Rethinking J.S. Bach’s Musical Offering PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Rethinking J.S. Bach’s Musical Offering PDF full book. Access full book title Rethinking J.S. Bach’s Musical Offering by Anatoly Milka. Download full books in PDF and EPUB format.
Author: Anatoly Milka
Publisher: Cambridge Scholars Publishing
ISBN: 1527541010
Category : Music
Languages : en
Pages : 238
Get Book Here
Book Description
J.S. Bach’s Musical Offering is a broadly known and extensively studied collection of musical pieces, written in 1747 shortly after his visit to the Potsdam court of Frederick the Great. The composition, however, survived in separated sheets of different formats, and finding the logic of its organization into a cycle became a great challenge for scholars of the following centuries. Based on ground-breaking findings by Christoph Wolff, who revealed the main principles of the Musical Offering’s structure, as well as those promulgated by Hans Theodor David, and more recently by G. Butler, W. Wiemer, R. Tatlow, and many other scholars, this book develops and revises their ideas, arriving at a unique conception of the possible original structure of the Musical Offering. While the rods of the collection do not provoke disagreements among scholars, the ordering of the ten canons (including the Fuga canonica) remains mysterious in many aspects, and this text gives them a close examination. It considers their kinds (thematic and contrapuntal); textual inscriptions; the canons’ function within the cycle (as vignettes to the main pieces); and their location, among other aspects. The volume includes profuse references to historical and cultural context; court etiquette; contrapuntal techniques; the history of the ricercar; expertise in Bach’s handwriting and habits of music layout in his manuscripts; and the Baroque principles of organization in arts.
Author: Anatoly Milka
Publisher: Cambridge Scholars Publishing
ISBN: 1527541010
Category : Music
Languages : en
Pages : 238
Get Book Here
Book Description
J.S. Bach’s Musical Offering is a broadly known and extensively studied collection of musical pieces, written in 1747 shortly after his visit to the Potsdam court of Frederick the Great. The composition, however, survived in separated sheets of different formats, and finding the logic of its organization into a cycle became a great challenge for scholars of the following centuries. Based on ground-breaking findings by Christoph Wolff, who revealed the main principles of the Musical Offering’s structure, as well as those promulgated by Hans Theodor David, and more recently by G. Butler, W. Wiemer, R. Tatlow, and many other scholars, this book develops and revises their ideas, arriving at a unique conception of the possible original structure of the Musical Offering. While the rods of the collection do not provoke disagreements among scholars, the ordering of the ten canons (including the Fuga canonica) remains mysterious in many aspects, and this text gives them a close examination. It considers their kinds (thematic and contrapuntal); textual inscriptions; the canons’ function within the cycle (as vignettes to the main pieces); and their location, among other aspects. The volume includes profuse references to historical and cultural context; court etiquette; contrapuntal techniques; the history of the ricercar; expertise in Bach’s handwriting and habits of music layout in his manuscripts; and the Baroque principles of organization in arts.
Author: Anatoly Milka
Publisher: Routledge
ISBN: 1317064054
Category : Music
Languages : en
Pages : 498
Get Book Here
Book Description
The enigmatic character of The Art of Fugue became apparent as early as in its first edition, printed more than a year after the composer’s death. Carl Philipp Emanuel Bach, who published both the first and the second editions, raised several unsolved questions regarding this opus. Anatoly P Milka presents a consistent and coherent solution to the unresolved questions about the history, structure and appearance of J.S. Bach’s The Art of Fugue, opening new perspectives for further exploration of this musical masterpiece. Milka challenges the present scholarly consensus that there exist two different versions of The Art of Fugue (the Autograph and the Original Edition) and argues that Bach had considered four versions, of which only two are apparent and have been discussed so far. Only Bach’s illness and death prevented him from fulfilling his plan and publishing a fourth, conclusive version of his opus.
Author: Matthew Dirst
Publisher: Oxford University Press
ISBN: 0197536638
Category : Music
Languages : en
Pages : 185
Get Book Here
Book Description
"Bach's Art of Fugue and Musical Offering is the first comprehensive study of two closely related masterworks of the late Baroque fugal style. The initial volume in a series of American Bach Society Guides produced in collaboration with Oxford University Press, it unpacks these famously cerebral collections as endlessly fascinating material for study and play. Intended for a general readership, this compact guide also summarizes for practitioners a considerable body of knowledge about these singular works. Bach scholar and keyboard player Matthew Dirst explains their idiosyncratic musical language in initial chapters while reviewing how both projects took shape during Bach's final decade, as he reoriented his creative energies around capstone works of various kinds. The most systematic of these, the Art of Fugue and Musical Offering reflect his lifelong fascination with learned counterpoint, as demonstrated in elaborate series of fugues and canons in both and in an unusually intricate trio sonata in the latter. Later chapters provide commentary on individual movements and groups of pieces and on the historical reception of this music, including its impact on other disciplines. Recurring themes include Bach's diligent exploration of contrapuntal types and techniques, his embrace of musical games of various sorts, and his creative assimilation of diverse musical styles"--
Author: Bettina Varwig
Publisher: Oxford University Press
ISBN: 0190943890
Category : Music
Languages : en
Pages : 417
Get Book Here
Book Description
This book a offers a multitude of provocative new perspectives on one of the most iconic composers in the Western classical tradition. Its collective rethinking of some of our most cherished narratives and deeply held beliefs about Johann Sebastian Bach will allow readers to see the man in a new light and to hear his music with new ears.
Author: David Schulenberg
Publisher: Oxford University Press
ISBN: 0190936312
Category : Music
Languages : en
Pages : 433
Get Book Here
Book Description
Bach has remained a figure of continuous fascination and interest to scholars and readers since the original Master Musicians Bach volume's publication in 1983 - even since its revision in 2000, understanding of Bach and his music's historical and cultural context has shifted substantially. Reflecting new biographical information that has only emerged in recent decades, author David Schulenberg contributes to an ongoing scholarly conversation about Bach with clarity and concision. Bach traces the man's emergence as a startlingly original organist and composer, describing his creative evolution, professional career, and family life from contemporary societal and cultural perspectives in early modern Europe. His experiences as student, music director, and teacher are examined alongside the music he produced in each of these roles, including early compositions for keyboard instruments, the great organ and harpsichord works of later years, vocal music, and other famous instrumental works, including the Brandenburg Concertos. Schulenberg also illuminates how Bach incorporated his contemporary environment into his work: he responded to music by other composers, to his audiences and employment conditions, and to developments in poetry, theology, and even the sciences. The author focuses on Bach's evolution as a composer by ultimately recognizing "Bach's world" in the specific cities, courts, and environments within and for which he composed. Dispensing with biographical minutiae and more closely examining the interplay between his life and his music, Bach presents a unique, grounded, and refreshing new framing of a brilliant composer.
Author: Christoph Wolff
Publisher: Harvard University Press
ISBN: 9780674059269
Category : Biography & Autobiography
Languages : en
Pages : 484
Get Book Here
Book Description
More than two centuries after his lifetime, J. S. Bach's work continues to set musical standards. Noted Bach scholar Christoph Wolff offers new perspectives on the composer's life and remarkable career.
Author: Robert Lewis Marshall
Publisher:
ISBN: 1580469620
Category : MUSIC
Languages : en
Pages : 356
Get Book Here
Book Description
Interpretive and biographical essays by a major authority on Bach and Mozart probe for clues to the driving forces and experiences that shaped the character and the extraordinary artistic achievements of these iconic composers.
Author: Carol Baron
Publisher: University Rochester Press
ISBN: 9781580461900
Category : History
Languages : en
Pages : 300
Get Book Here
Book Description
The ambiguities and transitional structures in that early modern world have contributed to the inconsistencies that are part of Bach's legacy." "The essays are complemented by statements (never before translated) about Lutheran church music by two of Bach's close contemporaries, Gottfried Ephraim Scheibel and Johann Kuhnau."--Jacket.
Author: Jeremy Begbie
Publisher: OUP Oxford
ISBN: 0191611816
Category : Religion
Languages : en
Pages : 270
Get Book Here
Book Description
When the story of modernity is told from a theological perspective, music is routinely ignored—despite its pervasiveness in modern culture and the manifold ways it has been intertwined with modernity's ambivalent relation to the Christian God. In conversation with musicologists and music theorists, this collection of essays shows that the practices of music and the discourses it has generated bear their own kind of witness to some of the pivotal theological currents and counter-currents shaping modernity. Music has been deeply affected by these currents and in some cases may have played a part in generating them. In addition, Jeremy Begbie argues that music is capable of yielding highly effective ways of addressing and moving beyond some of the more intractable theological problems and dilemmas which modernity has bequeathed to us. Music, Modernity, and God includes studies of Calvin, Luther, and Bach, an exposition of the intriguing tussle between Rousseau and the composer Rameau, and an account of the heady exaltation of music to be found in the early German Romantics. Particular attention is paid to the complex relations between music and language, and the ways in which theology, a discipline involving language at its heart, can come to terms with practices like music, practices which are coherent and meaningful but which in many respects do not operate in language-like ways.
Author: Lynn M. Hooker
Publisher:
ISBN: 0199739595
Category : History
Languages : en
Pages : 321
Get Book Here
Book Description
In the early twentieth century, Bela Bartók and his circle argued for a new definition of "Hungarianness," one which centered around folksong rather than the "Hungarian-Gypsy" style relied upon by Franz Liszt and his contemporaries. This book traces the historical process that defined the conventions of Hungarian-Gypsy style, and reveals through this decades-long debate what it meant to be Hungarian, European, and modern.
