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Author: Lyutsiya Staub
Publisher: Narr Francke Attempto Verlag
ISBN: 3772057004
Category : Literary Criticism
Languages : en
Pages : 235
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Book Description
This work analyses the relationship between visual art and contemporary art fiction by addressing the problem of the ekphrastic re-presentation and re-interpretation of an Impressionist figure painting through its composition, selected details of the painting and allusion to specific techniques used in the process of creating the masterpiece based on the examples of the following novels: Luncheon of the Boating Party (LOTBP) by Susan Vreeland (2007), Mademoiselle Victorine (MV) by Debra Finerman (2007), With Violets (WV) by Elizabeth Robards (2008), Dancing for Degas (DFD) by Kathryn Wagner (2010) and The Painted Girls (TPG) by Cathy Marie Buchanan (2013).
Author: Lyutsiya Staub
Publisher: Narr Francke Attempto Verlag
ISBN: 3772057004
Category : Literary Criticism
Languages : en
Pages : 235
Get Book Here
Book Description
This work analyses the relationship between visual art and contemporary art fiction by addressing the problem of the ekphrastic re-presentation and re-interpretation of an Impressionist figure painting through its composition, selected details of the painting and allusion to specific techniques used in the process of creating the masterpiece based on the examples of the following novels: Luncheon of the Boating Party (LOTBP) by Susan Vreeland (2007), Mademoiselle Victorine (MV) by Debra Finerman (2007), With Violets (WV) by Elizabeth Robards (2008), Dancing for Degas (DFD) by Kathryn Wagner (2010) and The Painted Girls (TPG) by Cathy Marie Buchanan (2013).
Author: Lyutsiya Staub
Publisher: Narr Francke Attempto Verlag
ISBN: 3772002137
Category : Literary Criticism
Languages : en
Pages : 321
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Book Description
This work analyses the relationship between visual art and contemporary art fiction by addressing the problem of the ekphrastic re-presentation and re-interpretation of an Impressionist figure painting through its composition, selected details of the painting and allusion to specific techniques used in the process of creating the masterpiece based on the examples of the following novels: Luncheon of the Boating Party (LOTBP) by Susan Vreeland (2007), Mademoiselle Victorine (MV) by Debra Finerman (2007), With Violets (WV) by Elizabeth Robards (2008), Dancing for Degas (DFD) by Kathryn Wagner (2010) and The Painted Girls (TPG) by Cathy Marie Buchanan (2013).
Author: Stephan Wolohojian
Publisher: Metropolitan Museum of Art
ISBN: 1588397637
Category : Art
Languages : en
Pages : 324
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Book Description
Friends, rivals, and at times antagonists, Édouard Manet and Edgar Degas maintained a pictorial dialogue throughout their lives as they both worked to define the painting of modern urban life. Manet/Degas, the first book to consider their careers in parallel, investigates how their objectives overlapped, diverged, and shaped each other’s artistic choices. Enlivened by archival correspondence and records of firsthand accounts, essays by American and French scholars take a fresh look at the artists’ family relationships, literary friendships, and interconnected social and intellectual circles in Paris; explore their complex depictions of race and class; discuss their political views in the context of wars in France and the United States; compare their artistic practices; and examine how Degas built his personal collection of works by Manet after his friend’s premature death. An illustrated biographical chronology charts their intersecting lives and careers. This lavishly illustrated, in-depth study offers an opportunity to reevaluate some of the most canonical French artworks of the nineteenth century, including Manet’s Olympia, Degas’s The Absinthe Drinker, and other masterworks.
Author: Catherine de Duve
Publisher:
ISBN: 9782930382920
Category : Painters
Languages : en
Pages : 95
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Book Description
Author: Julie Manet
Publisher: Bloomsbury Publishing
ISBN: 1786721929
Category : Biography & Autobiography
Languages : en
Pages : 243
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Book Description
Julie Manet, the niece of Edouard Manet and the daughter of the most famous female Impressionist artist, Berthe Morisot, was born in Paris on 14 November 1878 into a wealthy and cultured milieu at the height of the Impressionist era. Many young girls still confide their inner thoughts to diaries and it is hardly surprising that, with her mother giving all her encouragement, Julie would prove to be no exception to the rule. At the age of ten, Julie began writing her `memoirs' but it wasn't until August 1893, at fourteen, that Julie began her diary in earnest: no neat leather-bound volume with lock and key but just untidy notes scribbled in old exercise books, often in pencil, the presentation as spontaneous as its contents. Her extraordinary diary - newly translated here by an expert on Impressionism - reveals a vivid depiction of a vital period in France's cultural history seen through the youthful and precocious eyes of the youngest member of what was surely the most prominent artistic family of the time.
Author: Jacques Dufwa
Publisher:
ISBN:
Category : Design
Languages : en
Pages : 232
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Book Description
Author: Douglas W. Druick
Publisher: Abrams
ISBN:
Category : Art
Languages : en
Pages : 120
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Book Description
Auguste Renoir (1841-1919) is one of the best-loved French Impressionists. In this new volume in the Artists in Focus series, Douglas Druick shows 40 of Renoir's works from the Art Institute of Chicago's collection, all reproduced in full color, with numerous comparison illustrations, quotations from the artist, and further insights into his work and life.
Author: Jeffrey Meyers
Publisher: Oldcastle Books Ltd
ISBN: 1904915515
Category : Art
Languages : en
Pages : 343
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Book Description
In this book, Jeffrey Meyers follows the lives of four Impressionist painters whose rebellious work was scorned by the critics and derided by their contemporaries. The French art establishment dismissed them altogether and at the time their sold for very little. Impressionist Quartet describes the relationships between these artists and how they struggle emotionally and intellectually to create a new way of seeing and representing the world.
Author: Charles River Charles River Editors
Publisher: Createspace Independent Publishing Platform
ISBN: 9781983753824
Category :
Languages : en
Pages : 174
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Book Description
*Includes pictures*Includes the artists' quotes about their lives and art*Includes online resources and a bibliography for further reading*Includes a table of contentsTo get a sense of the kind of prestige that Claude Monet enjoys within the art world, one need only learn that his Le Bassin Aux Nymphe�s (1919) - from his series of paintings featuring water lilies - sold for the equivalent of more than $70 million. This is an incredibly staggering price, especially considering that early in his life, Monet had been so poor and debt-ridden that some of his paintings were taken from him by creditors. How, exactly, did Monet progress from being an impoverished young Impressionist artist working at the vanguard of European art to the legendary Master whose works command prices near the very pinnacle of the art world?Naturally, Monet's commercial success soared exponentially in the decades following his death in 1926, at a time in which the prices commanded by the great Masters of Western art began rising in price at exponential rates. Yet even during his own lifetime, Monet enjoyed a sharp rise to fame and was canonized as one of the greatest painters in France. Following sharply in the footsteps of Edouard Manet, Claude Monet was one of the first painters identified within the Impressionist circle (indeed, it was Monet himself who coined the label of Impressionist after using it in the title of one of his paintings). Where some artists reach the peak of their acclaim early in life, Monet's star continued to rise even throughout his old age; although some would argue that the last decade or so of his life were anticlimactic, at least from an artistic standpoint, his landmark water lilies were made during his elderly years. And even though Monet would continue to paint well after the canonical period of Impressionism had ended, his name was and remains synonymous with Impressionism, along with cherished acquaintances of his, including such luminaries as Pierre-August Renoir, Camille Pissarro, and Edouard Manet. Simply put, Monet is a monumental figure when it comes to examining Western art during the second half of the 19th century.Pierre-Auguste Renoir stands alongside Claude Monet at the very peak of Impressionist painting, and though neither of them can be credited with founding the movement (that honor likely goes to Edouard Manet or Edgar Degas), Renoir and Monet remain inextricably tied to the key characteristics of Impressionism: loose brushwork; outdoor painting; an emphasis on capturing natural light and shadow; and a focus on remaining in Paris and the surrounding countryside. Yet if Monet and Renoir are each remembered for their affiliation with these descriptors, differences nevertheless distinguish them, especially the fact that Renoir concentrated less on nature than did Monet, attending instead to scenes depicting Parisian leisure activity. This thematic concern for depicting scenes of idyllic Parisian enjoyment, such as rowing in boats or grand luncheons, imbues Renoir with a greater sense of joie-de-vivre than Monet or perhaps any of the other members of the Impressionist cohort. Even though Renoir's art shares much in common with his Impressionist colleagues, both his handling of paint and even his subject matter contain significant differences that render him truly unique as a painter. That Renoir captured scenes of leisure better than any of his contemporaries was surprising and unlikely considering the background in which he was raised. Denied the opportunity for a proper education, Renoir's painting, which started at a young age, was borne more out of a need to work than in pursuit of a lifelong passion. Renoir certainly loved to paint, but like Monet, painting always remained his profession, and he treated it as such. Monet & Renoir looks at the personal background that led to the two becoming artists and the cultural climate in which they rose to fame.
Author: Julie (Manet) Rouart
Publisher:
ISBN:
Category :
Languages : en
Pages : 8
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Book Description
