seven present studies of different aspects of the material, including supralocalization, local patterns of spelling and morphology, land terminology, punctuation, formulaicness and multilingualism.
Author: Louise Campion
Publisher: University of Wales Press
ISBN: 1786838311
Category : History
Languages : en
Pages : 200
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Book Description
This book represents the first full-length study of the prevalence of domestic imagery in late medieval religious literature. It examines as yet understudied patterns of household imagery and allegory across four fifteenth-century spiritual texts, all of which are Middle English translations of earlier Latin works. These texts are drawn from a range of popular genres of medieval religious writing, including spiritual guidance texts, Lives of Christ and collections of revelations received by visionary women. All of the texts discussed in this book have identifiable late medieval readers, which further enables a discussion of the way in which these book users might have responded to the domestic images in each one. This is a hugely important area of enquiry, as the literal late medieval household was becoming increasingly culturally important during the fourteenth and fifteenth centuries, and these texts’ frequent recourse to domestic imagery would have been especially pertinent.
Author: Carolyne Larrington
Publisher: Manchester University Press
ISBN: 1526176122
Category : Literary Criticism
Languages : en
Pages : 243
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Book Description
Over the last twenty-five years, the ‘history of emotion’ field has become one of the most dynamic and productive areas for humanities research. This designation, and the marked leadership of historians in the field, has had the unlooked-for consequence of sidelining literature — in particular secular literature — as evidence-source and object of emotion study. Secular literature, whether fable, novel, fantasy or romance, has been understood as prone to exaggeration, hyperbole, and thus as an unreliable indicator of the emotions of the past. The aim of this book is to decentre history of emotion research and asks new questions, ones that can be answered by literary scholars, using literary texts as sources: how do literary texts understand and depict emotion and, crucially, how do they generate emotion in their audiences — those who read them or hear them read or performed?
Author: David Fuller
Publisher: Springer Nature
ISBN: 3030744434
Category : Literary Criticism
Languages : en
Pages : 558
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Book Description
This open access book studies breath and breathing in literature and culture and provides crucial insights into the history of medicine, health and the emotions, the foundations of beliefs concerning body, spirit and world, the connections between breath and creativity and the phenomenology of breath and breathlessness. Contributions span the classical, medieval, early modern, Romantic, Victorian, modern and contemporary periods, drawing on medical writings, philosophy, theology and the visual arts as well as on literary, historical and cultural studies. The collection illustrates the complex significance and symbolic power of breath and breathlessness across time: breath is written deeply into ideas of nature, spirituality, emotion, creativity and being, and is inextricable from notions of consciousness, spirit, inspiration, voice, feeling, freedom and movement. The volume also demonstrates the long-standing connections between breath and place, politics and aesthetics, illuminating both contrasts and continuities.
Author: Kathryn Loveridge
Publisher: Boydell & Brewer
ISBN: 184384656X
Category : History
Languages : en
Pages : 361
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Book Description
Initiates a wider development of inquiries into women's literary cultures to move the reader beyond single geographical, linguistic, cultural and period boundaries. Since the closing decades of the twentieth century, medieval women's writing has been the subject of energetic conversation and debate. This interest, however, has focused predominantly on western European writers working within the Christian tradition: the Saxon visionaries, Mechthild of Hackeborn, Mechthild of Magdeburg, Gertrude the Great, for example, and, in England, Julian of Norwich and Margery Kempe are cases in point. While this present book acknowledges the huge importance of such writers to women's literary history, it also argues that they should no longer be read solely within a local context. Instead, by putting them into conversation with other literary women and their cultures from wider geographical regions and global cultures - women from eastern Europe and their books, dramas and music; the Welsh gwraig llwyn a pherth (woman of bush and brake); the Indian mystic, Mirabai; Japanese women writers from the Heian period; women saints from across Christian Europe and those of eleventh-century Islam or late medieval Ethiopia; for instance - much more is to be gained in terms of our understanding of the drivers behind and expressions of medieval women's literary activities in far broader contexts. This volume considers the dialogue, synergies, contracts and resonances emerging from such new alignments, and to help a wider, multidirectional development of this enquiry into women's literary cultures.
