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Author: Schomburg Collection of Negro Literature and History
Publisher:
ISBN:
Category : Africa
Languages : en
Pages : 936
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Book Description
Author: Schomburg Collection of Negro Literature and History
Publisher:
ISBN:
Category : Africa
Languages : en
Pages : 936
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Book Description
Author: Schomburg Collection of Negro Literature and History
Publisher:
ISBN:
Category : African Americans
Languages : en
Pages : 954
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Book Description
Author: African Institution (London, England).
Publisher:
ISBN:
Category : Antislavery movements
Languages : en
Pages : 644
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Book Description
Author: Anthony Benezet
Publisher:
ISBN:
Category : Anti-slavery literature
Languages : en
Pages : 50
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Author: David Eltis
Publisher: New York, N.Y. : Oxford University Press
ISBN: 0195041356
Category : Antislavery movements
Languages : en
Pages : 433
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Book Description
This is the first study to consider the consequences of Britain's abolition of the Atlantic slave trade for British imperial expansion and the world economy.
Author: Keith Hamilton
Publisher: Liverpool University Press
ISBN: 1836241143
Category : History
Languages : en
Pages : 249
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Book Description
Throughout the nineteenth century, British governments engaged in a global campaign against the slave trade. They sought through coercion and diplomacy to suppress the trade on the high seas and in Africa and Asia. This collection of essays examines the role played by individuals and institutions in the diplomacy of suppression.
Author: Seymour Drescher
Publisher: Oxford University Press
ISBN: 0190291966
Category : History
Languages : en
Pages : 318
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Book Description
By the mid-eighteenth century, the transatlantic slave trade was considered to be a necessary and stabilizing factor in the capitalist economies of Europe and the expanding Americas. Britain was the most influential power in this system which seemed to have the potential for unbounded growth. In 1833, the British empire became the first to liberate its slaves and then to become a driving force toward global emancipation. There has been endless debate over the reasons behind this decision. This has been portrayed on the one hand as a rational disinvestment in a foundering overseas system, and on the other as the most expensive per capita expenditure for colonial reform in modern history. In this work, Seymour Drescher argues that the plan to end British slavery, rather than being a timely escape from a failing system, was, on the contrary, the crucial element in the greatest humanitarian achievement of all time. The Mighty Experiment explores how politicians, colonial bureaucrats, pamphleteers, and scholars taking anti-slavery positions validated their claims through rational scientific arguments going beyond moral and polemical rhetoric, and how the infiltration of the social sciences into this political debate was designed to minimize agitation on both sides and provide common ground. Those at the inception of the social sciences, such as Adam Smith and Thomas Malthus, helped to develop these tools to create an argument that touched on issues of demography, racism, and political economy. By the time British emancipation became legislation, it was being treated as a massive social experiment, whose designs, many thought, had the potential to change the world. This study outlines the relationship of economic growth to moral issues in regard to slavery, and will appeal to scholars of British history, nineteenth century imperial history, the history of slavery, and those interested in the history of human rights. The Mighty Experiment was the winner of First Prize, Frederick Douglass Book Prize, Gilder Lehrman Center for the Study of Slavery, Resistance, and Abolition.
Author: Samuel Abraham Walker
Publisher:
ISBN:
Category : Missionaries
Languages : en
Pages : 608
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Author: Zachary Macaulay
Publisher:
ISBN:
Category : Slave trade
Languages : en
Pages : 128
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Book Description
Author: Shyon Baumann
Publisher: Princeton University Press
ISBN: 0691187282
Category : Performing Arts
Languages : en
Pages : 242
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Book Description
Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art.
