Return to the Forbidden Planet by Bob Carlton PDF Download
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Author: Cambridge Theatre
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: Bob Carlton
Publisher: Samuel French, Inc.
ISBN: 9780573695995
Category : Drama
Languages : en
Pages : 76
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Book Description
Inspired by Shakepeare's The Tempest, this juke box musical is packed with rock 'n' roll classics such as Heard it Through the Grapevine, Young Girl, Good Vibrations, and Gloria. Blast off on a routine flight and crash into the planet D'Illyria where a sci fi version of The Tempest set to rock and roll golden oldies unfolds with glee. The planet is inhabited by a sinister scientist, Dr. Prospero; his delightful daughter Miranda; Ariel, a faithful robot on roller skates; and an uncontrollable monster, the product of Prospero's Id, whose tentacles penetrate the space craft.
Author: Cambridge Theatre
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 4
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Author: Bob Carlton
Publisher: Faber Music Limited
ISBN: 9780571526062
Category : Motion picture music
Languages : en
Pages : 0
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Book Description
Author: Robert O'Harrow
Publisher: Simon and Schuster
ISBN: 0743287053
Category : History
Languages : en
Pages : 369
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Book Description
An award-winning "Washington Post" journalist takes readers on an unsettling ride behind the scenes of the emerging surveillance society where private companies and the government watch every move.
Author: Stanley Wells
Publisher: Cambridge University Press
ISBN: 9780521523837
Category : Drama
Languages : en
Pages : 282
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Book Description
The first fifty volumes of this yearbook of Shakespeare studies are being reissued in paperback.
Author: Patrick M. Murphy
Publisher: Routledge
ISBN: 1136601155
Category : Literary Criticism
Languages : en
Pages : 596
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Book Description
The Tempest: Critical Essays traces the history of Shakespeare's controversial late romance from its early reception (and adaptation) in the seventeenth and eighteenth centuries to the present. The volume reprints influential criticism, and it also offers eight originalessays which study The Tempest from a variety of contemporary perspectives, including cultural materialism, feminism, deconstruction, performance theory, and postcolonial studies. Unlike recent anthologies about The Tempest which reprint contemporary articles along with a few new essays, this volume contains a mixture of old and new materials pertaining to the play's use in the theater and in literary history.
Author: John R. Severn
Publisher: Routledge
ISBN: 0429997787
Category : Music
Languages : en
Pages : 222
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Book Description
Shakespeare as Jukebox Musical is the first book-length study of a growing performance phenomenon: musical adaptations of Shakespeare’s plays in which characters sing existing popular songs as one of their modes of communication. John Severn shows how these highly allusive works give rise to the pleasures of collaborative reception, and also lend themselves to political work, particularly in terms of identity politics and a valorisation of diversity. Drawing on musical theatre history, adaptation theory, Shakespeare studies and musicology, the book develops a critical approach that allows jukebox-musical versions of Shakespeare to be understood and valued both for their political potential and for the experiences they offer to audiences as artistic responses to Shakespeare. Case studies from the USA, the UK and Australia demonstrate how these works open new windows on Shakespeare’s plays and their performance traditions, on the wider jukebox musical trend, and on adaptation as an art form.
Author: Judy L. Oliva
Publisher: Routledge
ISBN: 113557197X
Category : Performing Arts
Languages : en
Pages : 262
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Book Description
First Published in 1996. Part of a series of ‘Studies in Modern Drama’, Volume 7 This volume Studies in Modern Drama collects essays on contemporary theatre which reveal the changing face of the world, as well as challenges to the boundaries of traditional stage production. Authors examine familiar texts in new settings, discovering what editor Judy Lee Oliva calls “the effect of cultural- specific gestures, stances and the nuance of words,” so that audiences and critics are forced to recognize stereotypes and re-evaluate older critical methods. Topics range from directing gay and working-class theatre in Scotland to producing American and British drama in Holland, Belgium, and Poland. New voices in the theatre are heard, and old ones are put to new tests. What remains is the power of performance to inspire emotional and intellectual response. Writers, directors, costume designers, producers, and critics provide an uncommon range of perspectives to the changing roles of theatre in an increasingly global community.
Author: Thomas S. Hischak
Publisher: Scarecrow Press
ISBN: 0810877724
Category : Performing Arts
Languages : en
Pages : 523
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Book Description
Although the venue Off Broadway has long been the birthplace of innovative and popular musicals, there have been few studies of these influential works. Long-running champs, such as The Fantasticks and Little Shop of Horrors, are discussed in many books about American musicals, but what of the hundreds of other Off-Broadway musicals? In Off-Broadway Musicals since 1919, Thomas Hischak looks at more than 375 musicals, which are described, discussed, and analyzed, with particular attention given to their books, scores, performers, and creators. Presented chronologically and divided into chapters for each decade, beginning with the landmark musical Greenwich Village Follies (1919), the book culminates with the satiric The Toxic Avenger (2009). In this volume, any work of consequence is covered, especially if it was popular or influential, but also dozens of more obscure musicals are included to illustrate the depth and breadth of Off Broadway. Works that introduced an important artistic talent, from performers to songwriters, are looked at, and the selection represents the various trends and themes that made Off Broadway significant. In addition to essential data about each musical, the plot and score are described, the success (or lack of) is chronicled, and an opinionated commentary discusses the work's merits and influences on the musical theatre in general. The first book of its kind, this highly readable volume will please both the theatre scholar and the average musical theatre patron or fan.
