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Author: Henri de Riedmatten
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111072738
Category : Antiques & Collectibles
Languages : en
Pages : 192
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Book Description
The aim of this publication is to clarify the relationships between material restoration and politics in Italian Renaissance art. The focus of this research is on the question of origin as a foothold for political, patrimonial, and cultural identity. These claims were enacted within a system which, rather than restoring the initial forms and meanings of existing objects, remodeled the past according to new identity requirements: spaces were reorganized, and works of art invested with new meanings. Their material and aesthetic reality was thus transformed and redefined. The aim is therefore to analyze the potential physical modifications of these artefacts in light of their symbolic recoding. Restoration practices in Italian Renaissance art Reassessing the concept of Renaissance Recording of ancient works for political purposes
Author: Henri de Riedmatten
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111072738
Category : Antiques & Collectibles
Languages : en
Pages : 192
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Book Description
The aim of this publication is to clarify the relationships between material restoration and politics in Italian Renaissance art. The focus of this research is on the question of origin as a foothold for political, patrimonial, and cultural identity. These claims were enacted within a system which, rather than restoring the initial forms and meanings of existing objects, remodeled the past according to new identity requirements: spaces were reorganized, and works of art invested with new meanings. Their material and aesthetic reality was thus transformed and redefined. The aim is therefore to analyze the potential physical modifications of these artefacts in light of their symbolic recoding. Restoration practices in Italian Renaissance art Reassessing the concept of Renaissance Recording of ancient works for political purposes
Author: Richard Block
Publisher: Wayne State University Press
ISBN: 0814335705
Category : Literary Collections
Languages : en
Pages : 324
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Book Description
A study of the lure of Italy in German culture from the eighteenth to the twentieth century. Wearied by his life as an administrator at the Duke’s court in Weimar, in 1786 Johann Wolfgang von Goethe departed unannounced in the middle of the night for what had been the destination of his imagination since childhood: Italy. His extended stay there dramatically affected his views of art, architecture, prose, poetry, and science. When he returned to Germany and Weimar, Goethe’s experiences translated into his life and work in ways that influenced countless others as they developed Germany’s own brand of high culture. The Spell of Italy: Vacation, Magic, and the Attraction of Goethe tracks the peculiar space Italy occupies in the cultural consciousness of German writers by reconsidering the Italian journeys of Goethe and Winckelmann and the legacy of those journeys in the works of Heine, Nietzsche, Freud, Mann, Carossa, and Bachmann. Author Richard Block contests previous assumptions about Italy as a place to encounter classical culture and creative rebirth. His study examines the degree to which Germany’s literary and cultural traditions appropriated a phantasmic Italy, showing how Winckelmann’s art history and Goethe’s Italian journey predisposed later writers to search for an aesthetic ideal in Italy that did not exist, and how their search for this absent ideal eventually resulted in disillusionment and deception. Building on previous work on Goethe, literary theory, and cultural history, The Spell of Italy offers compelling new ways of understanding Germany’s fascination with Italy from the eighteenth century to its troubled political history of the twentieth century.
Author: Mark Osteen
Publisher: University of Virginia Press
ISBN: 081394628X
Category : Literary Criticism
Languages : en
Pages : 431
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Book Description
How many layers of artifice can one artwork contain? How does forgery unsettle our notions of originality and creativity? Looking at both the literary and art worlds, Fake It investigates a set of fictional forgeries and hoaxes alongside their real-life inspirations and parallels. Mark Osteen shows how any forgery or hoax is only as good as its authenticating story—and demonstrates how forgeries foster fresh authorial identities while being deeply intertextual and frequently quite original. From fakes of the late eighteenth century, such as Thomas Chatterton’s Rowley poems and the notorious "Shakespearean" documents fabricated by William-Henry Ireland, to hoaxes of the modern period, such as Clifford Irving’s fake autobiography of Howard Hughes, the infamous Ern Malley forgeries, and the audacious authorial masquerades of Percival Everett, Osteen lays bare provocative truths about the conflicts between aesthetic and economic value. In doing so he illuminates the process of artistic creation, which emerges as collaborative and imitative rather than individual and inspired, revealing that authorship is, to some degree, always forged.
Author: Alexander Nagel
Publisher: Zone Books
ISBN: 1942130341
Category : Art
Languages : en
Pages : 457
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Book Description
A reconsideration of the problem of time in the Renaissance, examining the complex and layered temporalities of Renaissance images and artifacts. In this widely anticipated book, two leading contemporary art historians offer a subtle and profound reconsideration of the problem of time in the Renaissance. Alexander Nagel and Christopher Wood examine the meanings, uses, and effects of chronologies, models of temporality, and notions of originality and repetition in Renaissance images and artifacts. Anachronic Renaissance reveals a web of paths traveled by works and artists—a landscape obscured by art history's disciplinary compulsion to anchor its data securely in time. The buildings, paintings, drawings, prints, sculptures, and medals discussed were shaped by concerns about authenticity, about reference to prestigious origins and precedents, and about the implications of transposition from one medium to another. Byzantine icons taken to be Early Christian antiquities, the acheiropoieton (or “image made without hands”), the activities of spoliation and citation, differing approaches to art restoration, legends about movable buildings, and forgeries and pastiches: all of these emerge as basic conceptual structures of Renaissance art. Although a work of art does bear witness to the moment of its fabrication, Nagel and Wood argue that it is equally important to understand its temporal instability: how it points away from that moment, backward to a remote ancestral origin, to a prior artifact or image, even to an origin outside of time, in divinity. This book is not the story about the Renaissance, nor is it just a story. It imagines the infrastructure of many possible stories.
Author: Cheryl Finley
Publisher: Princeton University Press
ISBN: 0691241066
Category : Art
Languages : en
Pages : 320
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Book Description
How an eighteenth-century engraving of a slave ship became a cultural icon of Black resistance, identity, and remembrance One of the most iconic images of slavery is a schematic wood engraving depicting the human cargo hold of a slave ship. First published by British abolitionists in 1788, it exposed this widespread commercial practice for what it really was—shocking, immoral, barbaric, unimaginable. Printed as handbills and broadsides, the image Cheryl Finley has termed the "slave ship icon" was easily reproduced, and by the end of the eighteenth century it was circulating by the tens of thousands around the Atlantic rim. Committed to Memory provides the first in-depth look at how this artifact of the fight against slavery became an enduring symbol of Black resistance, identity, and remembrance. Finley traces how the slave ship icon became a powerful tool in the hands of British and American abolitionists, and how its radical potential was rediscovered in the twentieth century by Black artists, activists, writers, filmmakers, and curators. Finley offers provocative new insights into the works of Amiri Baraka, Romare Bearden, Betye Saar, and many others. She demonstrates how the icon was transformed into poetry, literature, visual art, sculpture, performance, and film—and became a medium through which diasporic Africans have reasserted their common identity and memorialized their ancestors. Beautifully illustrated, Committed to Memory features works from around the world, taking readers from the United States and England to West Africa and the Caribbean. It shows how contemporary Black artists and their allies have used this iconic eighteenth-century engraving to reflect on the trauma of slavery and come to terms with its legacy.
Author: Andrew C. Johnston
Publisher: Harvard University Press
ISBN: 0674979362
Category : History
Languages : en
Pages : 431
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Book Description
Histories of ancient Rome have long emphasized the ways in which the empire assimilated the societies it conquered, bringing civilization to the supposed barbarians. Yet interpretations of this “Romanization” of Western Europe tend to erase local identities and traditions from the historical picture, leaving us with an incomplete understanding of the diverse cultures that flourished in the provinces far from Rome. The Sons of Remus recaptures the experiences, memories, and discourses of the societies that made up the variegated patchwork fabric of the western provinces of the Roman Empire. Focusing on Gaul and Spain, Andrew Johnston explores how the inhabitants of these provinces, though they willingly adopted certain Roman customs and recognized imperial authority, never became exclusively Roman. Their self-representations in literature, inscriptions, and visual art reflect identities rooted in a sense of belonging to indigenous communities. Provincials performed shifting roles for different audiences, rehearsing traditions at home while subverting Roman stereotypes of druids and rustics abroad. Deriving keen insights from ancient sources—travelers’ records, myths and hero cults, timekeeping systems, genealogies, monuments—Johnston shows how the communities of Gaul and Spain balanced their local identities with their status as Roman subjects, as they preserved a cultural memory of their pre-Roman past and wove their own narratives into Roman mythology. The Romans saw themselves as the heirs of Romulus, the legendary founder of the eternal city; from the other brother, the provincials of the west received a complicated inheritance, which shaped the history of the sons of Remus.
Author:
Publisher:
ISBN:
Category : Aeronautics
Languages : en
Pages : 994
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Book Description
Author: Helen Spande
Publisher:
ISBN: 9781904982449
Category : Art
Languages : en
Pages : 0
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Book Description
Author: Simon Mackenzie
Publisher: Routledge
ISBN: 1315532190
Category : Religion
Languages : en
Pages : 262
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Book Description
Trafficking Culture outlines current research and thinking on the illicit market in antiquities. It moves along the global trafficking chain from ‘source’ to ‘market’, identifying the main roles and routines involved. Using original research, the authors explore the dynamics of this ‘grey’ market, where legal and illegal goods are mixed and conflated. It compares and contrasts this illicit trade with other ‘transnational criminal markets’, such as the illegal trades in wildlife and diamonds. The analytical frames of organized crime and white-collar crime, drawn from criminology, provide a fresh perspective on a problem that has tended to be seen as archaeological, rather than criminological. Bringing insights from both disciplines together, this book represents a productive discourse between experts in these two fields, working together for several years to produce the evidence base that is reported here. Innovative forms of regulation are the most productive way to explore crime control in this field, and this book provides a series of propositions about practical crime reduction measures for the future. It will be invaluable to academics working in the fields of archaeology, criminology, art history, museum studies, and heritage. The book will also be a vital resource for professionals in the field of cultural property protection and preservation.
Author: J. L. Styan
Publisher: Cambridge University Press
ISBN: 9780521274210
Category : Drama
Languages : en
Pages : 292
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Book Description
An exploration of the ways in which Restoration comedy was performed, using the costume, customs, manners and behaviour of the age as a way of understanding its theatre and drama. It also considers problems encountered in early twentieth century revivals of plays by authors such as Etherege, Dryden, Congreve and Farquhar.
