Rethinking Occupied Ireland PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Rethinking Occupied Ireland PDF full book. Access full book title Rethinking Occupied Ireland by Jessica Scarlata. Download full books in PDF and EPUB format.
Author: Jessica Scarlata
Publisher: Syracuse University Press
ISBN: 0815652410
Category : Performing Arts
Languages : en
Pages : 292
Get Book Here
Book Description
Imprisonment is a central trope of Irish nationalism, often deployed to portray the injustice of an Ireland occupied by foreign rule. Irish nationalism celebrates people jailed for resistance to British forces. While such a celebratory history resists colonialist images of Irish brutality, it also generates nationalist amnesia and nostalgia. Rethinking Occupied Ireland takes this history as its point of departure, arguing that the potent visual language generated to represent national heroes facilitates a narrow conceptualization of "occupation" and "resistance." Irish cinema has long offered a double critique—against both colonialist and nationalist historiography. Through a study of incarceration in film, Scarlata critiques state-of-emergency discourses and reveals the global relevance of Irish history to questions of terrorism, security, and sexual and gender transgression in an ever-lengthening list of crimes against the nation. The films included in this book, ranging from 1980 to 2010, explore Irish history from the perspective of those marginalized within or ejected from Irish and British national narratives, providing an ideal occasion to interrogate the legacy of colonialism and post/anticolonial nationalism. Examining Ireland’s past in relation to its present, these films become a mode of postcolonial historiography, and, Scarlata argues, they are an important component in the reevaluation of what constitutes political cinema and political resistance.
Author: Jessica Scarlata
Publisher: Syracuse University Press
ISBN: 0815652410
Category : Performing Arts
Languages : en
Pages : 292
Get Book Here
Book Description
Imprisonment is a central trope of Irish nationalism, often deployed to portray the injustice of an Ireland occupied by foreign rule. Irish nationalism celebrates people jailed for resistance to British forces. While such a celebratory history resists colonialist images of Irish brutality, it also generates nationalist amnesia and nostalgia. Rethinking Occupied Ireland takes this history as its point of departure, arguing that the potent visual language generated to represent national heroes facilitates a narrow conceptualization of "occupation" and "resistance." Irish cinema has long offered a double critique—against both colonialist and nationalist historiography. Through a study of incarceration in film, Scarlata critiques state-of-emergency discourses and reveals the global relevance of Irish history to questions of terrorism, security, and sexual and gender transgression in an ever-lengthening list of crimes against the nation. The films included in this book, ranging from 1980 to 2010, explore Irish history from the perspective of those marginalized within or ejected from Irish and British national narratives, providing an ideal occasion to interrogate the legacy of colonialism and post/anticolonial nationalism. Examining Ireland’s past in relation to its present, these films become a mode of postcolonial historiography, and, Scarlata argues, they are an important component in the reevaluation of what constitutes political cinema and political resistance.
Author: Patrick O?Mahony
Publisher:
ISBN: 9781349265886
Category :
Languages : en
Pages :
Get Book Here
Book Description
Author: Patrick O'Mahony
Publisher: Springer
ISBN: 0230286445
Category : Political Science
Languages : en
Pages : 229
Get Book Here
Book Description
This book provides a critical interpretation of the construction of Irish national identity in the longer perspective of history. Drawing on recent sociological theory, the authors demonstrate how national identity was invented and codified by a nationalist intelligentsia in the late nineteenth century. The trajectory of this national identity is traced as a process of crisis and contradiction. One of the central arguments is that the negative implications of Irish national identity have never been fully explored by social science.
Author: Tomas Finn
Publisher: Manchester University Press
ISBN: 1526130130
Category : History
Languages : en
Pages : 263
Get Book Here
Book Description
The 1950s and 1960s were a transformative phase in modern Irish history. In these years, a conservative society dominated by the Catholic Church, and a state which was inward-looking and distrustful of novelty, gradually opened up to fresh ideas. This book considers this change. It explores how the intellectual movement Tuairim (‘opinion’ in Irish), was at the vanguard of the challenge to orthodoxy and conservatism. Tuairim contributed to debates on issues as diverse as Northern Ireland, the economy, politics, education, childcare and censorship. The society established branches throughout Ireland, including Belfast, and in London. It produced frequent critical publications and boasted a membership that included the future Taoiseach, Dr Garret FitzGerald. Tuairim occupied a unique position within contemporary debates on Ireland’s present and future. This book is concerned with its role in the modernisation of Ireland. In so doing it also addresses topics of continued relevance for the Ireland of today, including the Northern Ireland Peace Process and the institutional care of children.
Author: Claire Bracken
Publisher: Routledge
ISBN: 1317451341
Category : Social Science
Languages : en
Pages : 189
Get Book Here
Book Description
This book is about the future: Ireland’s future and feminism’s future, approached from a moment that has recently passed. The Celtic Tiger (circa 1995-2008) was a time of extraordinary and radical change, in which Ireland’s economic, demographic, and social structures underwent significant alteration. Conceptions of the future are powerfully prevalent in women’s cultural production in the Tiger era, where it surfaces as a form of temporality that is open to surprise, change, and the unknown. Examining a range of literary and filmic texts, Irish Feminist Futures analyzes how futurity structures representations of the feminine self in women’s cultural practice. Relationally connected and affectively open, these representations of self enable sustained engagements with questions of gender, race, sexuality, and class as they pertain to the material, social, and cultural realities of Celtic Tiger Ireland. This book will appeal to students and scholars of Irish studies, Irish feminist criticism, sociology, cultural studies, literature, women's studies, gender studies, neo-materialist and feminist theories.
Author: Roddy Flynn
Publisher: Rowman & Littlefield
ISBN: 1538119587
Category : Performing Arts
Languages : en
Pages : 656
Get Book Here
Book Description
This second edition of Historical Dictionary of Irish Cinema contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 500 cross-referenced entries on key Irish actors, directors, producers and other personnel from over a century of Irish film history.
Author: Ketlyn Mara Rosa
Publisher: Springer Nature
ISBN: 303134698X
Category : Performing Arts
Languages : en
Pages : 222
Get Book Here
Book Description
This book focuses on the analysis of sensorial representations of violent images in contemporary films that portray embodied violation in urban environments of street clashes and prisons in Northern Ireland and Brazil during the late twentieth century. There is an emphasis on the representation of senses and how they play a significant role in structuring narratives and mapping the cinematic landscapes of conflict. Whether on the streets and prisons of Belfast, Derry, São Paulo or Rio, the attention is on the endangered body and its fragility or strength. Analyzing films through the novel framework of sensorial perspective enables the understanding of urban and prison landscapes as part of a somatic geography that affects the corporeal engagement of the participants. As a multicultural study, this is an essential book for those interested in the relationship between cinema and history while taking into consideration the interactive roles of the senses and perception.
Author: Ruth Barton
Publisher: Manchester University Press
ISBN: 1526124459
Category : Performing Arts
Languages : en
Pages : 277
Get Book Here
Book Description
An accessible, comprehensive overview of contemporary Irish cinema, this book is intended for use as a third-level textbook and is designed to appeal to academics in the areas of film studies and Irish studies. Responding to changes in the Irish production environment, it includes chapters on new Irish genres such as creative documentary, animation and horror. It discusses shifting representations of the countryside and the city, always with a strong concern for gender representations, and looks at how Irish historical events, from the Civil War to the Troubles, and the treatment of the traumatic narrative of clerical sexual abuse have been portrayed in recent films. It covers works by established auteurs such as Neil Jordan and Jim Sheridan, as well as new arrivals, including the Academy Award-winning Lenny Abrahamson.
Author: Marc C. Conner
Publisher: Springer Nature
ISBN: 3031045688
Category : Performing Arts
Languages : en
Pages : 290
Get Book Here
Book Description
In this book, each chapter explores significant Irish texts in their literary, cultural, and historical contexts. With an introduction that establishes the multiple critical contexts for Irish cinema, literature, and their adaptive textual worlds, the volume addresses some of the most popular and important late 20th-Century and 21st Century works that have had an impact on the Irish and global cinema and literary landscape. A remarkable series of acclaimed and profitable domestic productions during the past three decades has accompanied, while chronicling, Ireland’s struggle with self-identity, national consciousness, and cultural expression, such that the story of contemporary Irish cinema is in many ways the story of the young nation’s growth pains and travails. Whereas Irish literature had long stood as the nation’s foremost artistic achievement, it is not too much to say that film now rivals literature as Ireland’s key form of cultural expression. The proliferation of successful screen versionings of Irish fiction and drama shows how intimately the contemporary Irish cinema is tied to the project of both understanding and complicating (even denying) a national identity that has undergone radical change during the past three decades. This present volume is the first to present a collective accounting of that productive synergy, which has seen so much of contemporary Irish literature transferred to the screen.
Author: Eileen Kearney
Publisher: Syracuse University Press
ISBN: 0815652925
Category : Drama
Languages : en
Pages : 362
Get Book Here
Book Description
Irish women dramatists have long faced an uphill challenge in getting the recognition and audience of their male counterparts. There are more female playwrights now than ever before, but they are often ignored by mainstream theatres. Kearney and Headrick strive to shift the spotlight with Irish Women Dramatists. The plays collected in this volume represent a cross-section of the excellent dramatic output of Irish women writing in the twentieth century. In addition to the scripts and biographical introductions, the anthology includes a detailed, critical, annotated essay addressing the development of the Irish theatre throughout this time period, and the place women have artistically carved out for themselves in a traditionally male-dominated theatre industry and dramatic canon. One of the few collections of plays by Irish women, this volume contextualizes the political and sociological climate in which these playwrights developed. As theatre practitioners—actors and directors—as well as scholars, Kearney and Headrick have devoted years of research to discovering and rediscovering the contributions these women have made—and continue to make—in the Irish and world theatre scenes.
