Restoration of America's Wire Act, Serial No. 114-19, March 25, 2015, 114-1 PDF Download
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Languages : en
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Languages : en
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Author: United States. Congress. House. Committee on the Judiciary. Subcommittee on Crime, Terrorism, Homeland Security, and Investigations
Publisher:
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Category : Gambling
Languages : en
Pages : 176
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Author: United States. Congress
Publisher: Createspace Independent Publishing Platform
ISBN: 9781981436491
Category :
Languages : en
Pages : 176
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Restoration of America's Wire Act : hearing before the Subcommittee on Crime, Terrorism, Homeland Security, and Investigations of the Committee on the Judiciary, House of Representatives, One Hundred Fourteenth Congress, first session, on H.R. 707, March 25, 2015.
Author: United States. Congress. House. Committee on the Judiciary
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Category :
Languages : en
Pages : 96
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Category : United States
Languages : en
Pages : 750
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![1980 Census of Population : Volume 1, Characteristics of the Population : Part 1. United States Summary. Parts 2-57. [States and Territories.] PDF](https://books.google.com/books/content/images/frontcover/GZd7qFHvQwwC?fife=w80-h100)
Author: United States. Bureau of the Census
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Category :
Languages : en
Pages : 782
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Author: Diana L. Linden
Publisher: Wayne State University Press
ISBN: 0814339840
Category : Art
Languages : en
Pages : 185
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A study of Ben Shahn’s New Deal murals (1933–43) in the context of American Jewish history, labor history, and public discourse. Lithuanian-born artist Ben Shahn learned fresco painting as an assistant to Diego Rivera in the 1930s and created his own visually powerful, technically sophisticated, and stylistically innovative artworks as part of the New Deal Arts Project’s national mural program. InBen Shahn’s New Deal Murals: Jewish Identity in the American Scene author Diana L. Linden demonstrates that Shahn mined his Jewish heritage and left-leaning politics for his style and subject matter, offering insight into his murals’ creation and their sometimes complicated reception by officials, the public, and the press. In four chapters, Linden presents case studies of select Shahn murals that were created from 1933 to 1943 and are located in public buildings in New York, New Jersey, and Missouri. She studies Shahn’s famous untitled fresco for the Jersey Homesteads—a utopian socialist cooperative community populated with former Jewish garment workers and funded under the New Deal—Shahn’s mural for the Bronx Central Post Office, a fresco Shahn proposed to the post office in St. Louis, and a related one-panel easel painting titled The First Amendment located in a Queens, New York, post office. By investigating the role of Jewish identity in Shahn’s works, Linden considers the artist’s responses to important issues of the era, such as President Roosevelt’s opposition to open immigration to the United States, New York’s bustling garment industry and its labor unions, ideological concerns about freedom and liberty that had signifcant meaning to Jews, and the encroachment of censorship into American art. Linden shows that throughout his public murals, Shahn literally painted Jews into the American scene with his subjects, themes, and compositions. Readers interested in Jewish American history, art history, and Depression-era American culture will enjoy this insightful volume.
Author: New York (N.Y.)
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Category : New York (N.Y
Languages : en
Pages : 968
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Category : Finance
Languages : en
Pages : 866
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Category : Science
Languages : en
Pages : 432
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Book Description
Monthly magazine devoted to topics of general scientific interest.
